I'm a bass player, and bass solos bore me. And, honestly, I don't think anyone is "forced" to sell out. Throw a few million at me and I'll back Justin Beiber all day long.......
It would take a lot less than a few million for me to back the beeb
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I'm a bass player, and bass solos bore me. And, honestly, I don't think anyone is "forced" to sell out. Throw a few million at me and I'll back Justin Beiber all day long.......
Hell yeah, I'll play a bass solo. Doesn't mean ya gotta bust the groove. Most heavily airplayed and bought bass solos of all time? Brown-Eyed Girl and Another One Bites the Dust, right off the top of my head.

"Quality" is totally subjective. Read "Zen and the Art of Motorcycle Maintainence" and then come up with a definition of what "quality music" is.
Selling out? Bass players are, 99% of the time, sidemen. That's what playing bass is about - helping to provide the foundation for a song. It's not about us. Too bad so many "bass players" don't seem to get that these days...

Well I think we can assume that people have different goals.
If you want to make music for musicians, go ahead and create something super complicated and laden with effects and solos.
If you want to make music for non-musicians then observe what they like and deliver.
I've always been much more interested in making the average persons day by playing them a simple tune than working my butt off to try and impress some music snob who will never like anything you do anyways.
I'm not sure why you think that it is either a choice between being a sideman or playing super complicated, effects laden, and solos. There is a lot of middle ground for someone who can think for himself.Well I think we can assume that people have different goals.
If you want to make music for musicians, go ahead and create something super complicated and laden with effects and solos.
If you want to make music for non-musicians then observe what they like and deliver.
I've always been much more interested in making the average persons day by playing them a simple tune than working my butt off to try and impress some music snob who will never like anything you do anyways.
I'm not sure why you think that it is either a choice between being a sideman or playing super complicated, effects laden, and solos. There is a lot of middle ground for someone who can think for himself.
I don't consider sir Paul either of those extremes and there are plenty of other examples of bass players who were more than sidemen and less than soloists.
I think a sell out is someone who gives up on their dreams and then goes and gets a "real job" when things get a little tough. If someone is making money making music, that is not selling out, That is living the dream.
I like shakin the butts. Getting paid for is pretty wonderful, I try to do it as often as possible
Those are bass solo ???![]()
Nope. That's living YOUR dream. Yes, I stopped playing music full-time. And I am currently back in school at age 41 trying to "fit into" this world in a way that doesn't involve having a bass around my neck at 3a.m. 4 hours from home. BUT, the thing is, that shift in me occurred when I mat an amazing woman, got married, and had two of the most beautiful children you can picture in your head. That BECAME my dream. I would RATHER see them than a bunch of bar whores at 2 a.m. most nights. I can still play when I want, and get paid dearly for every gig I play or run sound for. And I STILL get to go home to a nice house and a beautiful family. THAT, my friend, is my dream. Now, in no way am I knocking you for wanting to play music as a dream. In fact, it's my whole point. As long as you are living YOUR dream, you are NOT selling out. Yours seems to be music (right now). Mine is my family. Neither of us is selling out.
The video was stupid. The "point" was stupid. If you are doing what YOU want (even if that's playing Brown Eyed Girl 4 nights a week), making ENOUGH money (whatever that means in your world), and not hurting anybody in the process, then you are living the dream. Anyone who calls you a sellout is a jerk.
However, anyone who sits around recording "their art" for 5 decades riding up and down the road in beat up rusty vans staying in rat infested hotels and sleeping with women who were in somebody else's bed last night dirt poor wondering why the rest of the world isn't "smart enough to get you and your music" just so they can say the never sold out is not living any dream either. Just sayin. (And before you jump, I'm not stupid. I know there's a huge middle ground I didn't cover there. Even as long-winded as I can get, I don't have all day to cover every possibility.)
I think the music world forces musicians to sell out because quality music is often ignored while mediocrity is celebrated.
I think the music world forces musicians to sell out because quality music is often ignored while mediocrity is celebrated. This video pretty much says it all https://www.youtube.com/watch?v=MvtUtWiro4Y
But the main difference there is playing for the music or playing for yourself.