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Alembic Basses

Everything that has been said about the Wickershams is true. They are the nicest folks I have ever had the pleasure to meet.
I bought a used Series I long scale small body fretless in the 80’s. Because of the neck dive on that particular configuration Alembic will never make another. There were only 8 ever made.
I also have a (bought used) 5 string Essence with Rogue/Europa electronics. That is my go to bass for gigging. I have not come across any other brand bass with such tonal versatility. The tone filter circuitry is genius and it did make me a better player because the string vibration is totally and wholly reproduced and amplified with such distinct and crystal clarity.

I recently finished (my own work) a neck through 5 string fretless build and included Alembic pickups, electronics, bridge and tailpiece which I purchased from Alembic. I posted my build pics on the Alembic club forum with the encouragement of Mica who was extremely supportive of my efforts. I needed a circuit diagram of the electronics I am using and Ron Wickersham personally drew up the circuit diagram for me by hand and sent it over to me!!!! That blew me away.

These are the nicest and most decent people I have ever met and done business with. They are genuinely caring and proud of the instruments they make (and the sounds you create) and treat every owner (yes even if it is purchased used) with the respect and attention of a custom build customer.

Cost is a secondary thought and real value is had in the build quality, tone and lifetime service/commitment to the owners of Alembic basses and guitars. I don’t feel like an owner but like a custodian of their combined creative genius that allows me to share my art utilising their art.

Respect.
 
I’ve been playing Alembic basses for over 25 years. Started out with a cocobolo Signature Deluxe, accompanied later on by a 1978 Series 1 Omega. Five years ago my dream since the age of 16 came true and I was able to obtain a custom (wide neck) Series 2 five string, wide Omega (“Bonnie” on Alembic’s custom gallery). IMO it is one of the most amazing basses ever built by the Company. I’ve played and still play different other basses, they’ve come and gone (although I love my current bunch), but I’ll never part with my S2! The monster tone, the purity, the clarity and the tonal capabilities are unparalleled. Although it weighs quite a little something and it may not be the most ergonomic body shape, it all comes down to sound, sound, sound, stunner looks and just the fun and pride of playing it. If you ever get your hands on one, even the more reasonably priced models, try one and buy one.

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I played one at a gig once. It had belonged to Greg Lake. The story was that the truss rod broke (?!) in the middle of a show, and he gave it to his tech, who I imagine fixed it and sold it to my collector friend. Huge, I think it was a 35" scale, and heavy, but beautiful. It had a wild tone control as I recall. Instead of being a filter, I think it was a phase control between the pickups. A little too "out front" sound for my playing, but it was cool.
 
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Please, do tell! I didn't know there was anything "bad" about Alembics...
I've owned 2 Alembics. Great tone and play great when adjusted correctly. Here's the bad. HEAVY! At least the 5 string neck throughs. Also I've heard touring pro players complain that they need constant set ups with changing temperatures and humidity. The laminates on my 4 string neck started to shift and you could feel the transitions. Another player in town had the same thing happen to his.
 
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I owned the Orion 4 string prototype in quilted maple that was on Alembic's website for years. Tragically it was destroyed in a fire twelve years ago. That bass was magic...you heard a sound in your head and it came out of the bass effortlessly. Simple electronics..Vol, blend, bass and treble..but the sounds...there isn't a day that goes by that I don't think about that instrument. I owned a series I also...great bass as well. I still own the Orion Prototype Baritone guitar ( one other owner according to Alembic, none other than Steve Miller himself! )
 
A bass player let me try his when the band was on break. I remember saying it has the deep bottom of a Gibson, the punch of a Fender and the growl of a Rickenbacker all at the same time! The bass was damn heavy. He said that's why he doesn't usually take it to gigs.
 
Buying used or modded and trading other instruments toward an Alembic can pretty well resolve the cost of an Alembic--and that is the biggest problem. Another bad thing about Alembic is the same thing that Alembic lovers love: the electronics. The older I get, the more I want a passive bass with passive eq. To my ears that is the sound I like these days. Alembic guitars are every bit as expensive & well made as Alembic basses, but active electronics and crystal clear, undistorted tone are not features that guitarist treasure.
True about buying used. I could never have afforded my Series I if I hadn't found it used at GC of all places. The joy of Alembic is getting EXACTLY what you want, but I was happy to save the money instead and take what somebody else chose. As for the active electronics... passive is all the rage again, yes. But you cannot get that tone with a passive bass. When I flit between my basses, I'm glad they don't all sound the same. You need that tone, even if not every day.
 
I had Greg Lakes custom built with name plate 12 string and 6 string Guitars. wanted the set with the bass they built for him. Never could find who had the 4 string bass. finally gave up and sold both for close to 20 grand. original electronic hot pickups 4 plug jack. Wish I could have the 3rd sister to this pair. made my mine up if can't have the original active bass (more or less) I would pass. probably a bad decision..
 
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I had Greg Lakes custom built with name plate 12 string and 6 string Guitars. wanted the set with the bass they built for him. Never could find who had the 4 string bass. finally gave up and sold both for close to 20 grand. original electronic hot pickups 4 plug jack. Wish I could have the 3rd sister to this pair. made my mine up if can't have the original active bass (more or less) I would pass. probably a bad decision..

Greg offered to sell me his 1975 Alembic Manticore 8 string bass (custom built for Greg Lake back plate) , unfortunately it was impossible to play as the headstock/neck joint was broken .This was later sold to the Hard Rock Cafe but sadly was never in a stable playable condition.
I also played his ‘79 Alembic “Pirates” 8 string carbon graphite neck bass (which again featured the engraved name plate). The neck was massive on this one , possibly one of the reasons why he put it up for sale at the Bass Centre Wapping in ‘84. John Entwistle purchased this one.
 
I had a 1982 Spoiler back in the day. It was an incredible bass and my first foray into the world of boutique basses. After 20 years the preamp went bad and I had to remove the pre and ship it to Alembic to be repaired. A few years later, I sold the Spoiler and bought another high-end bass, a Ken Smith Black Tiger 5. There is no way that I could afford to get another Alembic these days. If I could, I'd get a Rouge 5 string like the one Trevor Lindsay is playing in this video:



Killer tone!!!