I have the Walrus Mantle on preorder with their 20% discount. Been pondering the Luce instead combined with the DCX Bass. Great report.I'm thinking about taking the Luce to my next service to see how it does. I'm really impressed with it.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I have the Walrus Mantle on preorder with their 20% discount. Been pondering the Luce instead combined with the DCX Bass. Great report.I'm thinking about taking the Luce to my next service to see how it does. I'm really impressed with it.
I have the Walrus Mantle on preorder with their 20% discount. Been pondering the Luce instead combined with the DCX Bass. Great report.
I don't know if this will help you, but I have the Octamizer and OC-2. Used to have issues with tracking, but by changing a few things, it is much, much better. This advice should work on all analog octavers.Octamizer was first I tried. Tracking issues killed it for me. Thanks.
Just sent it back this morning. Thank you, though! I had tried some of those but not all. 2 & 2 were non-starters, though; I mainly use the neck pickup, and my main bass has only that.I don't know if this will help you, but I have the Octamizer and OC-2. Used to have issues with tracking, but by changing a few things, it is much, much better. This advice should work on all analog octavers.
1. Compressor before the octavers for a consistent dynamics that make it easier to track
2. Neck pick-up only, no bridge
2. Play directly over the neck pickup
3. Generally never go below the lowest B on an E string (A and G# will come through, but things can get sketchy)
4. Use fretwraps to reduce noise if you struggle with keeping strings quiet
5. Play from the E on the A string and up. I feel like it tracks better the closer the note is to the pickup
Now, I have little issues with the Octamizer. I love the sound of it with the clean signal. I use the OC-2 for sub only, and have to take a few more steps to make it behave
I agree with this recommendation. It's in line with the advice posted on Broughton audio website under the title "A note on analog octavers"...which I find most helpful:Used to have issues with tracking, but by changing a few things, it is much, much better. This advice should work on all analog octavers.
1. Compressor before the octavers for a consistent dynamics that make it easier to track
2. Neck pick-up only, no bridge
2. Play directly over the neck pickup
3. Generally never go below the lowest B on an E string (A and G# will come through, but things can get sketchy)
4. Use fretwraps to reduce noise if you struggle with keeping strings quiet
5. Play from the E on the A string and up. I feel like it tracks better the closer the note is to the pickup
behave
www.broughtonaudio.com
That’s pretty much my preferred way to play, anyway!I agree with this recommendation. It's in line with the advice posted on Broughton audio website under the title "A note on analog octavers"...which I find most helpful:
![]()
Synth Voice | Broughton Audio
The Synth Voice is an original analog octaver that has extraordinary tracking, huge headroom, and heavy-hitting synthesized tones. The Synth Voice detects your input signal frequency, and generates a synthesized tone at the same fundamental frequency. The volume of this signal is controlled by...www.broughtonaudio.com
I’ve read conflicting opinions on whether compressors should be before or after synths and octavers.Compressor before the octavers
If i run one before its with heavy compression, low threshold, slow release for a constant note to the octaves for long sustain.I’ve read conflicting opinions on whether compressors should be before or after synths and octavers.
I had mine before and moved it to after. But happy for more opinions on this.
I had that setup but ran out of board space... might try to wrangle it to fit somehow maybe...I have a comp before and after (at the end of the chain)!
I've thoroughly enjoyed getting to know both @rcmbass and @NickyBass outside of this thread, learn about their families and careers, and make a personal connection. Both wonderful generous people.I love your input and updates. You and @projectapollo keep our G.A.S. flowing. You two have been my inspiration for the last two years. I love how you guys are always trying new gear and then reporting back. You guys have really helped me dial in my pedalboard.
Thank you.![]()
I keep the comp at the beginning. At the end, it amplifies the cumulative noise from other pedals.I've had the comp at the beginning for a few months. Then at the end for a few months….
The DCX/Luce combo is compelling.The DCX into the Luce is really nice. There's a lot to like about it. Ideally, two DCXs would be better. One for EQ, one for OD!!
But, I'm thinking that I will put this aside for later. After this coming service, the next time I am on, we are doing an original song that we're probably going to record, so I figure I'll bring the Noble for that one since I know it so well.
The DCX/Luce combo is compelling.
As for the dirt, we need someone to buy the new JHS Morning Glory Clean, field test, and report.
Have you seen this video @Switcharoo posted elsewhere? The secret DI, that ahem opened up like a beautiful Micro Orchid flower, with the DCX, sounded awesome IMOThe DCX into the Luce is really nice. There's a lot to like about it. Ideally, two DCXs would be better. One for EQ, one for OD!!
But, I'm thinking that I will put this aside for later. After this coming service, the next time I am on, we are doing an original song that we're probably going to record, so I figure I'll bring the Noble for that one since I know it so well.