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Your Opinion on 8x10's

I never owned the 412 but I played Brett's V8 through one several times when I owned it. Sounded blissful albeit different than the sealed 10 sound. I suggested the 610 to kinda stay in the realm...

I'm overly cautious these days on threads because either the word police or the old dudes who haven't found this century spit their dentures out trying to respond fast enough with their supposed "professional" opinion word drivel attacks and frankly, it's not worth getting their blood pressure any higher as I'm sure they are already paying for their doctors cottages as it is.

I certainly am not shy when it comes to saying the Berg stuff crushes any other production cab and rivals most customs.

Hopefully I'm not responsible for the extinction of the dinosaurs with that statement. :)

If you're lucky enough you may get to be old as well. Living to an advanced age is a gift not a curse as you MAY believe. Not everyone makes it grasshopper.

If you live long enough one day it will happen to you as well. Out of no where some kid will call you Sir!!! :-)
 
Again, the OP is asking about 810s not 112s. Its great that a couple of112s works for you but suggesting to someone looking for an 810 is ridiculous. People suggesting 215s, 610s and 412s i can kind of understand. But this....are we really going there TB?

The point of my post was really that getting the drivers up where you can hear them is probably what most players actually like about an 8x10... Part of the equation today some 40 years past the onset of the 8x10 is that PA technology has improved dramatically. In any half way to 'with it' band, everything is in the PA which relegates the bass rig to monitor status...

I actually have spent considerable time in front of both square back and towel bar fridge cabs... Reality is that they look way better than they perform. There are other better choices in cab technology today that allow for lighter, louder, deeper, higher than an 8x10 configuration. Most non-endorsers get that... On non-arena, non-backline supplied stages, the 8x10 is paleolithic at this point...
 
Reality is that they look way better than they perform. There are other better choices in cab technology today that allow for lighter, louder, deeper, higher than an 8x10 configuration.

you can't say that any of those points make a cab better than another, they only make it different.

i run 3 high pass filters in my rig (HP mode on my Oh See Demon, FDeck HPF and the FAC on my Matamp), going lower is not an advantage for me. lighter is also not an issue since i never have to lift my cab. higher is not better because with "too much" high end resonse i don't like the sound of my fuzzes. i get all the volume I need out of my cab, going louder is uneccessary and a more efficient cab would mean i would have to turn the volume down on my amp and thus lose the power tube distortion.

there is nothing wrong with wanting cab that is visually appealing either. some may even feel the visual aspect is more important. personally, gigging with a 115 with my band would look ridicoulous. our audience enjoys the look of the rigs as much as the music.
 
You're right. And per my post, a man with a Trace V8 deserves something better. That IS my opinion on 810's which is what he was asking.

+1. My opinion on 8x10s is also ":spit:." Industry standard is only industry standard until industry comes up with something better.

That said, if I'm not the one moving it, I'll play through damned near any cab. :D
 
Not everyone considers "lower bass/higher treble/clean mids" and all that to better, some of us specifically don't want that in a bass rig.

Some 810's have a built in tone and feel, and it sounds "better", subjectively, obviously.

My 810 experience is Ampegs and SWR's. 610's are the Berg and the SWR. The Ampeg and the Berg are in the same family. The SWR is different all together, but also a good sound. Deeper, not as "vintage".

I also have 3-way PA tops and an 18" that is an honest -3db @39hz. Put those together with an active XO and my Crown XLS 402 and it does everything sonically a fEarful does......I NEVER use that setup as a bass rig. Cool sound but not my style at all. Though I'd be lying if I didn't say my Carvin bass, with it's more modern tone didn't sound cool through it. I still "vintage it up" for gig sound, and send that to the aforementioned widerange clean/clear sounding rig that makes up the PA, which is where stuff like that belongs, IMO.


The fEarful stuff with the newer full crossovers would make PA cabs that can slam though, if you're looking for something that can do lows without subs.
 
1st, I didn't say a 15/6, although it's clearly a monster in it's own right.

2nd, if someone likes 810s in general (or a specific 810), that's great. Terrific. Have at it. It's about what each guy likes. But to claim the 810 Vd that you do is simply wishful thinking. Mass-marketed 810s employ drivers that are (& must be, economically) pedestrian. A pretty good guess at 810 displacement is in the 800-900cc range. A single 3015LF clocks in @ 845cc.
Greenboy once said that a 15/6 will move a little more air than a standard 410...pretty sure he estimated that it would move as much as a 510. So that would mean a 1515/66 would move about as much air as a 1010. That to me is not burying the 810 but putting out a little more. So for that reason, I stand behind what I said. Greenboy is a good friend, we've had many a good hour-long conversation over the phone, and I like what he does a lot. But he never exaggerates claims, and quite honestly, his fans who do hurt his business.

