Recent content by bassaram

I was actually thinking Nathan East--it has a lot of the same feel and sound as his tracks on last year's Daft Punk album.

The 5-string versions seem so much harder to find, though, unfortunately :(

Semi Charmed Life (Third Eye Blind) Breakfast at Tiffany's (Deep Blue Something)

You also might want to play with the attack time on the comp. A longer attack time will give the attack of the bass a bit more of a chance to come through before the "bloom" hits the compressor and gets controlled.

I play sax/run sound for a 9-piece band, so while I don't have experience playing bass and using in-ears, I'm listening in on everyone's mixes, including the bass player's, whenever we play. I own a PSM900, one of my bandmates has a Sennheiser G3, and the rest are on G2s. I went with the PSM...

On this topic, it's gonna be pretty awesome to hear all the bass stuff if they release multitracks for remixes...

Let's take the emotionality of "MY BASS TONE" out of this for a moment, and put it in different terms: A sound guy/gal anywhere has the expectation that what you play during sound check is a reasonable approximation of what you're going to play during a show. In fact, that's the entire basis...

Superstition -> I Wish Same key, just gotta speed up a hair.

I would still bring at least one powered monitor to every gig, for a couple reasons. S*** happens. Ear buds break, transmitter power supplies die, etc., and it's a lot easier to just throw someone up in the monitor on the fly than try to deal with that. It's there as a back up, not a crutch...

It's not ideal, but you should be fine. My band does bars/weddings and I run sound from the stage. We have an IEM rack and a receiver rack, each with 7 units, and while it can get hairy depending on our location, it's usually okay. I wish we had the dough for combiners/distros, but it's not...

And you could probably cheat your way out of any buzzing by raising the nut height in the meantime.

I'm Yours - Jason Mraz

"We're making the big push." Yeah well, your band has been making the big push for five years now...

I wanna say that he works at the GC in Norristown. Not totally sure though.

Even on the 24 channel SL, which has the most complete parametric EQ, your max cut is still only 12dB. In addition, the high pass filter has a pretty shallow slope.