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Baer Amplification Megathread!

WOW......so I've read most of this post and the more I read the more I'm starting to think that the ThunderTots that Duke made for me are pretty similar to the ML112's....If I had more $ I'd get an ML112 just so I could A/B it with the Tots......The Tots are tweeterless and have Duke's proprietary 3012LF and I just love them with my LMII...
 
WOW......so I've read most of this post and the more I read the more I'm starting to think that the ThunderTots that Duke made for me are pretty similar to the ML112's....If I had more $ I'd get an ML112 just so I could A/B it with the Tots......The Tots are tweeterless and have Duke's proprietary 3012LF and I just love them with my LMII...

These cabs do have a bit of that 'one way 3012HO' sort of tone, which I would guess is relatively close to Duke's modified 3012LF tone in a one way box. Of course, the upper mid response will be more even with a mid driver and good crossover, and the low end will be quite a bit more full due to the bigger box and tuning.
 
These cabs do have a bit of that 'one way 3012HO' sort of tone, which I would guess is relatively close to Duke's modified 3012LF tone in a one way box. Of course, the upper mid response will be more even with a mid driver and good crossover, and the low end will be quite a bit more full due to the bigger box and tuning.

Quite true but the Tots only weigh 22 lbs compared to 37 lbs which for me would be a deal breaker (health reasons)....so the Tots are doing the job for me but if weight would be no matter, I wouldn't mind having an ML112 also.....
 
I'll give that comparison a go and report back. :cool:

I had a few minutes to play the two ML-112's against my AE212 tonight. The high end was remarkably similar, considering the different components used to reproduce them. The Berg was a tad smoother in the highs (and overall), but these two enclosure setups were the most similar up high. The mids had more variation going on, with the Baers having noticeably more upper midrange aggression and the Berg being a bit more full in the low mids. The transition from mids to highs is smoother in the AE212, whereas the ML-112 has a little extra presence right around this transition point.

The low end is where these cabs differed the most. The AE212 was much bigger and wider sounding, and the two ML-112's were much more focused and also a bit more tight. The Baers might not be entirely broken in, which may contribute slightly to this discrepancy, but I am confident that this distinction will still exist, albeit possibly at a slightly reduced level, once they are fully broken in. It's not that the AE212 is not tight (it certainly is), and it's not that the ML-112's are not full sounding down low (they certainly are). But back to back, you can't help but feel that the AE212 is just "bigger" sounding and the ML-112's are "more focused" when it comes to the low end. They both seemed to reach about as low, and both were very strong (though in different ways) on a low B.

With the low frequency performance being the biggest standout difference, the other overall impression is that the Berg is smoother and a bit more "round," and the Baer ML-112's are a bit more aggressive and tight. Overall output seemed relatively similar, with the Berg seeming to be more sensitive in the lower mids and the Baers being more sensitive in the upper mids. With some EQ, you can definitely bring the two to sound a good bit more like the other, but the big/wide versus focused thing is still there, as is the smoother driver to tweeter (or midrange) transition of the Berg versus the (intentional and highly functional) upper mid aggression of the ML-112.

Two different flavors of great, IME/IMHO. YMMV, of course. :cool:
 
I had a few minutes to play the two ML-112's against my AE212 tonight. The high end was remarkably similar, considering the different components used to reproduce them. The Berg was a tad smoother in the highs (and overall), but these two enclosure setups were the most similar up high. The mids had more variation going on, with the Baers having noticeably more upper midrange aggression and the Berg being a bit more full in the low mids. The transition from mids to highs is smoother in the AE212, whereas the ML-112 has a little extra presence right around this transition point.

The low end is where these cabs differed the most. The AE212 was much bigger and wider sounding, and the two ML-112's were much more focused and also a bit more tight. The Baers might not be entirely broken in, which may contribute slightly to this discrepancy, but I am confident that this distinction will still exist, albeit possibly at a slightly reduced level, once they are fully broken in. It's not that the AE212 is not tight (it certainly is), and it's not that the ML-112's are not full sounding down low (they certainly are). But back to back, you can't help but feel that the AE212 is just "bigger" sounding and the ML-112's are "more focused" when it comes to the low end. They both seemed to reach about as low, and both were very strong (though in different ways) on a low B.

With the low frequency performance being the biggest standout difference, the other overall impression is that the Berg is smoother and a bit more "round," and the Baer ML-112's are a bit more aggressive and tight. Overall output seemed relatively similar, with the Berg seeming to be more sensitive in the lower mids and the Baers being more sensitive in the upper mids. With some EQ, you can definitely bring the two to sound a good bit more like the other, but the big/wide versus focused thing is still there, as is the smoother driver to tweeter (or midrange) transition of the Berg versus the (intentional and highly functional) upper mid aggression of the ML-112.

