Ohh, yeah. Funny, I thought maybe there was a mention of one coming someday, but I can't find it now.Dammit I've done this a few times now. Meant to say a METRO
Will Lee 5. D'oh!!!!
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Ohh, yeah. Funny, I thought maybe there was a mention of one coming someday, but I can't find it now.Dammit I've done this a few times now. Meant to say a METRO
Will Lee 5. D'oh!!!!
Ohh, yeah. Funny, I thought maybe there was a mention of one coming someday, but I can't find it now.
Ahhh, oh well. Kinda' sad, but I decided against wanting the mid circuit anyway, so no problem for me.I grilled Kevin about it one time, using battery clips/waterboarding/crying like a little girl and throwing a tantrum, and was told that one was NOT in the works.
Wow, that should be an AMAZING fretless!!In other news, I just decided on the following:
Fretless 5-String
Unlined Ebony Board w/20 Frets + 'Old Style' string retainer that passes over the B string
Unchambered Ash Body, 'PBass Shape', w/Olympic White Finish
Modern/M5-24 Pickup spacing closer to the bridge
Std Soapbars/Hardware
Portabag instead of case.
Basically a 20fret unlined fretless on a PBody and with Modern Pickup spacing.
Oh yeah!!!
Ahhh, oh well. Kinda' sad, but I decided against wanting the mid circuit anyway, so no problem for me.
Wow, that should be an AMAZING fretless!!
@ ElMon
Why the "old style" retainer?
ElMon said:I want it to pass over all the strings. I'm sure the more scientific-minded TBers would line up to tell me that it makes no difference, but to me that extra little bit of downward pressure equals a tighter feeling string, if not more actual tension.
Have you tried the new retainer or is this only a theory?
::Begins setting up Fisher-Price "My First Large Hadron Collider" set::

Have not tried it, but do know that it does not pass over the B string. And that to ME it makes a difference in the feel of the string.
ElMon, I kinda' have to side with Roger's decision to change and his implementation on this. It's really all about break angle over the nut.Have not tried it, but do know that it does not pass over the B string. And that to ME it makes a difference in the feel of the string. Be glad to fly over any TB'er expenses paid so that I can demonstrate a before and after test. Provided you like scotch and LOTS of it.
Hey how bout them Shadooski basses!!!
(I know a drummer who pronounces it this way. bless his pointy little head)
ElMon said:Have not tried it, but do know that it does not pass over the B string. And that to ME it makes a difference in the feel of the string. Be glad to fly over any TB'er expenses paid so that I can demonstrate a before and after test. Provided you like scotch and LOTS of it.
Sadowsky said:Install a B string that is long enough so it will wrap all the way to the bottom of the post. Adjust the retainer bar so it touches everything but the B string. Then lower the bar on the bass side and see if you can get any additional downbearing on the B. If so, compare feel of B. Then discuss!
Roger
Install a B string that is long enough so it will wrap all the way to the bottom of the post. Adjust the retainer bar so it touches everything but the B string. Then lower the bar on the bass side and see if you can get any additional downbearing on the B. If so, compare feel of B. Then discuss!
Roger
ElMon, I kinda' have to side with Roger's decision to change and his implementation on this. It's really all about break angle over the nut.
If you look carefully at the newly equipped basses, the other four strings pass through the retainer right about where the B string post is. So if you string the bass such that the B string comes off the bottom of the post, all 5 strings should have an identical break angle over the nut, since they'd all be coming from the same angle from the same point... and you get the added benefit of easier restringing, and at least IMHO, it looks nicer.
EDIT:
Roger sorta' beat me to it. LOL! Yeah, the key is the B string has to come off the bottom of the post.
Hmmm... you make an interesting point about the break on the B string... depending on the height of the retainer bar I can see that the break might be greater than without. Although I wouldn't imagine Roger would go changing it without looking into every aspect of the change. Its not like he's a giant conglomerate trying to knock 2 cents on every unit to boost quarterly profit or anything.
I suppose that changing the strings with the new retainer is probably a lot easier than the bar... but I can see your point about wanting the bar... it looks like the new retainer is a NYC option only. I would think they'd still offer the older retainer as well.
Edit: I type way slow.
Well, yeah... you could do that too I guess... you know, if you wanted to get all technical.
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I can get a nice medium low setup with no buzz for my playing style. Love it.
Sadowsky said:Sorry, not gonna happen.
The Japanese Metros often cited here were two prototypes that were made for a Japan trade show many years ago. Those were the only two made.
Roger
...I measure exactly 4/64ths. When I set the string retainer so that it's not touching the strings at all, taking the same measurement gives me exactly 3/64ths. So yeah, NOT a huge difference...
Whatever works for you is fine!
Roger

Well, the super low action didn't work for me in Southern California. The climate change was just too extreme and there ended up being too much fret buzz for me. The low B was extremely low compared to the other strings so it had to raised a bit. It's perfect now and I LOVE it. LOVE! LOVE! LOVE!![]()
I had that bass setup with exactly 2/32nds underneath each string from the top of the 12th fret, without fretting the first fret. It was PERFECT for me on that bass. Since I've been playing upright a lot more I doubt I could hang on that setup any more!