- Apr 3, 2003
- 35,516
- 19,948
- Disclosures
- Editor-in-Chief, Bass Gear Magazine
While I agree that how it sounds in the mix is what is important (and my 25th Anniversary Sadowsky is my reigning champ as the 'best in the mix' of all the basses I have played), and while I also agree that pickups/preamp/strings/setup/etc can greatly alter the 'natural' tone of an instrument, I do subscribe to the theory that you can tell something about how an electric bass will sound amplified by playing it un-amplified.
When I get a new (or new to me) bass, and I pick it up and play a few notes un-amplified, I can generally get a rough idea of what it's going to sound like (so long as those other factors don't screw things up). Likewise, I do believe that you can play two basses with similar pickups/preamps/strings/etc. side by side, acoustically, and get a feel for which one will best suit your needs in an amplified setting.
I do believe that specific wood choices do impact the sound of an instrument. But of course, this is just part of the equation. But I would think that from a luthier's perspective, your job has to be a ton easier if you start with great sounding wood. And my guess is that finding/choosing great sounding wood is one of the biggest challenges a luthier faces, and this is where experience is going to pay off, big time.
Tom.
When I get a new (or new to me) bass, and I pick it up and play a few notes un-amplified, I can generally get a rough idea of what it's going to sound like (so long as those other factors don't screw things up). Likewise, I do believe that you can play two basses with similar pickups/preamps/strings/etc. side by side, acoustically, and get a feel for which one will best suit your needs in an amplified setting.
I do believe that specific wood choices do impact the sound of an instrument. But of course, this is just part of the equation. But I would think that from a luthier's perspective, your job has to be a ton easier if you start with great sounding wood. And my guess is that finding/choosing great sounding wood is one of the biggest challenges a luthier faces, and this is where experience is going to pay off, big time.
Tom.