But let's assume this "bury an 810" thing is accurate. I have turned up my Heritage SVT-CL/810e all the way and lasted about 5 seconds before I started getting nauseous. There is absolutely no way I could take standing in front of one turned up that loud, and I seriously doubt many people can. So when someone says X cab buries an 810, my question would be, "How many of us are ever in a situation where they need so much air movement it buries an 810?"

That isn't to say fEarful and fEarless cabs aren't a valid choice. They absolutely are. Darn good one, too. But they are a whole different ballgame from the 810, and a lot of us prefer the more traditional bass cabs. 3-way cabs are nothing new...I've seen bass players use them since the 70's and I've played through plenty of them. They do sound really good. I'd still rather have an 810...I know lots of others who would still rather have an 810. Why you 3-way cab fans think we shouldn't prefer the 810, I will never understand.
 
Two words: Bergantino NV610.

The rest are just runners up. ;). Plus, it's smaller and lighter.

As I like to say, my favorite 8x10 is the Bergantino 6x10.



It's still a big cab, but not as scary looking at, say, wedding gigs. It tilts back and rolls quite easily, the only problem is stairs. And it fits in the back of my Forester, sideways -- so, I don't have to fold the rear seats flat to make room for it.

I have smaller cabs for tiny gigs, but the NV610 is my a-number-one go-to cab, best bass cab I've ever heard.
 
I think there was a time the NV610 was cleaning Ampeg's clock for tone. That time was 2000-2006. But with the improvements LOUD made in the standard cabs, and the absolutely stellar job they did recreating the 70's Flatback sound for the Heritage 810e, I don't think I'd say that anymore. And that ain't endorser-speak.
 
2nd, if someone likes 810s in general (or a specific 810), that's great. Terrific. Have at it. It's about what each guy likes. But to claim the 810 Vd that you do is simply wishful thinking. Mass-marketed 810s employ drivers that are (& must be, economically) pedestrian. A pretty good guess at 810 displacement is in the 800-900cc range. A single 3015LF clocks in @ 845cc.

fEarful owner/fan here. I don't think you're being quite fair to 810's, there. So I'll take a stab at it, maybe help the OP in comparing what ya'll are talking about here.

Give the 810's their due. A lot of folks like them, and depending on what one wants, they can do the job well. They'll fill a room with bass. Not necessarily sub/low bass, but not everyone wants that. Most roll off lows in a range that can be useful... even with cabs that can do lower there are times when a HPF set in that same neighborhood can be a good thing. They usually roll off highs in a place that works pretty well for bass for a lot of players.

They don't disperse like a 2 or three way cab... but as a stage monitor beaming can be dealt with, or even be what is desired. They often have a bump in frequency response right where some might want to have a bump in frequency response.

Yeah, big and heavy. Not a problem for some, plus wheels/handles make them easier to move than smaller/wheel-less cabs in some situations.

In other words... they are what they are. Like anything, they have strong and weak points. When the strong points match up with what you want, and the weak points aren't things that matter to you, and you like the way it sounds... sure. Get an 810 and be happy with it. Those points didn't line up that way for me, I didn't get one, and I ended up happier with something else. Yay! :bassist: And if I really did prefer the sound of an 810, I probably would have been looking at the Barefaced '69er that Mr Foxen mentioned.

In terms of "moving air" no, a single 15/6 won't whoop a good 810 (don't think I've ever heard anyone say that). A dual 3015 or 3012LF won't either, though they are getting in the ballpark for it... matching or beating some, not others. To be fair, I do my "compare to typical full range 10s" Vd math with an Eminence Legend 810. BFM has said it's pretty darn close to what ships in the Ampeg 810e and higher-end 8x10's nowadays. It had good Vd for a 10, way better than the estimate you give. Here's raw air movement numbers, with an "ballpark equivalent in Legend 810s" figure tacked on to the end:

Eight Legend 810's = 1321.6 cc

Single 3012LF = 494 cc (3x10)
Single 3015 = 505 cc (3x10)
Single 3015LF = 845.9 cc (5x10)

Dual 3012LF = 988 cc (6x10)
Dual 3015 = 1010 cc (6x10)
Dual 3015LF = 1691.8 cc (10x10)

Note that the figures don't take into account any increase in air movement (up to almost double) due to port tuning. (See Barefaced's article on the subject here.) Doesn't account for any mids or tweets, either. Just the simplest hard data available on the woofers doing the "air moving", from a reliable source.

Putting down the paper, I agree with CL400Peavey that my 1212/6 is in the ballpark with some 8x10s. Maybe it loses and an out-and-out peak SPL war, maybe not. But how often does one actually have to push either cab to those limits? Pretty much never. Both can put out plenty of sound for pretty much any occasion. The rest is a matter of taste, preferences, and special needs.

But given that real-world comparison, and the raw Vd data, plus the potential for even more air movement due to good tuning... I think I'd put my money on a '66 smacking an 810e pretty hard.

