I saw on another thread that a bass player who plays "root notes" is incompetent. I've been playing 3 years in 2 bands and I play root notes because that's what I know how to do. I'm kind of down about this right now and don't know what I can do to become competent.
Wow. Someone needs to explain to Ian Hill in Judas Priest that he's incompetent. Or Stu Cooke from CCR. Or most 80s metal bass players. And many others.
There are many, many times when the right thing to play is the root and nothing but. Too much harmonic movement in the lower register can often derail the harmony and the rhythm, depending on the context. Most of country and a lot of early rock and roll is based on a
dotted quarter note-eighth note-half note bass rhythm on the root of the chord. Many other times the fifth of the chord is also thrown in, and you may have a
dotted quarter note-eighth note-dotted quarter note-eighth note kind of rhythm like we hear in "Rikki Don't Lose That Number" and "Margaritaville". Plus a lot of Latin jazz. Staying on the root (and fifth) and gluing your note attack to the kick drum is called "playing in the pocket." It is the *essence* of competence when it comes to bass. There are of course levels and aspects of mastery beyond this, but that's it, right there. Master this level, and you learn timing and feel - after that, learn how to create a walking bass line, which introduces other chord tones, then start messing with rhythm.
Any musician who makes this kind of blanket bold statement about bass does *not* understand bass. Or music. They're d**k-measuring against other bass players, or they're a guitar player, but regardless, they're just really immature and inexperienced. Try not to allow your pride to become engaged by these half-wits.