A second 2000s cab??![]()
Indeed. I'm actually loading K140s into it as we speak......
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
A second 2000s cab??![]()
NiceIndeed. I'm actually loading K140s into it as we speak......

jastacey said:The reason I moved on from the V4-B, is it just gets too dirty, too soon, the Traynor YBA-3 is a much cleaner sounding amp, especially when loaded with 6CA7 tubes, and if you do the mods as described on the Velvet Black website, it makes it a very nice sounding/desirable gigging amp ..... IMHO![]()
The reason I moved on from the V4-B, is it just gets too dirty, too soon, the Traynor YBA-3 is a much cleaner sounding amp, especially when loaded with 6CA7 tubes, and if you do the mods as described on the Velvet Black website, it makes it a very nice sounding/desirable gigging amp ..... IMHO![]()
The only thing it would do IMHO would be like activating a -15db switch for active basses. It's still going to start breaking up at the same exact point...you just moved it further up the dial. I guess it would be less touchy if you need to do on the fly adjusting, but that would be about it.
BTW, don't forget that the Valve Jr. was invented by the guy who runs Ampeg now, so don't sell that little sucker short!
My V4B has always had a good amount of juice for the gigs I've used it for, but I agree... it seems to break up fairly early. I wonder if anyone's ever replaced the 12AX7's with 12AU7's. I did that in my Valve Jr. and it made a world of difference. It started breaking up at 1/3 on the volume knob, but after the 12AU7, I can turn the knob about 90% before it hits overdrive. Maybe it's blasphemy, but I wonder what a set of 12AU7's would do for a V4B? Wouldn't hurt anything to try, right? (don't worry, I'd keep the original tubes of course).
Just throwing spaghetti at the wall...
5sg.
Man, my little Valve Jr. seems a little small and pitiful in comparison. lol
5sg.
I've done quite a bit of tube rolling in V4-B amp, and the best sound I got from it was using a GE: NOS 5751, in the V1 position, if you replace the 6K11 Compacton, use a GE 6K11, it seemed to produce the best sound, as it is part of the midrange circuit, it basically tightened up the feel of the mid-range control ... IMHO, it seems the V4-b is very picky as to what tubes sound good, in that amp .... as to the early break-up, I believe it's just the way the amp was designed, and there is no fix for it, but many people just love the sound of the amp, but I'm not one of them
It's a bit of a habit, y'know. You can't confuse those of us who collect/accumulate stuff with people that have sane thought processes.
My V4B has always had a good amount of juice for the gigs I've used it for, but I agree... it seems to break up fairly early. I wonder if anyone's ever replaced the 12AX7's with 12AU7's. I did that in my Valve Jr. and it made a world of difference. It started breaking up at 1/3 on the volume knob, but after the 12AU7, I can turn the knob about 90% before it hits overdrive. Maybe it's blasphemy, but I wonder what a set of 12AU7's would do for a V4B? Wouldn't hurt anything to try, right? (don't worry, I'd keep the original tubes of course).
Just throwing spaghetti at the wall...
5sg.
The gain from a 12AU7 is about 60% of a12AX7, so that explains the different volume control settings. If you need the output you have now, you'll have to decide if it's enough with the 12AU7. You could try that or 12AY7- both provide less gain than a 12AX7.
correction GF (gain factors):
12AX7 = 100
12AU7 = 19
12AY7 = 45
12AT7 = 60
5751 = 70
IME, the only ones that won't kill your tone in place of an 12AX7 is a 5751 (GF=70) and a 12AY7 (GF=45).
What about the 12AT7? That seems in the middle at GF=60. I have one of those in the PI slot of my B15R. Pretty nice, but noticably lower volume from when I got it with a 12ax7 in the PI slot.
in blackface fender amps, i prefer the stock 12AT7 in the PI, but i can't stand the way that an AT sounds in the preamp gain or tone stages in place of an AX. they thin out the tone way too much, and make them sound harsh/brittle.
5751's and AY's don't exhibit that effect.
IME, an AX used in the PI slot, when there is supposed to be an AT, will sound a bit to 'fizzy' and gainy to me.
Imagine what would happen if we turned these on all at once ?
Let's all go to Tom Bowlus' basement and give it a try.Imagine what would happen if we turned these on all at once ?