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I have a Mike Pope Flexcore in mine. Very happy with the results.

carsonchilders said:

Do you being it everywhere? Do you always have 2 instruments?

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Back in my Rare Blend daze I usually brought two, sometimes three basses (or a guitar) to gigs. And they all got used, none were there just as a fallback.











Sorry about the front-focused image.

Ordered! Thanks Jerry.



@Iristone
I was at a Junk-shop and spotted a brand new black leather walkie-talkie holder and thought to myself:

"That looks like it'd fit a 1590N1 enclosure"; So I paid the C$5 and when I got it home — sure enough!


Tight fit, but it fits. There's a doodad that you put on your belt and then the walkie-talkie holder clips and unclips from the belt-fob easy-peasy.


I'm not using it like that, on the belt. I'm building a circuit into a 1590N1 and it'll sit on my pedalboard. I need to make some cuts to the leather to fit the stomper, but it could be a good solution for you, too.

Start the hunt for an old police walkie-talkie holder!

It’s ok, I retired in April. Been on a spending freeze!!

Caramello said:

https://reverb.com/item/94332413-1982-yamaha-japan-bb2000-neckthrough-broad-bass-w-dimarzio-s-natural?utm_source=rev-ios-app&utm_medium=ios-share&utm_campaign=listing&utm_content=94332413

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This is located in Australia @jskamibass

If Minneapolis is not too far away:

Hi folks, I am participating in the 2026 Southwest Collaborative Music Conference led by my friend Thollem McDonas and the folks at Interference Series . I think there will be at least 3 of us from NM ( incl Thollem who is based here if he is not touring ). As of the current roster, I am the other bassist , I will be playing my upright mostly but may bring an EB as well. Will also be playing sax, Would be happy to meet TB'ers if anybody is going. or live around f-the area, Sedona , Prescott or even Phoenix/Tucson. There are 2 free show and a performance on Saturday as well as well as a panel on Sunday. This is the 3rd year I believe.

Thanks

jnewmark said:

Has anyone played the Flight?

Flight Mini JB PP Purple Bass

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I've been playing one for a couple months now and it's now my default for wine bar gigs, ie packed in tight and sometimes having to dodge staff and guests. I recommend having it set up properly- the intonation was way out until I adjusted the neck, bridge and filed down the nut slots. I picked it up used from a big box retailer and aside from putting on flats, I'm guessing the previous owner didn't do anything to it because the plastic was still on the pick guard and under the tone knobs.

It sounds good on its own, but a little compression helps focus the tone, imo (I'm using a MXR 282 in the spirit of keeping things small). For about $400 plus some labor, I'm very happy with it. It's also nice that the pickups and tone controls are the same size as a standard 4-string if I decide to mod it down the road. It's not replacing my 34" 5-strings, but I'm taking it out more than the elastomer-stringed ubasses I've got.

Photo attached from a recent gig- the bassist I was subbing for said it sounded a lot bigger than it had any business to. I really like the stealth look- even other musicians often don't register that it's not a regular JB. (I'm 175cm/5'9", not a giant).

lowplaces said:

This ?

https://www.guitarcenter.com/Used/Sadwosky/Used-Sadwosky-METRO-EXPRESS-2-Color-Sunburst-Electric-Bass-Guitar.gc?algoliaQueryID=920bb3a8c633468ca5c3462ffe62af89&algoliaIndexName=guitarcenter

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Yes! That's it!

The photos don't do it justice. It's a nice bass.

I guess that answers the question about silver silks on the headstock ends (no silver silks)

Overcast day in my neighbourhood of Wellington City, New Zealand.

Forgot to add the current lineup, minus the silverburst Gnarwhal that has been moved along:

Sounds good.

Yes. You might even the two (pre vs pre + power amp) out a bit more by rolling in a bit of the Sensitivity. Just an idea. Difficult to be sure. Too much fog in Santa Cruz. .

Bruce makes a great point.