Two different flavors of great, IME/IMHO. YMMV, of course. :cool:

Tom....although I have never owned the AE212 specifically, I have owned a host of other 112 cabs, 212, cabs, 210 cabs, and 410 cabs....I now own a pair of ML112's. Your description of the Baer's being tight and focused is right on the money. Big and full they are not.....well sorta. It's like you had mentioned. It's not that they don't exhibit a "big" and "full" reproduction of an amplified bass guitar. It's just that other cabs can do the "big and full down low" thing better than the Baer's. Likewise, the "tight and focused" low end thing is the Baer's forte. Again, it's not that the Baer is a one-trick-pony and can only be tight and focused....it just does "tight and focused" better than "big and full down low". My .02
 
I had a few minutes to play the two ML-112's against my AE212 tonight. The high end was remarkably similar, considering the different components used to reproduce them. The Berg was a tad smoother in the highs (and overall), but these two enclosure setups were the most similar up high. The mids had more variation going on, with the Baers having noticeably more upper midrange aggression and the Berg being a bit more full in the low mids. The transition from mids to highs is smoother in the AE212, whereas the ML-112 has a little extra presence right around this transition point.

The low end is where these cabs differed the most. The AE212 was much bigger and wider sounding, and the two ML-112's were much more focused and also a bit more tight. The Baers might not be entirely broken in, which may contribute slightly to this discrepancy, but I am confident that this distinction will still exist, albeit possibly at a slightly reduced level, once they are fully broken in. It's not that the AE212 is not tight (it certainly is), and it's not that the ML-112's are not full sounding down low (they certainly are). But back to back, you can't help but feel that the AE212 is just "bigger" sounding and the ML-112's are "more focused" when it comes to the low end. They both seemed to reach about as low, and both were very strong (though in different ways) on a low B.

With the low frequency performance being the biggest standout difference, the other overall impression is that the Berg is smoother and a bit more "round," and the Baer ML-112's are a bit more aggressive and tight. Overall output seemed relatively similar, with the Berg seeming to be more sensitive in the lower mids and the Baers being more sensitive in the upper mids. With some EQ, you can definitely bring the two to sound a good bit more like the other, but the big/wide versus focused thing is still there, as is the smoother driver to tweeter (or midrange) transition of the Berg versus the (intentional and highly functional) upper mid aggression of the ML-112.

Two different flavors of great, IME/IMHO. YMMV, of course. :cool:

Based on your description, a pair of Baer should sound REALLY nice with the Genz Streamliner 900 (and really good with quite a few other good heads).
 
I had a few minutes to play the two ML-112's against my AE212 tonight. The high end was remarkably similar, considering the different components used to reproduce them. The Berg was a tad smoother in the highs (and overall), but these two enclosure setups were the most similar up high. The mids had more variation going on, with the Baers having noticeably more upper midrange aggression and the Berg being a bit more full in the low mids. The transition from mids to highs is smoother in the AE212, whereas the ML-112 has a little extra presence right around this transition point.

The low end is where these cabs differed the most. The AE212 was much bigger and wider sounding, and the two ML-112's were much more focused and also a bit more tight. The Baers might not be entirely broken in, which may contribute slightly to this discrepancy, but I am confident that this distinction will still exist, albeit possibly at a slightly reduced level, once they are fully broken in. It's not that the AE212 is not tight (it certainly is), and it's not that the ML-112's are not full sounding down low (they certainly are). But back to back, you can't help but feel that the AE212 is just "bigger" sounding and the ML-112's are "more focused" when it comes to the low end. They both seemed to reach about as low, and both were very strong (though in different ways) on a low B.

With the low frequency performance being the biggest standout difference, the other overall impression is that the Berg is smoother and a bit more "round," and the Baer ML-112's are a bit more aggressive and tight. Overall output seemed relatively similar, with the Berg seeming to be more sensitive in the lower mids and the Baers being more sensitive in the upper mids. With some EQ, you can definitely bring the two to sound a good bit more like the other, but the big/wide versus focused thing is still there, as is the smoother driver to tweeter (or midrange) transition of the Berg versus the (intentional and highly functional) upper mid aggression of the ML-112.

Two different flavors of great, IME/IMHO. YMMV, of course. :cool:

Tom,

My guess is a stack of Bergantino AE112s (Series 2) would get real closer to the ML112 stack, than the AE212. I had the AE212 and it is a great cab, but actually prefer the tighter low end of the AE112 stack. I bet I would love the ML112s.

