More trying to make sense of the EssenceFM
Keep em coming!!!
Nice work
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More trying to make sense of the EssenceFM
seems like it’s working quite well.
i admire your minimalist aesthetic. i can’t do that.
Keep em coming!!!
Nice work
thanks![]()
It’s a tempting buy. Now that I’ve left my live-performance gig and the world has shut down, the lack of sequencer and knobs and buttons seems less important to me, when contrasting against a Digitone.
It’s a tempting buy. Now that I’ve left my live-performance gig and the world has shut down, the lack of sequencer and knobs and buttons seems less important to me, when contrasting against a Digitone.
i'm a heretic, as i don't worship in the church of zappa.
his sense of "humor" is one reason i got tired of him.
I think we have a consensus here.
Bummer...no big Zappa fans here.
Now I can get behind some Pere Ubu!
This whole thing you did, right here, saved me from having to write it. The stuff I liked in high school (Joe's Garage, Sheik Yerbouti, etc,) I got pretty tired of once I grew up... great music/playing, but yeah, the 13 year old juvenile thing. I gravitate mostly towards the Roxy/Lather era, although there are certainly gems in every era (although I'm not really a fan of the Synclavier stuff).No. Not a consensus.
I'll be the first to admit I'm a qualified Zappa fan: There are vast chunks of his repertoire that I absolutely adore...and equally vast chunks that I absolutely abhor. Or rather, am just embarrassed by. The whole "fanboi" thing eludes me; I think the worship thing goes way too far....but I have immense respect for the man as a composer, and bandleader, and idea-generator, and talent magnet, etc. etc. etc. His humor, while puerile and engaging if you're a 13-year-old, is just puerile once you hit adulthood.
Some of his musical ideas are truly sophisticated and brilliant; some of his musical ideas are truly pedestrian but cleverly disguised as sophisticated and brilliant. I'm happy to go into more detail with anyone so inclined.
A lot of his early works are definitely "of a time" ...e.g., I think We're Only In It For The Money is a brilliant album...but only in the context of 1967 or 68, when it was recorded/released. Sort of like The Beatles; it's nearly impossible to evaluate their repertoire separate from what was happening culturally and socially at that time.
On the other hand, I would say in terms of pure legacy that Uncle Meat, The Grand Wazoo, One Size Fits All, Roxy & Elsewhere, Lather, and The Yellow Shark are timeless milestones in the career of a bona fide genius.
We can hang. :beer:
I saw them live in DC a couple of years ago. Got bassist Michele Temple to autograph a CD. Dave Thomas is looking old these days, walked with a cane and sat down for the performance, but the band was still kickin'.
Ok...now we're hitting the heavy stuff....
You guys are heading my way!!!.......(I like too much music.....)
Come on over!!!!....Grind, Death, Black, Crust, Punk, D-Beat, Sludge, Doom......
(Except new type tech death ultra chops artificial drum triggered stuff .....I’m allergic to that......)
@steubig
I see zero ink on that little lady...???
Yeah, Dave has had health issues for a long time. Their current guitar player, Gary, is an old buddy of mine. He also plays for my old band, Legendary ShackShakers.
I first saw Pere Ubu in 1980(?) at a small festival that included Wall of Voodoo, Dead Boys and Magazine. Hard to convince folks how mind blowing early Wall of Voodoo were and it certainly didn’t age well, but the first EP and full length were just awesome to me.
I’d never seen or heard Pere Ubu before that show but it’s still one of the best gigs I’ve seen in my life as I had nothing to compare them to
on the woman in jinjer. (there are other “hotter” photos.)