I obviously can't speak for everyone, but I've known a few people who would obsess over knowing every single note for original recordings and in my limited experience they seemed like the type of people who played for the technical challenge and the music seemed kind of secondary.
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Chances are You're not that Special!
- Thread starter Dr. Cheese
- Start date
I obviously can't speak for everyone, but I've known a few people who would obsess over knowing every single note for original recordings and in my limited experience they seemed like the type of people who played for the technical challenge and the music seemed kind of secondary.
OCD.
I actually like listening to different recordings of a tune by the band that did the original. The differences are interesting. Some are subtle and some are not.
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That's true. I have done session work, and given lessons too even though I can't do sight reading. There's always exceptions.
My comment about reading was about being able to do it when there's a given score. I can take a notation and analyze it, tell you what the key is in, the time signature, etc. I guess I should have said "sight reading" to be more specific.
Well in fairness to your mom, she's classically trained and improv isn't usually part of the classical musician's vocabulary.
I meant to say that Marcus Miller said he would be off to the next session while someone who played by ear was waiting for someone else to play him his part.
Agreed,
I hav played on and off with my uncle (along with my old man and then whomever else we needed to complete the ensemble) and it has been a battle for years for us to convince him that not learning the song correctly is not the same as putting you stamp on it - unless your stamp is "wrong and bad".
My philosophy is, learn it "right" then add your twist to it.
(Face palm) that wasn't me... That was Apple!Please elaborate on how "disco using" has helped you?
Honest!!!
Not really. When I put out a video for example of something not 100% correct I make sure to disclose that fact. You can tell in the choice of words people use to disclose it. The "I came up with my own version" combined with say poor playing tells one all they need to know.
Now a bass player like here in this video you just know by the skill involved that he could play it 20 different ways on the fly. Yep I'd say this guy did his own version because he has a right to.
I know. But so was my dad. It is just a skill she never picked up. But, she never gigged.
Most "pro -reading" responses talk about 'business' perks: getting gigs, session work etc, or simply increasing repertoire.
I am by no means 100% fluent, but my experience is that reading ability made me play better.
There is a surprising improvement in musical awareness that comes with musical literacy.
There's no substitute for knowing exactly what is going on.
I am by no means 100% fluent, but my experience is that reading ability made me play better.
There is a surprising improvement in musical awareness that comes with musical literacy.
There's no substitute for knowing exactly what is going on.
The problem is ... rock music wasn't meant to be played with sheet music, it is dirt simple. Saddly it also bring a lot of dumbing down as the bar isn't so high to be considered good and make money.
I mean at one point popular music was jazz, a lot more complicated than a country songs.
My fav band is Dream Theater and they have everything written, no wonder when the music is so complex.
I mean at one point popular music was jazz, a lot more complicated than a country songs.
My fav band is Dream Theater and they have everything written, no wonder when the music is so complex.
Guys I made progress!!!
Not to derail too much but I've been trying to practice reading for at least thirty minutes each day since that other post. The other day I started to notice "patterns" as in, I could look at a sequence of notes and instead of needing to read each one, I could look at the root and tell it was a triad and octave just based of the the position of the notes.
I'm starting to get it basically, all thanks to my Hal bass method book. I'm still struggling with 12/8 time though. I also have Carol Kaye's electric bass book but it's a bit difficult at the moment, particularly rhythm wise.
Not to derail too much but I've been trying to practice reading for at least thirty minutes each day since that other post. The other day I started to notice "patterns" as in, I could look at a sequence of notes and instead of needing to read each one, I could look at the root and tell it was a triad and octave just based of the the position of the notes.
I'm starting to get it basically, all thanks to my Hal bass method book. I'm still struggling with 12/8 time though. I also have Carol Kaye's electric bass book but it's a bit difficult at the moment, particularly rhythm wise.
Well, I have been working out Jazz Patterns for Bass Clef Instruments for two lessons, and I really enjoy it. I will tell any young player, don't be like I was, buying a million basses, and sound mediocre on all of them. Take lessons and get good!
Don't look down at simple music. A lot of Pop is trickier than it sounds, and most musicians, great or not so great have a very hard time writing a pop song that people want to along with or dance to.
Oh I know but at the same time a lot of people start to learn music with that and go play in bar to earn some cash even though they can't play more than root-five and it is good enough for what they do.
Don't think that the folks in the pit are the only theater people that need to read music. You need to be able to at least follow a score to call audio and lights for plays like "Hamilton".