And the ML112s should sound great with a STM 900.
 
Tom,

My guess is a stack of Bergantino AE112s (Series 2) would get real closer to the ML112 stack, than the AE212. I had the AE212 and it is a great cab, but actually prefer the tighter low end of the AE112 stack. I bet I would love the ML112s.

And the ML112s should sound great with a STM 900.

+1 (although closer to the original Series I's with the more present upper mid response IMO). One of the way's I've described the ML112 in previous reviews is a great option for those players who like, but missed out on purchasing an original AE210 or AE112. However, the final version of these cabs (AE210, AE112) is a bit smoother up top like the AE212, due to the crossover modification. You can hear this in the comparison clip of my Series II AE210 versus the ML112 on my Youtube channel.

The AE212 is a very different sounding AE cab... much bigger down low, much smoother in the upper mids (no bump, and even a bit of a dip), and a less extended (or at leastless 'in your face') treble response, due to, in part, a very different crossover from the other cabs in the AE line.

Also, the max output of the AE212 is something to behold, and it outperforms the AE112 x 2 stack by quite a bit in full low end and max volume.

IMO, the closest cab out there to the ML112 is the original AE210, although the ML112 will have a more forceful low end.

For those who dig the AE410, two ML112's would be a great modular solution, and will give you just as much volume, all of that upper mid brightness, and a bit more true low end.

Tom's comparison again points out how amazing that AE212 is... definitely a 'super 212' :bassist:


Edit: Also, a BIG +1 to the ML112 and the Streamliner. Even better than the Streamliner with the AE410!
 
Ok someone please try the ML112 with an all tube amp (Tom B Im thinking you might be keen for this!)


And then please tell me it is not a good pairing so I dont have to buy another cab:D

I always stay away from ported cabs with my tube amps however all this talk of "tight and focused bottom end" may have me thinking in reverse :ninja:
 
Tom,

My guess is a stack of Bergantino AE112s (Series 2) would get real closer to the ML112 stack, than the AE212. I had the AE212 and it is a great cab, but actually prefer the tighter low end of the AE112 stack. I bet I would love the ML112s.

And the ML112s should sound great with a STM 900.

Yes, my pair of early AE112's should certainly sound closer to the ML-112's than the AE212. I'll give that a go. :cool:

Oh, and I'll try a pair of AE210's, as well, just for kicks. :D
 
Overall output seemed relatively similar, with the Berg seeming to be more sensitive in the lower mids and the Baers being more sensitive in the upper mids. With some EQ, you can definitely bring the two to sound a good bit more like the other, but the big/wide versus focused thing is still there, as is the smoother driver to tweeter (or midrange) transition of the Berg versus the (intentional and highly functional) upper mid aggression of the ML-112.

Two different flavors of great, IME/IMHO. YMMV, of course. :cool:
I'm curious...while I get that there will be tonal differences between the two cabs for a myriad of reasons, what impact does the "superior mechanical specs" of the Baer's modified 3012HO have vs. the Berg? Would it be in power handling, absolute volume, the ability to dial in deep bass...or maybe nothing at all?
 
I'm curious...while I get that there will be tonal differences between the two cabs for a myriad of reasons, what impact does the "superior mechanical specs" of the Baer's modified 3012HO have vs. the Berg? Would it be in power handling, absolute volume, the ability to dial in deep bass...or maybe nothing at all?

I did not use the phrase "superior mechanical specs," and since Jim uses proprietary Eminence drivers, I'd hesitate to speculate too much on this topic.
 
Yes, I did not mean to imply you did. I was referencing some other posts by other users. Something to the effect that there are differences between a Deltalite vs. Kappalite and one has "better" specs than the other. It made me wonder how the differences in specs actually plays out.

Again, Jim also uses a proprietary driver, so this would not even be a Deltalite versus Kappalite comparison.
 
I'm curious...while I get that there will be tonal differences between the two cabs for a myriad of reasons, what impact does the "superior mechanical specs" of the Baer's modified 3012HO have vs. the Berg? Would it be in power handling, absolute volume, the ability to dial in deep bass...or maybe nothing at all?

+ to Tom's comment. That 'spec' deal was posted by someone who had no information on Jim's proprietary drivers. I've found Jim's HT112ER (the HD112 and 212 uses that same proprietary driver), and also the AE212 (although for some reason, not the AE112) to perform in the volume and tonal range of what I describe as 'super twelves', or in the case of the AE212, a Super 212:bassist:
 

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