Only one way to know for sure, though. A duel/faceoff at a GTG somewhere. Who wouldn't love to see that? Maybe a Heritage SVT & 810 vs. a Classic 400 on a '66? And then more power... swap out the tube heads and try it with an SVT-7Pro & Carvin B2000? :D

:hiding:
 
Only one way to know for sure, though. A duel/faceoff at a GTG somewhere. Who wouldn't love to see that? Maybe a Heritage SVT & 810 vs. a Classic 400 on a '66? And then more power... swap out the tube heads and try it with an SVT-7Pro & Carvin B2000? :D

Well I *have* sat down with an 810e to compare it to my '66, and I know the outcome of that test.

That said Im all for the throw down I'll bring the '66, Classic 400, B1500, and something paired with a bridged ProLite 3.0. Just need a witness and someone with a the SVT rig.
 
Greenboy once said that a 15/6 will move a little more air than a standard 410...pretty sure he estimated that it would move as much as a 510. So that would mean a 1515/66 would move about as much air as a 1010. That to me is not burying the 810 but putting out a little more. So for that reason, I stand behind what I said. Greenboy is a good friend, we've had many a good hour-long conversation over the phone, and I like what he does a lot. But he never exaggerates claims, and quite honestly, his fans who do hurt his business.

But let's assume this "bury an 810" thing is accurate. I have turned up my Heritage SVT-CL/810e all the way and lasted about 5 seconds before I started getting nauseous. There is absolutely no way I could take standing in front of one turned up that loud, and I seriously doubt many people can. So when someone says X cab buries an 810, my question would be, "How many of us are ever in a situation where they need so much air movement it buries an 810?"

That isn't to say fEarful and fEarless cabs aren't a valid choice. They absolutely are. Darn good one, too. But they are a whole different ballgame from the 810, and a lot of us prefer the more traditional bass cabs. 3-way cabs are nothing new...I've seen bass players use them since the 70's and I've played through plenty of them. They do sound really good. I'd still rather have an 810...I know lots of others who would still rather have an 810. Why you 3-way cab fans think we shouldn't prefer the 810, I will never understand.

All well put. Agree with pretty much all of that... not much different from what I just (cross)posted, really. Cheers.

:cool:
 
For the OP, I'd check out the Markbass 8x10 (108HR). I love my Markbass 4x10 from the same line (104HR), and I think I'm shortly going to add a second (personally I prefer having two 4x10's because it's easier for me to transport and give the flexibility of bringing only one for smaller gigs). Plus the Markbass 8x10 is less than 90 pounds, which is insane.
 
Well I *have* sat down with an 810e to compare it to my '66, and I know the outcome of that test.

I haven't actually done that with the 1212/6, just shared many gigs with them on the same stage, and played a few myself separately.

Kinda like Jimmy was saying... in my case no one was actually able to turn up enough to compare any limits, even without PA. The only reason to do it would have been for the sheer fun of it, and to piss off everybody else in the joint, lol.

That said, it *would* be fun. Outcome doesn't even matter, that much bass would make me giddy. :hyper:
 
I think there was a time the NV610 was cleaning Ampeg's clock for tone. That time was 2000-2006. But with the improvements LOUD made in the standard cabs, and the absolutely stellar job they did recreating the 70's Flatback sound for the Heritage 810e, I don't think I'd say that anymore. And that ain't endorser-speak.

I remember years back when the nv610 came out. The big deal was getting a comparison to the orig flatbacks. I recall opinions either split or in favor of the Berg. Plus i think the 610 came out in 05. Heck even if they are equivalent performers, size and weight make the berg a winner all day. For me. :D
 
Greenboy once said that a 15/6 will move a little more air than a standard 410...pretty sure he estimated that it would move as much as a 510. So that would mean a 1515/66 would move about as much air as a 1010. That to me is not burying the 810 but putting out a little more. So for that reason, I stand behind what I said. Greenboy is a good friend, we've had many a good hour-long conversation over the phone, and I like what he does a lot. But he never exaggerates claims, and quite honestly, his fans who do hurt his business.

But let's assume this "bury an 810" thing is accurate. I have turned up my Heritage SVT-CL/810e all the way and lasted about 5 seconds before I started getting nauseous. There is absolutely no way I could take standing in front of one turned up that loud, and I seriously doubt many people can. So when someone says X cab buries an 810, my question would be, "How many of us are ever in a situation where they need so much air movement it buries an 810?"

That isn't to say fEarful and fEarless cabs aren't a valid choice. They absolutely are. Darn good one, too. But they are a whole different ballgame from the 810, and a lot of us prefer the more traditional bass cabs. 3-way cabs are nothing new...I've seen bass players use them since the 70's and I've played through plenty of them. They do sound really good. I'd still rather have an 810...I know lots of others who would still rather have an 810. Why you 3-way cab fans think we shouldn't prefer the 810, I will never understand.

Agreed on all of the above - one fan here insists on repeating the claim(on a regular basis) that a 15/6 can meet or exceed the output of a 610 - despite the fact that no one has ever done such an A/B test in real life...


- georgestrings