To answer the orig. questions...
The "thud" of the Baby Bass is a very short sustain that has a strong attack. It is percussive, like hitting a wooden cajone...with lots of tone range. I liken it to a good bass singer in a doowop quartet, too.
The pickups are unique and need to be pre-amp'd, just as if you were dealing with an acoustic. I run a Pure pre-amp to get my input levels nice n strong. Then, I run out of a BBE dual compressor. I can adjust the delay to get a more natural, long decay to my note like I would on an acoustic. Also, it helps to grab all of the fun moving tones and gets them just as strong as the naturally boomy open E and A. After I got a pre-amp on it, I fell in love all over with the Baby Bass.
The "foam filled" body knocks just like wood. Upon close examination, you can tell the grain is just a contact paper print with a chocolate brown fade out to the outer shell color. I've heard horror stories of people leaving them in hot cars and them popping apart. Mine? 2nd owner, and always been in a conditioned indoor environment, never been in a hot car. No seam activity at all.
I moved to TN from TX. In TX, there were latin gigs galore, and the Baby Bass was busy. In TN, no latin gig scene to speak of, so I'm doing the unthinkable: I want to trade it for a Kay C-1 or M-1. After talking with Gruhn in Nashville, Atlanta Bass Gallery, and Fretwell in VA, I've decided the smart route is to go directly to a bassist who cares, courtesy good ol' TalkBass. I have lots of pics. It's either a late '67 or very early '68, ser#002239 (anybody have the book to help me verify the prod. date?).
Msg. me with any questions or ideas on a trade. Keep lovin' the TalkBass.
The "thud" of the Baby Bass is a very short sustain that has a strong attack. It is percussive, like hitting a wooden cajone...with lots of tone range. I liken it to a good bass singer in a doowop quartet, too.
The pickups are unique and need to be pre-amp'd, just as if you were dealing with an acoustic. I run a Pure pre-amp to get my input levels nice n strong. Then, I run out of a BBE dual compressor. I can adjust the delay to get a more natural, long decay to my note like I would on an acoustic. Also, it helps to grab all of the fun moving tones and gets them just as strong as the naturally boomy open E and A. After I got a pre-amp on it, I fell in love all over with the Baby Bass.
The "foam filled" body knocks just like wood. Upon close examination, you can tell the grain is just a contact paper print with a chocolate brown fade out to the outer shell color. I've heard horror stories of people leaving them in hot cars and them popping apart. Mine? 2nd owner, and always been in a conditioned indoor environment, never been in a hot car. No seam activity at all.
I moved to TN from TX. In TX, there were latin gigs galore, and the Baby Bass was busy. In TN, no latin gig scene to speak of, so I'm doing the unthinkable: I want to trade it for a Kay C-1 or M-1. After talking with Gruhn in Nashville, Atlanta Bass Gallery, and Fretwell in VA, I've decided the smart route is to go directly to a bassist who cares, courtesy good ol' TalkBass. I have lots of pics. It's either a late '67 or very early '68, ser#002239 (anybody have the book to help me verify the prod. date?).
Msg. me with any questions or ideas on a trade. Keep lovin' the TalkBass.
Take it easy brother, talk to you soon.