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Ambient/Post-Rock/Textural bass playing thread

I don't know who he is but I like him already.

This should tell you all you need to know:

Marco Carrots.JPG


photo by @wintremute
 
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Do my eyes deceive me, or is that a female XLR?! Ya definitely don't see that on many basses. Or many outputs, period...

True, but is it an input or an output, or just maybe both? And guess which gender is also on the breakout box...:cool:
 
TE have clearly done something right in the marketing department. Behringer does actually offensive things and steals ideas. TE have made something, put it up for sale, and advertised it. And I have never seen so many posts from people who don’t want something.

Check the Elektronauts thread on the Polyend Play. So many folks repeatedly posting why they’d never buy that machine. Not sure why someone would waste so much time, but they sure do.

There’s a huge thread over there already on the TE OP-1 Field, but I haven’t checked that thread because I know I have no interest in that machine. I never quite got the whole TE thing in general, but I’m not gonna go on a thread to bum out folks who do like it.
 
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my « supposed » camping bass Ibanez mikro is an absolute piece of garbage,

- doesn’t stay in tune
- impossible to intonate E and A strings
- bridge isnt placed in correctly
- truss rod doesn’t give enough relief

i’m beyond peeved.

Ouch! Sorry :/
 
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This is the only music-related
Can't recall if I've posted this, but Cabaret Nocturne has been on heavy rotation here.
YT links won't post, so search for them. Blind Trust and Blood Walk are good tracks.

According to YouTube I already like them and have watched their vids before, thanks for the reminder. Not really a dance music fan but the line between goth and straight up dance music is pretty hazy.
 
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Check the Elektronauts thread on the Polyend Play. So many folks repeatedly posting why they’d never buy that machine. Not sure why someone would waste so much time, but they sure do.

Now that you mention it, I think that you’re right. It’s a matter of degree, not kind. There’s always someone showing up on the Super 6 thread saying it is “overpriced” and the “demos” they have “heard” “don’t have enough low end.” Great! Don’t buy the synth then! But TE discussions are a whole other level.
 
Cool quote

Brian Eno // “Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
 
Cool quote

Brian Eno // “Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”

Eno always has interesting things to say. Unfortunately I've never been able to really get into his music, with a few odd exceptions.
 
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