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Your Dream P Bass?

I don't think P-Bass as a concept is about "dream basses"; it's about cool basses mass produced from interchangeable parts. My "dream P-Bass" would be a white PJ that's a lot like my modded black Fernandes PJ, only with the back of the neck unpainted with a thin matte finish. My other dream P is a mid-50s style. And my 3rd "dream" P has a jazz neck and a lightweight ash body that's only finished enough to keep the wood stable.

I could keep inventing dream ps all day long.
 
Warmoth Build FSO, Some kinda fancy shmancy lookin body, Maple neck and FB, Bad Ass (or clone) bridge, Schaller Pegs, Hipshot on the E. Pickups if it was just a P probably Quarter Pounders, If it were truly my dream P it would be a PJ with Dimarzio Model PJ's... or maybe Geezers... But then Possibly active... and then maybe fretted and fretless with the fretless being Rosewood... Preposterous. Only if these two were lost.
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5 string Jazz basses are my main players now, so I would use the P-bass primarily for my own private practice or specific songs. It would be a passive 5 string Squier, fretless, olympic white, with ebony fingerboard and La Bella flats. I'm already thinking about buying an affinity 5 string from Sweetwater and de-fretting it to get close to this goal. I could forget about the ebony fingerboard.
 
A G&L LB100, U.S.A. MADE, custom shop. Empress wood body, maple neck, rosewood board and a 1 1/2” nut width. Came in at 6.7 pounds! In a lovely Shoreline Gold with matching headstock and a Tort guard.
Of course GAS being what it is, I sold it to fund a Sadowsky NYC P/J. Very happy with that purchase but this was probably the nicest P I’ll ever own.
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Happy with my ‘75. It’s been with me all over the world for many years.
I do miss the ‘65-66 a used briefly. I think it was all-round a better P.
The best sounding Precision I’ve ever played was a ‘59-60 slab board that had had some unfortunate modifications (bad refinish and pick guard, weird tuners). I did an A-B test against my ‘75 and it sounded amazing.
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I'd probably end up with a slightly tweaked Warmoth parts bass. I play an American 60's RI that I'm fairly happy with, but it needs some help too. I find myself in positions where a P is pretty much a strong suggestion, if not a requirement.

I've tried to find a more boutique-build P Bass, but the simple specs I have aren't offered (Sadowsky) or the instruments aren't executed and/or designed to a standard that I'd pay 3-5 k for (all the rest).
 
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