I couldn’t agree more. I’ve used a 400RB for years.
Good timing I was literally about to quote you and say the same thing. Lol
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I couldn’t agree more. I’ve used a 400RB for years.
I've had one since the very early '90 and have done hundreds and hundreds of shows with it. For years I used a Peavey 215 cabinet, then in the 2000's I used a 6x10 cabinet. That was ok but not really my favorite. I bought an Ampeg 810 last year and couldn't be any happier. It only have 200 watts @ 4 ohms, and 125 @ 8 but it does a good job with that 'fridge. I probably would have bought an 800RB if I could have afforded it, but I'm plenty happy with the 400. The only issue I've ever had was the effects loop cutting out, inserted a small jumper a few years ago and haven't had a problem since. I think the best way to describe the GK "sound" is neutral. YMMVEven a 400 is a monster
Reliable and yes not very heavy at all
Thoughts?
I have 2 x 400b
and 2 x 800rb
The four horsemen
Haha - my Ampegs aren’t going anywhere - trust me! They’ll always be my #1. But, I certainly appreciate GK amps. They seem to be the staple for rehearsal studios and always sound good. I’ve only played on one really big stage in my life and GK was the amp that was provided - I think it was a 1001RB, but I can’t be certain. I’m sure part of what I heard that day was the big subs under the stage, but that rig sounded glorious!Hi Alexander
Don ' t tell me you will change your avatar.
I would stay with the Ampeg!
That said, the 800rb kills!
may the bass be with you
Wise(b)ass
They’d go with Ampeg cabs - either a Heritage 810 or 1-2 212AVs. Thanks everyone for the advice!Those are probably the two that I'd recommend most highly, I've owned both. What cab(s) are you most likely to pair them with?
They’d go with Ampeg cabs - either a Heritage 810 or 1-2 212AVs. Thanks everyone for the advice!

Wish they didn't do offshore manufacturing