View attachment 3374287 As I’ve said before, I’d rather be lucky than good. I was very lucky with my Glarry P-bass, which I modded and blinged up a bit. About a week ago, I rolled the dice again, and bought the Glarry J-bass. It arrived this morning, and I wasn’t quite as lucky this time, but it’s going to be okay. See the attached pic.
First impressions:
- The neck isn’t quite as comfortable as the P-bass, but it’s within my comfort zone. It’s wider than I’d prefer, especially in the higher frets. There’s a knot that shows as a discoloration at the very top of the neck. At this price point, it’s inconsequential.
- The tuners are functional and work smoothly. It tuned to concert pitch easily.
- The electronics and pickup are all functional and sound good, but not great. It sounds like a J-bass. No need to change them.
- The bridge is installed straight and properly. Intonation was good. However, all the saddles were either bottomed out or close to it, and the action above the fifth fret was very high. Examining the neck joint revealed that:
a) the neck was somewhat misaligned, and
b) the neck pocket was sloped.
I hope that shimming the neck (and realignment when the neck is reattached) will solve the problems. I’ve shimmed necks for bolt-on guitars and basses before, so it’s not my first rodeo.
As usual, a good setup is the difference between a playable instrument and one that fights you every step of the way. CNC manufacturing has revolutionized inexpensive instruments. Very few unfixable problems these days. It’s a golden age for guys like me, who learned to play at a young age with instruments my Mom and Dad could hardly afford; my parents bought my childhood home for $5,500, and paid $100 for my first guitar. I was just 11 when I got it for Christmas, and even then I understood what a big chunk of cash that was for them.