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Anybody using three pre amps…?

All the time. I love preamps and all of the different tones and possibilities.

Like others, active (or even passive tone control) on the bass for song by song adjustments, pedal preamp for core tone, and amp preamp to adjust for the room.
 
Some very interesting responses in this thread - thank you.

I can certainly understand the logic behind not wanting too many "competing" EQs / tone stacks. On the other hand, if they work together well for you, why not? Me, I have a tendency to prefer less complexity rather than more, right now.
 
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Some very interesting responses in this thread - thank you.

I can certainly understand the logic behind not wanting too many "competing" EQs / tone stacks. On the other hand, if they work together well for you, why not? Me, I have a tendency to prefer less complexity rather than more, right now.
I don't see multiple preamps as competing, rather they are complementary.
 
I don't see multiple preamps as competing, rather they are complementary.
Yes, they can be complementary if they're not competing. I guess it all depends you you use them. I confess, I'm a minimalist when it comes to EQ. I have the 10 band graphic / parametric Source Audio EQ2 that is just about the most comprehensive, versatile EQ in existence - but I very rarely use it.
 
Yes, they can be complementary if they're not competing. I guess it all depends you you use them. I confess, I'm a minimalist when it comes to EQ. I have the 10 band graphic / parametric Source Audio EQ2 that is just about the most comprehensive, versatile EQ in existence - but I very rarely use it.
I like to pair a Fender tone stack preamp with a parametric EQ. I find they compliment each other very, very well.
 
Hey Bill

Sometimes.
MusicMan Stingray Fretless - Sadowsky Pre - Ashdown Klystrom

MTD Grendel - Solidgoldfx Beta V - Ashdown CTM-300

I have a similar chain: Active Basses > B3n > GB Shuttle, all of which have really powerful EQ and gain staging options that require careful management to avoid undesirable outcomes. Generally speaking, the EQ section of the Shuttle, running through a couple of 'neutral' 12" cabs, is left almost flat - nothing more than a couple of clicks off centre, and the tweeter running at about 50%. The HPF is permanently engaged and I use the bass control for tuning-out boom in the room. The B3n has presets for each bass and a dozen or so additional presets for specific songs, but again nothing in any of those patches is extreme. I then use the EQ on the basses to make minor on-the-fly adjustments as necessary.
 
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