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Yamaha BBP35 vs BB435 - opinions?

I've played both and had a P35. The 435 was a great bass, no doubt. The BBP35 was an amazing bass. Just rock solid. I sold because it was heavier than what I wanted to deal with. But the feel, sound and especially the B string were just amazing. You could put a custom builders name on there and charge another $1000. Seriously amazing bass. Yes expensive compared to Yamahas lower price options, but a bargain if you compare it to basses of similar quality.
 
I've played both and had a P35. The 435 was a great bass, no doubt. The BBP35 was an amazing bass. Just rock solid. I sold because it was heavier than what I wanted to deal with. But the feel, sound and especially the B string were just amazing. You could put a custom builders name on there and charge another $1000. Seriously amazing bass. Yes expensive compared to Yamahas lower price options, but a bargain if you compare it to basses of similar quality.
The price is lower than Lakland Skylines, American Fenders, or G&L at $1,599 for a BBP35.
 
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The current BB's are excellent values at each of the series' price points. However, as others have pointed out, IF the budget permits, the MIJ BBP is a noticeable step up, built by Yamaha's best, Music Kraft, the same shop that makes the JP's, Billys, and Nates.

Yamaha approaches these things as a whole, and the pickups are noticeably passive, built to work with the rest of the axe. That they're an engineering company, as @agedhorse has pointed out is staring back at you: The particular wood sandwich with their IRA treatment (I'd think that's BS if this was anybody other than Yamaha), the 45-degree neckthru insertion, the neck joint, etc. If you look a BBP over closely, you see lots of little tweaks, like you'd see on a race vehicle, all designed to add up into something better.

The BBP's are one of those products that Yamaha releases every so often (think DX keyboards, Recording Custom drums, CX grands, and so on) that reminds you that they are not just another Japanese builder, but a company capable of re-inventing the game.
 
My feeling is that an audience or engineer will not hear a great difference if you use either bass. I am sure the BBP35 is superior in construction and components, but improvements are not dramatic.




As a professional (and gear geek) and I am speaking only from personal experience and IMO I find the difference dramatic. The 'fit and finish', if that is of relevance to a player, is very much on a next level with the BBP made in Japan models. It matches my JP2s and Nathan East Yamahas in terms of feel and build quality. There is a definitive 'exceptionalism to the resonance'. The 435 I played was very similar to my original Yamaha 425. Nice bass, giggable, studio bass but felt, sounded and played like 'mid level' bass. In fact because it was.
 
As a professional (and gear geek) and I am speaking only from personal experience and IMO I find the difference dramatic. The 'fit and finish', if that is of relevance to a player, is very much on a next level with the BBP made in Japan models. It matches my JP2s and Nathan East Yamahas in terms of feel and build quality. There is a definitive 'exceptionalism to the resonance'. The 435 I played was very similar to my original Yamaha 425. Nice bass, giggable, studio bass but felt, sounded and played like 'mid level' bass. In fact because it was.

I have no doubt you can hear and feel the difference. My post you referenced said I doubted that engineers and and audiences would notice a big difference. I say buy what you can comfortably afford.
 
I have no doubt you can hear and feel the difference. My post you referenced said I doubted that engineers and and audiences would notice a big difference. I say buy what you can comfortably afford.
Sure, I understand. Engineers and audience are a different conversation/topic IMO, but I was speaking to this:

I am sure the BBP35 is superior in construction and components, but improvements are not dramatic.

I suppose you would have to define 'dramatic'. But as we know, 'major' or 'dramatic' improvements are not linear with gear. It is that last 10% that cost significantly more in time and money, while 'function' remains the same. You can feel and experience that 10% with the BBP from my experience. At some point in our development or for some players anyway, that 10% is the only goal or real defining difference we seek. For others it makes less of a difference which is why I said 'if' it is important to you as a player. None of it changes our skill level. :)
 
Sure, I understand. Engineers and audience are a different conversation/topic IMO, but I was speaking to this:



I suppose you would have to define 'dramatic'. But as we know, 'major' or 'dramatic' improvements are not linear with gear. It is that last 10% that cost significantly more in time and money, while 'function' remains the same. You can feel and experience that 10% with the BBP from my experience. At some point in our development or for some players anyway, that 10% is the only goal or real defining difference we seek. For others it makes less of a difference which is why I said 'if' it is important to you as a player. None of it changes our skill level. :)

I agree with you. I can feel huge difference in my nicest and least expensive basses. I think very little of it matters to folks listening in church or the online service broadcasts.
 
I own 2 top end BB's (BBP35, 2025x) and 2 mid-level (425x) - I love all of them but the differences in feel, tone & resonance are marked. As others stated, think Custom Shop vs. off the shelf.

The standard BB's are great instruments - no doubt, I own a couple myself. But if you experience playing a BBP35 or BB2025 you can tell immediately they are something special unto themselves - a cut above anything you're gonna find on a GC floor (by a longshot).

