resurrecting this thread to discuss bridge pickup placement. has anyone else noticed these mim 70s basses no longer have the 70s bridge pickup placement? i wonder what year that started. theres a 2016 in the classifieds with the regular placement. even the pics on fender's website show the regular placement. the description on fender's site says "That decade saw the bridge pickup moved closer to the bridge, creating a brighter, more cutting tone" yet the bass shown does not reflect this.
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geddy lee models still have the 70s placement.
<puts on 'photographer' hat
>
It still has the proper, '70s spacing. What you're experiencing is called "parallax". It's when an object appears somewhere else based on shifts in perspective. To give an easy-to-reproduce example, hold your hand out in a thumbs-up position, look at it with one eye closed, then switch to the other eye. It looks like it's just jumped an inch or so to one side, but that's just the perception, not an actual shift of position.
Take a look at the zoom-in of that picture. Notice how much of the neck-ward side of the pickup you see? That's because the pic was shot at a slight angle. That perspective-shift makes it look like it's a little bit closer to the neck. If you were to see it shot from directly and perfectly overhead, you wouldn't see any of the pickup's sides, just the front face and poles, and more importantly, you could see exactly where it's position is in relation to the rest of the hardware.
I could also go on at length about "depth of field", but that would take too long. So suffice it to say this…perspective can be played manipulated and altered by a camera, especially when the objects are really, really far from each other. In the case of the stock, Fender photo, the distance is too short to spot any obvious depth-of-field shenanigans. But when the distance is much greater, you can more easily spot the illusion. Here's one of my favorite examples…
One could make an exceptional argument that Paulina Porizkova is
The Bringer Of The Sun and
The Source Of All Things Warm And Fiery drool, and I would generally accept that hypothesis. But in this particular case, I was looking at the sun the same day that pic was taken and I decidedly did not see it coming from such a sublime source. Thus, the cameraman was obviously using a trick of perspective to create that illusion.
