vol-vol makes it worse. Just sayin'.Pan pots on a single pickup bass always confuse me.

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vol-vol makes it worse. Just sayin'.Pan pots on a single pickup bass always confuse me.

Killin' me.....KJung said:+1 I don't think Roger will ever budge on that, just like he will never put a midrange control on a bass... just not going to happen.
Oh... wait......
Well, it probably won't happen untill Mikebass gets another Sadowsky. Oh... wait... what the.......
Probably wont happen because Vic doesnt shower with Burk.....oh...wait....Vic said:...probably won't happen until Ken starts playing P basses... oh... wait...![]()
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I've got another Sadowsky newbie question...it seems like the blend knob in my bass is reversed - turns clockwise for the bridge pickup and counter clockwise for the neck. Is this normal for the Sadowsky pre? Any particular reason why?
Ahh...gotcha! Yep I didn't even notice. I havent changed anything with the setup yet but I'm not much of a DIY setup guy...
While "it's not a problem," you "lose a little bit of something" by not having the saddles linked together as completely as they could be if the sides were all against each other.
Probably nothing anyone would hear, but, perhaps.....something.
That's the premise behind G&L 's "saddle-loc technology" bridge setup, where all the saddles but together, and are actually "captured" in the bridge, and then locked together with a side-facing allen head.
There are two opposing schools of thought on this. One school says it's best to lock everything up and together. The other says it's best to isolate (monorail style bridges). As far as I've seen, there's no clear/obvious "win", so I'm thinking whatever difference it makes is completely negligible at least at the practical level.While "it's not a problem," you "lose a little bit of something" by not having the saddles linked together as completely as they could be if the sides were all against each other.
Probably nothing anyone would hear, but, perhaps.....something.
That's the premise behind G&L 's "saddle-loc technology" bridge setup, where all the saddles but together, and are actually "captured" in the bridge, and then locked together with a side-facing allen head.
There are two opposing schools of thought on this. One school says it's best to lock everything up and together. The other says it's best to isolate (monorail style bridges). As far as I've seen, there's no clear/obvious "win", so I'm thinking whatever difference it makes is completely negligible at least at the practical level.
I did switched around my "new" Modern to the "traditional" blend direction.
Switching between bass on stage it might be a little confusing when in the heat of the gig
M
Well, lessee... locking bridge technology has been around a long time, yet Roger continues to use his current bridge technology. Since I refuse to believe he's ignorant of those technologies, I'm choosing to take his continued use of his current bridge technology as such a statement.I'm curious what Roger might have to say about this.
Oohhhhh... my bad!nonononono........you misunderstand me.
I mean about jasons saddles being all caddywampus'd.
Frets sill look good!
I recorded a quick clip tonight of the UV70...just playing along to a drum loop I made from a Herbie Hancock tune...
Great track as expected, but where's the slap track?I recorded a quick clip tonight of the UV70...just playing along to a drum loop I made from a Herbie Hancock tune...
Vic said:Great track as expected, but where's the slap?![]()