I'm going to read through some Stomp threads. That should be a lot of reading!!
I haven’t done that yet and I own one

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I'm going to read through some Stomp threads. That should be a lot of reading!!

I don't even use that. My Stomp is basically a compressor, some OD, and EQ as well as a direct box. Why I use a Stomp for that is it's small and there's no risk of bumping knobs and messing up settings. I want to plug in and go on Sunday mornings, not try to troubleshoot my rig. The rest of my rig is a G10S and two more switches for the Stomp all on a Mono Lite board with power underneath.
Honestly, I don’t need more than 3 effects. But I do you is for my synth stuff and it’s nice to just label them by song name and scroll through them. That was you can have sight changes to an effect. Between songs without trying to do it live. So simple. Also small which I like. And yeah, knobs can turn and it doesn’t matter. And you have options for down the road.I am happy to report that today is a Stomp GAS free day. That could change by lunch time though.
If I really think about it, I would most likely just use it for 3 effects, which I already have on my board...and I really like the ones on my board. I keep thinking that I would have this powerful effects engine at my feet, but, in reality, I would probably just use it for octave, od and chorus--maybe with a touch of compression. The synth effects sound interesting, but I haven't run into anything that I couldn't cover with my board.
There is a benefit in storing presets to preserve settings. That's something for the 'pro' side of the list.
I would probably just use it for octave, od and chorus--maybe with a touch of compression.
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Me, too. I use that most of the time, and for one of my synth sounds. I also have a few other synth sounds to scroll to.That’s basically the IMA sig preset. And pretty much what use 90% of the time. Great starting place!
If I’m not sure what’s going on, that’s my go to. Plug my P bass in, turn that preset on and everyone’s happy.
I have been wanting to try a Kasleder Jellyfish for a long time. Broke down and ordered one yesterday.![]()
The Jellyfish looks cool, and the videos sound great. I'm curious to hear more when it arrives.
In my mind the only draw back to it is the foot print, all the reviews I've heard make it sound pretty darn fantastic!
Nice!! I too have wanted to try one of those. Please report back![]()
In my mind the only draw back to it is the foot print, all the reviews I've heard make it sound pretty darn fantastic!
Yeah it is a little awkward but fits nicely like this:
View attachment 5369217
Though if it gets captured nicely by the QC....may be a moot point![]()
Speaking of pedal board space....how many overdrive pedals do you guys have on your boards? Do you ever swap them out based on the set? I want to stick with one, but I find that I like certain ones for pick playing and certain ones for fingerstyle. Or, I like the high gain settings on one but not the low gain, etc.
I'm thinking that the pick/OD combo comes up more than the fingerstyle/OD, so it would make sense to go with a pedal that does one thing really well than a pedal that does a few things 85%. (I know, I know...with a Stomp, I wouldn't have this problem, but based on feedback here, I'd still be getting 85-90% from the Stomp.)
I like two have two gain stages: overdrive + something else (low-gain fuzz for synth, boost, or second overdrive). This way I have four levels available at my feet:Speaking of pedal board space....how many overdrive pedals do you guys have on your boards? Do you ever swap them out based on the set? I want to stick with one, but I find that I like certain ones for pick playing and certain ones for fingerstyle. Or, I like the high gain settings on one but not the low gain, etc.
I'm thinking that the pick/OD combo comes up more than the fingerstyle/OD, so it would make sense to go with a pedal that does one thing really well than a pedal that does a few things 85%.
I like two have two gain stages: overdrive + something else (low-gain fuzz for synth, boost, or second overdrive). This way I have four levels available at my feet:
- No added gain (no pedals engaged)
- Level of first gain stage (first pedal engaged)
- Level of second gain stage (second pedal engaged)
- Level of both gain stages (two pedals engaged, stacked)