• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Ampeg B100R Rocket Bass

I love my lil' Rocket!
I generally have the high & low switches engaged
bass at 2oclock
low mid at 11oclock
high mids at noon
treble at 11oclock
master volume around 11oclock & gain at 1-2oclock....(these can change)

I used to gig it more, but a tear would roll down my cheek every time I snagged that beautiful blue tolex....AGAIN.

That is just about where I put my B100R. I am also using a Sadowsky Preamp Pedal into the input.
 
I love mine, both of them ;)

Actually one is making a funny noise and it's not the ports. It's almost like a slight static on the ends of notes sometimes. Need to look into that. I generally leave one here at home for practice and the other gigs with me. I use a Tuki cover and it looks perfect after about a year of heavy gigging.

Lately I've been setting it at 6,4,4,6 bass to treble. I go back and forth with the mid switch depending on the music and the bass.
 
Anyone stack two and make a connector so both drivers run in parallel, or will the amp not like that?

Radial Big Shot ABY - works like a charm. I run the top amp's EQ biased towards the high end a bit, while the bottom amp is set up for a fat low end. A Yamaha NE-1 parametric (set flat) runs in front of the Radial and allows me to control the volume of the entire setup. The radial has phase reversal and an isolation transformer to keep everything quiet.
 
If both amps are identical, what's the point of the Radial Big Shot? Won't a plain Y adapter to both inputs accomplish the same?

The ideal would be to find someone who can read schematics and make a connector between the pre and power amp, and send the pre amp signal of one amp to the other amps power amp section so everything works with just one set of controls.
 
The base setting that I came up with years ago that got me closest to what I liked about my former B-15's is:

set the tone controls at 5-3-3-5. Turn all voicing pushbuttons off. Set the gain to not clip, then bring up the master.

This has sounded great with just about anything I've plugged in, from fours with flats to my six string basses.

This is good.
 
If both amps are identical, what's the point of the Radial Big Shot? Won't a plain Y adapter to both inputs accomplish the same?

The ideal would be to find someone who can read schematics and make a connector between the pre and power amp, and send the pre amp signal of one amp to the other amps power amp section so everything works with just one set of controls.

1) The Radial has the isolation transformer to filter out hum. I tried it any number of ways with (initially) a B50R and the B100R. There was always some objectionable noise. When I had the opportunity to acquire a second B100R, I just transferred the setup. An added benefit is that the phase reversal has a neat effect on the tone - it's there if I want it.
2) I want to be able to EQ the two amps independently. I like the top amp to "cut" more because it's easier to hear without having to turn up too much. In the small bars where I play, the PA is vocal-only.
3)Tapping into the power amp section requires adding a line in jack to the amp. I'd rather not start modding a great amp - especially since the cost of having a tech do the work would easily eclipse the cost of the Radial.
 
I love mine, both of them ;)

Actually one is making a funny noise and it's not the ports. It's almost like a slight static on the ends of notes sometimes.....

I heard that also. The way you described it is spot on. I opened up the amp part and gave all the pots and jacks a good deoxit job. I also gave all my bass's output jacks the same treatment. I believe it has been resolved.
 
I typoed-I've heard this pattern is available at America's Superstore WALMART. I've not pursued this, but read somewhere that they sold shower curtains with the same pattern and color vinyl as used on Ampegs.

Might check Walmart's website. The original poster was totally serious, by the way.
 
It's tolex and it's padded. I have some of the exact same stuff on my 64 B-15N. Now the shower curtain would make a nifty slipcover, and old B-15's do have slipcovers made out of what could be a shower curtain, but the cabs use actual tolex. Might not be quite as good as it was in 64, but what is?