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So now we never have to see another thread asking if the woods used effect the tone... right?![]()
I'm curious about all these comments about the "feel" of maple vs. rosewood. If you're playing a fretted instrument, how are you "feeling" the fretboard? I mean there's a little thin slice of it above the G which your hand might run along, but are you "feeling" that edge? And if you were comparing a rock-hard piece of wood against a relatively soft piece of wood I could imagine an attentive player feeling more or less "give" in the frets when playing aggressively, but even that's a bit of a stretch. So with a fretted board, what is this "feel" y'all are actually referring to?
And as noted many times, "identical" basses can sound even more different than these two J-basses. So, nobody knows whether the difference between these two was due to fingerboards, bodies, necks, strings, technique, or a combination of factors.
Big +1 on this.
If my fingers ever touch the board, it's such a slight graze, that I would surely fail a blindfold "feel" test.
I got the hearing test correct.
However, while the difference seemed clear to me, IMHO, any number of factors could have made it sound the other way around.