Thanks guys, interesting points, and some things I never considered. I probably shouldn't jinx myself by saying this but in almost 40 years of gigging, I have never 'needed' a back up bass. The only time I change basses on stage is for some kind of effect. Either musical or visual. So having two identical sounding basses never occurred to me.
Believe it or not I can make my ash/maple BN5 sound very, very similar to my ash/rosewood VF5. Who knew?![]()
I've had one of almost everything crap out at a gig-basses, amps, cabs, something on my pedalboard, a relationship, lol! Now, I try to take Murphy's Law out of the equation. I hate retuning. To me, that looks unprofessional. I'm not talking about just going from standard to Drop-D, I'm talking about retuning the whole bass in the middle of a set. It's quicker and more visually impactful to just put on a different bass that's already tuned and ready. I don't wish equipment failure on anyone, but I'd rather have it and not need it, than need it and not have it.
I'm also not gonna kid you, I'm an electronics-makes-a-bigger-difference-than-wood-choices guy. Not saying it's not important, but if you put the same pickups and electronics in an ash/maple bass and an alder/rosewood bass, they're gonna sound pretty similar...

