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...It took ~5 months from when they shipped it out to when it arrived?? Glad you got your bass! Sorry, don't understand your question about the "anchor" and carbon neck. Could you clarify?View attachment 4938762 Finally got in touch with the new gear which is certainly great in touch and sound. Had to fix the E string that was unproperly cutted and thus impossible to tune, no other issues so far. Does anybody know what is the anchor supposed to do with the carbon neck?
Yes, things appear quite complex nowadays). We have the anchor tuner which does not affect the neck curve...It took ~5 months from when they shipped it out to when it arrived?? Glad you got your bass! Sorry, don't understand your question about the "anchor" and carbon neck. Could you clarify?
, at least within the reasonable force range, qurious about the meaning behind that...That anchor is the base of the truss rod, which on Zon basses rarely needs adjustment due to the stability inherent in the design. I would adjust a Zon truss rod *much more gradually* than I would with a traditional wood neck, on the order of "1/4 turn, then wait a day to see."Yes, things appear quite complex nowadays). We have the anchor tuner which does not affect the neck curveView attachment 4938789 , at least within the reasonable force range, qurious about the meaning behind that...
"1/4 turn, then wait a day to see"
Beautiful Vinny!View attachment 4938762 Finally got in touch with the new gear which is certainly great in touch and sound. Had to fix the E string that was unproperly cutted and thus impossible to tune, no other issues so far. Does anybody know what is the anchor supposed to do with the carbon neck?
I would rather expect that behavior from certain kinds of wood, not carbon. The anchor could be introduced as the fake for other manufacturers to prevent them from easy copying).
here's the problem: not everyone wants the same neck relief (curvature). Some play with light touch on super low action and want a flatter neck. Some play hard on high action and want more curvature.
That was actually my target to get some more of the curve. Would be interesting to hear some real experience with Zon to achieve that.
Yes, things appear quite complex nowadays). We have the anchor tuner which does not affect the neck curveView attachment 4938789 , at least within the reasonable force range, qurious about the meaning behind that...
That anchor is the base of the truss rod, which on Zon basses rarely needs adjustment due to the stability inherent in the design. I would adjust a Zon truss rod *much more gradually* than I would with a traditional wood neck, on the order of "1/4 turn, then wait a day to see."
Ideally, if I'm being patient (and the neck's not obviously way out-of-whack), that's the approach I take with wooden necks, too ("1/4 turn, then wait and see").
Speaking of which, something I've been told by more than one person who should know is that, "the truss rod is for holding the adjustment, not moving the neck against tension." I.e. if you're loosening the truss rod (gradually) with the strings up to pitch, that's fine, but you shouldn't make it do the work of pulling the neck into adjustment (tightening) against the force of the strings -- you can slack the strings or gently and carefully give the truss rod a hand moving the neck (with your hand) or both.
If this is true for wooden necks, I imagine that it would be equally true for carbon/composite necks (moreso, if they're stiffer than wood).
I'm not a luthier or a tech, so I hesitate to say more, but I wouldn't be trying to flatten the neck (if that's what you're doing) against full string tension using just the truss rod adjustment screw. I'd probably loosen the strings most of the way, give it that 1/4 turn (and I'd loosen it a bit before tightening, just in case the truss rod's stuck), tune it back up to pitch and wait/play it for a bit before doing much more.
If the truss rod then seemed unduly hard to turn -- or out of travel -- or like it still had no effect on the relief, I'd contact Zon. Needless to say, don't force anything!
That's all I've got -- good luck!
Ideally, if I'm being patient (and the neck's not obviously way out-of-whack), that's the approach I take with wooden necks, too ("1/4 turn, then wait and see").
Speaking of which, something I've been told by more than one person who should know is that, "the truss rod is for holding the adjustment, not moving the neck against tension." I.e. if you're loosening the truss rod (gradually) with the strings up to pitch, that's fine, but you shouldn't make it do the work of pulling the neck into adjustment (tightening) against the force of the strings -- you can slack the strings or gently and carefully give the truss rod a hand moving the neck (with your hand) or both.
If this is true for wooden necks, I imagine that it would be equally true for carbon/composite necks (moreso, if they're stiffer than wood).
I'm not a luthier or a tech, so I hesitate to say more, but I wouldn't be trying to flatten the neck (if that's what you're doing) against full string tension using just the truss rod adjustment screw. I'd probably loosen the strings most of the way, give it that 1/4 turn (and I'd loosen it a bit before tightening, just in case the truss rod's stuck), tune it back up to pitch and wait/play it for a bit before doing much more.
If the truss rod then seemed unduly hard to turn -- or out of travel -- or like it still had no effect on the relief, I'd contact Zon. Needless to say, don't force anything!
That's all I've got -- good luck!
.3 on which string? Sounds like a simple rule. I like it.Thank you for details. What we used to do at school was setting 0.3 mm gap at fret 8 while holding fret 17. Sometimes you need less metal noise from frets and tune the rod to achieve greater gap. I had experienced no issues with that on my JB for years. The headless carbon staff appears to lack this feature unless that requires some extra force to accomplish. I have actually expected something like this and I may certainly live with it and have some fun).
Are you also holding down at the 1st fret, in addition to the 17th fret, when taking this measurement?Thank you for details. What we used to do at school was setting 0.3 mm gap at fret 8 while holding fret 17. Sometimes you need less metal noise from frets and tune the rod to achieve greater gap. I had experienced no issues with that on my JB for years. The headless carbon staff appears to lack this feature unless that requires some extra force to accomplish. I have actually expected something like this and I may certainly live with it and have some fun).
String 4 in my case, there was a set of standard probes to check that with my tutor..3 on which string? Sounds like a simple rule. I like it.
The answer is no.Are you also holding down at the 1st fret, in addition to the 17th fret, when taking this measurement?
I think the bass has a zero fret so probably not imperative to do so although it would make measurements bass to bass more consistent.Are you also holding down at the 1st fret, in addition to the 17th fret, when taking this measurement?
Ah, zero fret. Sorry to not have noticed that ("headless"); my apologies. Yes, no need to do so!I think the bass has a zero fret so probably not imperative to do so although it would make measurements bass to bass more consistent.