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Club Bordwell Part 2.

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#901
dharmashawn said:
Exactly. My build is a long ways off, but I would like to start lining up my ducks. With all of the options and details I would really like to get it right and end up with my (relatively) perfect Bass.
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Good plan. You're spending a lot of money here... it should be "your CB" down to every last detail.
 
#902
nickbass79 said:
My new Big McNeely 32":
P5050051.jpg

P5050052.jpg

P5050053.jpg

P5050054.jpg
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WOW!
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#904
nickbass79 said:
My new Big McNeely 32":
P5050051.jpg


Is that an Audere pre? What is the configuration of your knobs? I'm looking into an Audere for my SC-5, but the way I'm trying to configure it it would have six knobs (vol., blend, bass, mid, treble, passive tone). Then the A/P switch and Z-mode switch in-line (like your switches).

I'm not a fan of Cliff's 3-in-line, 2-row, layout for six knobs so we're trying to figure out how to do it. I'm thinking something similar to your semi circle with the two switches...and maybe the sixth knob in-line with the first.

Also, what material was used for the headstock inlay?

Very cool looking bass.
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#905
It is an Audere preamp with Nordy Duals. Knobs are Mov, Blend, Treb, Mid, Bass and switches are Z-mode and Passive. I have the same configuration on my 6. The inlay Cliff uses is abalone. Great basses, this one is by far my favorite.
Thanks and good luck
 
#906
nickbass79 said:
It is an Audere preamp with Nordy Duals. Knobs are Mov, Blend, Treb, Mid, Bass and switches are Z-mode and Passive. I have the same configuration on my 6. The inlay Cliff uses is abalone. Great basses, this one is by far my favorite.
Thanks and good luck
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Thanks for the input! So I'm basically just adding a passive tone knob, and using the Fatstacks. Sweet. Now I just have to wait until Cliff starts.
 
#907
Vic said:
My perspective is, with good fretting hand technique (we're not all righties :)), no reasonable neck profile should ever be a problem. However, that's not to say we won't find some more pleasant/comfortable than others, and when you get into this class of instrument, I think it's reasonable to pay attention to that kind of detail when making choices.
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I'll further reword it to fretting hand....although I don't use frets most of the time. Regardless, given the differences among builders, technique has always been my safety net.
 
#908
spade2you said:
I'll further reword it to fretting hand....although I don't use frets most of the time. Regardless, given the differences among builders, technique has always been my safety net.
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Man, am I ruffling some feathers here!! I do appreciate the advice and words. I do understand that technique plays a huge part on the feel of any give instrument. I was looking for some basic feedback and thoughts on everyones experiences. If I have the option of several sizes and shapes I would like to take full advantage of that and get a very comfortable Bass. I have since purchased a caliper and begun to measure my Basses and find a starting point. I will let y'all know what I decide on.
Namaste
 
#909
spade2you said:
I'll further reword it to fretting hand....although I don't use frets most of the time.
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Honestly, I thought about that too. What's the "true" generic term?? LOL! :D

Fingering hand? Noting hand? Neck hand? Each one sounds as goofy as the other. :)

Even crazier, what's the other hand called? :)

Yeah, I know I'm waxing silly here, but hey, it's a web forum. :)
 
#916
nickbass79 said:
I just got it, so I assume there are DR's. Not sure though, I just know thats what Cliff put on my 6er.
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Thanks.

I'm curious, as I have never played a 32" scale basss...but am very interested! I am wondering if it is better to have a thinner string gauges for lower tensioned strings or thicker string gauges for higher tension. Plus, there is also the issue of string flexability,materials used, string manufacturing methodology, number of wraps, tonal preferences...
 
#917
Your bass turned out great looking nickbass79! I love your wood and electronic choices. I bet it sounds awesome!

I need to start thinking more about my two new basses that will start being built the beginning of next year. I have just been too busy lately.

Thanks for sharing the pics :bassist:

-ScottM
 
#918
TapyTap said:
Thanks.

I'm curious, as I have never played a 32" scale basss...but am very interested! I am wondering if it is better to have a thinner string gauges for lower tensioned strings or thicker string gauges for higher tension. Plus, there is also the issue of string flexability,materials used, string manufacturing methodology, number of wraps, tonal preferences...
Click to expand...

This in my first 32" as well and so far, I love it. Same standard guage strings, string tension feels a little tighter than a 34", SUPER easy to get around on the bass coming from a 36" to the 32". Carl Thompson has been making them for a while and they seem to have a pretty good following. I just love the punch of the bass, playability and of course the look.
 
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