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40th year Stingray has been revealed!

I'm sure there's a lot of things Sterling could do to give a lot of companies some trouble... bottom line is, the bottom line. He's got a company to run and keep profitable, and unless you're a successful business owner you won't understand that. He know's what's best for EBMM to stay in the game, and no one can argue that fact!

MM

"Unless you're a successful business owner you won't understand that?" Say what? Pretty presumptuous, say I...
 
This is a little underwhelming.

I dig Old Smoothie. It's a reproduction of the prototype and the anniversary models are typically cool one offs that have a limited run so that's cool.

But the capri bass? I mean after years of EBMM doing their own thing and aggressively protecting their designs they come out with a P bass?

And the blog's description of the bass as their "first fully passive bass" is incorrect. Have they forgotten about the USA SUB line that was produced from 2003-2006? Those came fully passive.

I don't mean to pour cold water on this. I may play a Capri and love it. But this doesn't really strike me as all that exciting, or all that innovative. I expect more from EBMM.
 
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This is a little underwhelming.

I did Old Smoothie. It's a reproduction of the prototype and the anniversary models are typically cool one offs that have a limited run so that's cool.

But the capri bass? I mean after years of EBMM doing their own thing and aggressively protecting their designs they come out with a P bass?

And the blog's description of the bass as their "first fully passive bass" is incorrect. Have they forgotten about the USA SUB line that was produced from 2003-2006? Those came fully passive.

I don't mean to pour cold water on this. I may play a Capri and love it. But this doesn't really strike me as all that exciting, or all that innovative. I expect more from EBMM.

They're not exactly treading new water with that one. It's just another p bass without the f name.
 
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This is a little underwhelming.

I did Old Smoothie. It's a reproduction of the prototype and the anniversary models are typically cool one offs that have a limited run so that's cool.

But the capri bass? I mean after years of EBMM doing their own thing and aggressively protecting their designs they come out with a P bass?

And the blog's description of the bass as their "first fully passive bass" is incorrect. Have they forgotten about the USA SUB line that was produced from 2003-2006? Those came fully passive.

I don't mean to pour cold water on this. I may play a Capri and love it. But this doesn't really strike me as all that exciting, or all that innovative. I expect more from EBMM.

I agree totally with you.
 
What's the deal with that nut on the Cutlass? Anybody know? Is it on other EBMM basses? Does it have magical powers?

View attachment 778625

It's a compensated nut for better tuning. Look at Earvana.com for a similar product. (I know there was a lawsuit between EBMM and Earvana, but their website has a good description of the concept and some videos.)
 
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All I want is to have 1.5" neck width option for the Musicman Classic stingrays. Same radius, frets, finish; maybe they could make sterling necks with a stingray heel? They used to have the SLO necks, but they were for the the regular Rays. I might be tempted to be a ray only kind player, if that happened. Having the option for a "smoothie" pickup is nice for a change of pace, but to me not the best new thing they could offer.
 
Wait I thought this was the cutlass bass:

Cool and classic basses: Music Man Cutlass Bass

Do these guys just LOVE confusing us by recycling model names?!

I know, right? Not too mention the garbled mess of a press release they put out last summer attempting to describe which models / colors would be discontinued. It took me a few tries in a few different directions to get a straight answer if they where getting rid of the Sabre...for the third time. :rollno:
 
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They're not exactly treading new water with that one. It's just another p bass without the f name.

man these look like what you'd find on one of the "can you believe what some hackjob on CL is trying to sell" threads.

I'd rather them just have a stingray H with the pickup moved to forward from the "Sweet Spot" to the Neck/P position. Maybe they could probably take the CNC program for the HH and just not rout for the treble pickup. Leave everything else alone. I have seen people modify Ps like that and they did enjoy the sound. They can offer new options like these, and give new flavors of the stingray recipe. A hideous passive P or J copy is not the way to go, we already have a million and one of those. Who is feeding them these lines of what the customers want?
 
Well, I had to look VERY closely to see what the "differences" were. Two more pole pieces, some reshaping. Meh.

I dd find the pic of the bass on what insinuates to be Ol' Leo's workbench a bit laughable. Sorry, EB, that's G&L's exclusive property, and if I were them, I'd be fairly pissed about you trying to "back into" that legacy. Shame on you.

LeoFendersLAB.jpg
Seriously? Wow, that's just angry for no reason.
 

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