Got to try the heads out at GC today through the 210 cab (they didn't have the 115).
I was very impressed with the cosmetics and build of the cabinet. Right on par with any of the Diamond Blue amps from the SLM era. The tolex was perfect, and the lid fit nice and tight. Those new style latches are pretty snazzy! I looked inside at the baffle, but couldn't tell if it is screwed in, or if the screws I saw are for removing the grill. I was impressed enough with the build quality that I would consider getting a dual PF115 stack to run my '63 B15 on (if it will fit in the cab).
I played both a MIM Fender P-bass and an Epiphone Nikki Sixx Blackbird through each head and felt they sounded good and had an Ampeg family sound. But I have to admit they didn't really "wow" me in the same way the B-100R did. I'm not saying they sound bad - they just didn't fire me up - not any more than a B2RE. I did find however that I really liked the compressor control on the PF500. Turned up to about 3:00, it really helped smooth out the tone in the same kind of way the tube gain control does on the 3-Pro when turned down.
Overall, nice amps for the money - and a great cabinet. Only thing I would have liked better on the cab would be if it was ported. But that's really just an issue of peas and carrotts...
I was very impressed with the cosmetics and build of the cabinet. Right on par with any of the Diamond Blue amps from the SLM era. The tolex was perfect, and the lid fit nice and tight. Those new style latches are pretty snazzy! I looked inside at the baffle, but couldn't tell if it is screwed in, or if the screws I saw are for removing the grill. I was impressed enough with the build quality that I would consider getting a dual PF115 stack to run my '63 B15 on (if it will fit in the cab).
I played both a MIM Fender P-bass and an Epiphone Nikki Sixx Blackbird through each head and felt they sounded good and had an Ampeg family sound. But I have to admit they didn't really "wow" me in the same way the B-100R did. I'm not saying they sound bad - they just didn't fire me up - not any more than a B2RE. I did find however that I really liked the compressor control on the PF500. Turned up to about 3:00, it really helped smooth out the tone in the same kind of way the tube gain control does on the 3-Pro when turned down.
Overall, nice amps for the money - and a great cabinet. Only thing I would have liked better on the cab would be if it was ported. But that's really just an issue of peas and carrotts...
Doubt anyone knew what it was. I put it back in the cab before I left.