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I'm going to start a line of "Golden Ratio" cabs and only use 5, 8, 13, and 21 inch drivers.I happen to believe that the ultimate bass speaker would be a 13. If it weren't for that silly superstition, we'd all sound a lot better.
Back in the early 1980s my brother had a subwoofer with a 13" Seas driver in it; We were not very impressed with it.I happen to believe that the ultimate bass speaker would be a 13. If it weren't for that silly superstition, we'd all sound a lot better.

Back in the early 1980s my brother had a subwoofer with a 13" Seas driver in it; We were not very impressed with it.![]()
Actually, that's the odd thing in GK's Neo line. The 12" Loaded cabs are very balanced and full across all frequencies. The 410 is super heavy in the low end and fairly present up top, making it sound more scooped than it may actually be. The Neo 115 III is unusual (for me) in that it is the most mid focused of the line, not at all more bass dominant/focused than the 112.
To my ear the GK design approach is to provide voicing (in amps and cabs) that optimizes the quality of sound out in the audience at the expense of being the best "bedroom, living room, showroom" sounding gear. Once that dawns on you and you've had a chance to hear you rig from both the stage and an audience seat, you start to wonder why all bass gear isn't voiced more along those lines. Following that logic, the Neo 115 III, as a single cab solution will sit quite well in a mix with its rich mids, but lack some that up-close super full, warm bass you might expect.
Warmth in a tone is great, but getting the tone to sit well in a mix from an audience's perspective may mean less warmth/more bite when you're standing next to that cab. To me this is something you only get to appreciate if you spend time on stage and in the audience. I read an interview with Bob Gallien one time where he talked about this and how it was a foundational element in all his designs.
The Seas SW was in his home stereo system, it was not a musical instrument speaker.Of course not. In the 80's, every band from arenas to bars was doing solos in their set - yes, even bass solos. After a couple poorly done 5 minute bass solos, nobody was impressed or even wanted to hear bass.
We'll have to make amps too... Two models to start with: 610 and 987 watts.Ooooh, maybe throw a 34" into the mix!
So you're trying to tell ME, that a 2x12 cab. is gonna be deeper, punchier, warmer and clearer than a 1x15? (or two 1x15's)? I'm a firm believer that 15's are the ultimate cones/cabs for Bass guitar, and now someone comes along and tells me that 12's are where it's at for Bass! Are you serious?![]()
I had a PH212 and a PH115. The Bergantino blows them away and weighs less than half as much.
Speaking of which, I'm selling two 12" Scout cabs and a Walkabout head in the classifieds.
Their slogan should be: Mesa - wood never weighed so much.
I love my Berg CN212, and compared to the Mesa's it's a like moving a bag of popcorn compared to a sack of cement. I honestly like both the Mesa and Berg cabs, but if pressed to pick my "all things considered" favorite 212, it would probably be the Berg.I'll have to try out a bergantino one of these days then. I agree that their cabs are heavy, being so large definitely attributes to that. I still get amazed by the sound of em after 3 years though.
Craaft in Germany did better: 13 1/2 inch. A cabinet with 2 x 13 1/2, 6" mid and hornI happen to believe that the ultimate bass speaker would be a 13. If it weren't for that silly superstition, we'd all sound a lot better.
So you're trying to tell ME, that a 2x12 cab. is gonna be deeper, punchier, warmer and clearer than a 1x15? (or two 1x15's)? I'm a firm believer that 15's are the ultimate cones/cabs for Bass guitar, and now someone comes along and tells me that 12's are where it's at for Bass! Are you serious?![]()