It truly does play, feel, resonate & sound like a master craftsman spent his knowledge & time invested in making this instrument with pride and perfection with the best cuts of dried & seasoned woods. :thumbsup:

Yamaha-BBP35-1.jpg

IMG-20190718-185041694.jpg
 
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I own 2 top end BB's (BBP35, 2025x) and 2 mid-level (425x) - I love all of them but the differences in feel, tone & resonance are marked. As others stated, think Custom Shop vs. off the shelf.

The standard BB's are great instruments - no doubt, I own a couple myself. But if you experience playing a BBP35 or BB2025 you can tell immediately they are something special unto themselves - a cut above anything you're gonna find on a GC floor (by a longshot).

It truly does play, feel, resonate & sound like a master craftsman spent his knowledge & time invested in making this instrument with pride and perfection with the best cuts of dried & seasoned woods. :thumbsup:

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You’ve got bragging rights!:thumbsup:
 
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I own 2 top end BB's (BBP35, 2025x) and 2 mid-level (425x) - I love all of them but the differences in feel, tone & resonance are marked. As others stated, think Custom Shop vs. off the shelf.

The standard BB's are great instruments - no doubt, I own a couple myself. But if you experience playing a BBP35 or BB2025 you can tell immediately they are something special unto themselves - a cut above anything you're gonna find on a GC floor (by a longshot).

It truly does play, feel, resonate & sound like a master craftsman spent his knowledge & time invested in making this instrument with pride and perfection with the best cuts of dried & seasoned woods. :thumbsup:

View attachment 4249541
View attachment 4249542

It's a shame they didn't go with that beautiful curved forearm cut from 2024/5 in P34/5.
 
Thanks for all the feedback everyone.

As much as I would love to buy the BBP35, and have the means to buy it, I am still not sure I’m a 5 string player.

I was originally looking for a Craigslist deal, then the Yamahas hit me.

Then I stepped up from the 235 to the 435.

I think that either way with the Pro or the 435 I’ll be ok.
 
If anything I'd say the pickups are probably the weakest point with the BBP34, at least for my personal taste. Not that the pickups are poor, they're not. But they are a bit brighter/tighter than I had expected from a bass that looks more or less like a Fender. Compared to a Fender P-bass the BBP34 is brighter, "faster" and with more aggressive upper mids.

I would not say weak, but simply modern voiced. I replaced the PUs in my BBP35 by Delanos, mainly because the SC was humming, and it made a difference in the sound.
It now sounds much closer to the classic P-sound, which I really like, and the bridge PU is noise cancelling and dead quiet now.
As others have said, this bass is fantastic in terms of craftmanship and wood selection/treatment. It has become my number 1 for cover/rock music when I need a 5 string.
 
I would not say weak, but simply modern voiced. I replaced the PUs in my BBP35 by Delanos, mainly because the SC was humming, and it made a difference in the sound.
It now sounds much closer to the classic P-sound, which I really like, and the bridge PU is noise cancelling and dead quiet now.
As others have said, this bass is fantastic in terms of craftmanship and wood selection/treatment. It has become my number 1 for cover/rock music when I need a 5 string.

I agree, poor choice of word on my part. The pickup is definitely not "weak". I was simply trying to explain that the pickup is the one thing I like the least about the BBP34. The pickup is only the weak link for ME because every other aspect of the BBP34 is so outstandingly high quality and I had expected the pickup to be voiced more like a classic P. But like you said, it definitely has a more "modern" voicing and for lots of people that would actually be a positive thing.
 
it definitely has a more "modern" voicing and for lots of people that would actually be a positive thing.

Yamaha stated that their goal with the current BB series was to open up the top end a bit further than the previous generation of BB as an appeal to a more contemporary generation of players.

Granted, I prefer the more vintage tone of the last gen, but having heard the BBP35 I definitely appreciate the extra clarity I am hearing. Chords, tapping, slapping, etc all benefit from the enhanced clarity.

On the one hand, I sometimes find myself boosting the high end on my amp when I'm using my previous generation BB's (425X) for some styles of music, and often times rolling back the highs on my BBP35 to attain a more vintage type of tone.

Either way, it's all slight variants of the same awesome BB tone. :bassist:
 
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I wonder why these are a lot less than the previous 2000 series BBs. I think were around $2400 when they came out.

Not sure, but I'm not complaining. My only guess is that maybe they felt the astronomical pricing of the previous top-of-the line BB series was hindering sales. I was extremely lucky to find my BB2025x pre-owned, at a fantastic price.

I purchased my BBP35 brand new from Sweetwater, but had Yamaha maintained those sky-high prices for the top of the line BB's, I'm pretty certain I wouldn't have obtained a BBP35 (at least not for quite some time, if at all).
 
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