If you’re not carving/building more than one body, or if you don’t have some really specific detailed intricate design details, it may be much faster and much cheaper just to do a one-off handcarved body for your needs.

Also, I have no idea what skills, tools, and capabilities you have, but I see questions and requests about CNC frequently, and never sure of the *knowledge level of the person asking so here’s a quick overview of the process (there are a lot of details in each step of the process, of course, but this should give a conceptual overview of what’s going on).


*Apologies if this is already known or too rudimentary

I now have a new tagline that I know nothing about!



What is this eBay Associate thing? Please remove it, thanks.

This happens all the time for me. I figured it's just a new feature.

CobraBassGeezer said:

... I think sound 'clips' are pretty much useless with classic basses like P or J ...

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Yeah I found one vendor used an effect on all of their sound clips

I play the same music as you, and similar tonal goals. The Genzler Kinetix and the NC210 did it all for me. Killer sounding rig, and easy to transport.

Bad timing ... no cash or I'd snap up that Black Wandré-ing beast.

Well there's an aRc on the lower ... bout, for resting on your leg playing seated.

I don't see any strap-buttons, though.



Almost looks like a slice off the Water Buffalo's engine — the bike, not the TBer, but speaking of ...

That's a cool Suzi in your avatar, Water Buffalo!

We had an AM station in the area during the early '70s that played an entire album side every evening, often by bands you'd never hear on the FM pop stations. They put on a lot of heavier and progressive stuff by Yes, Jethro Tull, Black Sabbath, Uriah Heep, Blue Oyster Cult, Pink Floyd, etc., until near the end of the '70s when they were bought up by some conglomerate and converted to a country station.

My first encounter with a Yes song was in a high school mechanical drawing class where the teacher allowed students to bring in a radio or tape deck. One guy brought in the Fragile album on cassette, and when I heard the bass line on Roundabout, my thought was "I need to learn how to do that". That prompted me to start learning bass guitar.

I made a very simple stop for the fret cutting sled to make the cutting even more simple;

Chuck M said:

I own a lot of amps including several Mesa Subway heads and the Magellan 800 and 350 and the Kinetix.

The Mesa D-350 and the Megellan 350 have different tone characteristics but they share one trait and that is that they both push a lot more air than you would expect. the Mesa has more character in the tone and the Magellan is more neutral. I have used both with upright bass with excellent results.

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What pickup and strings are you using on the upright? What cab(s)? If you had to pick just one of these heads which would it be?

After using the Mesa D-350 with acoustic instruments for about a year I remained indifferent. Based on my love for the sound and build quality of the old Genz Benz Shuttle heads this Magellan 350 is appealing. A small head is important to my workflow.

I feel like mid scoop is one of the defining characteristics of a Jazz Bass, with both pickups on anyway. If I want punch out of mine, I roll off the bridge pickup and go with just or primarily the neck pickup. (Or vice-versa, for a different kind of punch.) Any of the usual suspect noiseless pickups will avoid buzz and hum. I have Ultra Jazz pickups in my main J-bass and don't feel the tone is unusually scooped with just one pickup, but it definitely is with both of them.

Iristone said:

The "nutcracker" comment is because of the nut slot. On a non-zero-fret I'm not exactly confident in widening it myself, in fear of making it too low and irreversible to metal strings. I'm also interested in trying some Pyramid flats on it (they'll go to my Newport if I don't like them here), and I'd sort out the nut if I decide on the tapes on it permanently.

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Just make 2 nuts and glue them with weak glue or not a all. That's what I did with my E-C bass so I can bring it back to B-G

matthewbrown said:

I counted at least two Jimmy Page quotes from the guitarist in the first minutes of that cut.

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But then, where/who did Page swipe them from? If indeed what you’re hearing is in any way derived from LZ in the first place…I’m hearing more Booker T./MG’s meets Hendrix, kicked way up in tempo, fusion style. I seriously doubt that Zep was on anyone’s mind during that take.