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Club Sadowsky!!!

Fair enough. But it also works with the Sadowsky soapbars (although I do prefer the Big Singles for that front pickup tone).

+1 I don't think this has anything to do with the Seymours or Nordstrand pickups. Of course, if you turn the bridge pickup off, you will get that 'pseudo P' sort of tone like you get on virtually any two pickup bass using only the neck pickup.

I personally hate that particular tone myself... woofy and non-articulate.. but that's just pure personal taste there. I think what Vic and I are talking about is the fact that you can't really dial out the low mid puch any other way than turning off that bridge pickup. This has much more to do with the pickup placement of the M-24 than the brand of pickup IMO.

There is no way to get a nice, balanced, even J-Type tone (or even a more traditional 2 pickup soapbar tone) with the M-24 IMO. Of course, that's not what that bass is about, and as Tom posted, if you are looking for a modern tone that sits above the bass drum and just 'chest punches' like crazy, this bass would be for you!
 
I think what Vic and I are talking about is the fact that you can't really dial out the low mid puch any other way than turning off that bridge pickup.
IMHO, even on the neck only, it's still there... especially compared to a J style Sadowsky with the neck pickup solo'd... in a big way. IME, at least.

There is no way to get a nice, balanced, even J-Type tone (or even a more traditional 2 pickup soapbar tone) with the M-24 IMO. Of course, that's not what that bass is about, and as Tom posted, if you are looking for a modern tone that sits above the bass drum and just 'chest punches' like crazy, this bass would be for you!
+1

Further, I find that, even if I add bass EQ, the low end is still MUCH "tighter" than a J style bass, and I've specifically sat down with my MV5 and 24F and explored this. Again, IME at least.
 
IMHO, even on the neck only, it's still there... especially compared to a J style Sadowsky with the neck pickup solo'd... in a big way. IME, at least.

+1

Further, I find that, even if I add bass EQ, the low end is still MUCH "tighter" than a J style bass, and I've specifically sat down with my MV5 and 24F and explored this. Again, IME at least.

Dang it Vic you're just trying to get my to break the bank. :D
 
Please tell me you put something soft and non-scratching on the top of your Epi head?!?! :hmm: :atoz:

another quick pic of a neglected sadowsky lacking proper stands:

sadowskynostand.jpg



Tom, I think he just has an aversion to stands...:D:D:D


put this up in the sa200 thread, but guess it warrants love here, too:

sadworking.jpg
 
I'll agree with you there, for sure.

And I'll add, that while my P/J 5 has never let me down or had any problem fitting into a mix, my 25th Ann 24F 5 is probably the best bass in my arsenal when it comes to cutting through (without overpowering) any mix.

Tom.

oh man,

those are NOT words i need to read.

T-Bow, how much heavier is the maho body vs. the ash? admittedly, despite living spitting distance from bk, i dont think i've ever played a mahogany bodied moderna.
 
oh man,

those are NOT words i need to read.

T-Bow, how much heavier is the maho body vs. the ash? admittedly, despite living spitting distance from bk, i dont think i've ever played a mahogany bodied moderna.

It's not a big difference on that particular bass. I'll have to weigh it, but as I recall, comparing it to Vic's 24F 5, the difference was not all that huge (though you did notice a weight difference).

Tom.
 
T, what specs did you settle on?

Make: Sadowsky
Model: NYC Modern 5-24 fret
Body: Ash / flamed maple top
Neck: maple/maple
Electrics: Nordstrand Big Singles in Sadowsky shells / Sadowsky Pre
Hardware: Black
Finish: Trans. black / black burst edging.
Misc: Standard nut width (1 7/8"?), 12" radius, black face dots, recessed straplocks, portabag.

Not sure if I'm supposed to post this, but it is my bass: Link Removed

studiocrap.jpg


What outboard are you running in this photo? I can see what you're doing (and it's clever). I can make out the Distressor and the Fasto Jr., but not much else in the rack.

Cheers, Joe.
 
Make: Sadowsky
Model: NYC Modern 5-24 fret
Body: Ash / flamed maple top
Neck: maple/maple
Electrics: Nordstrand Big Singles in Sadowsky shells / Sadowsky Pre
Hardware: Black
Finish: Trans. black / black burst edging.
Misc: Standard nut width (1 7/8"?), 12" radius, black face dots, recessed straplocks, portabag.

You did the right thing, going with the Nordies ! ;)
 
Make: Sadowsky
Model: NYC Modern 5-24 fret
Body: Ash / flamed maple top
Neck: maple/maple
Electrics: Nordstrand Big Singles in Sadowsky shells / Sadowsky Pre
Hardware: Black
Finish: Trans. black / black burst edging.
Misc: Standard nut width (1 7/8"?), 12" radius, black face dots, recessed straplocks, portabag.

Not sure if I'm supposed to post this, but it is my bass: Link Removed

sweet top!!! looks like its gonna be crazy nice. huge fan of crossing flame patterns on a top. my sunburst LP is like that.

What outboard are you running in this photo? I can see what you're doing (and it's clever). I can make out the Distressor and the Fasto Jr., but not much else in the rack.

Cheers, Joe.

honestly, i'm not sure. i'm not as much of an engineer guy yet to know the gear. then again, my wallet is sorta glad, cause knowing me... haha. but i do know there's neve dual channel strip rebuild in one of the other racks.

funny thing is, i remember when we tracked it, our engineer thought the sound was too smooth and soft, but oh man, was like bathing in caramel and marshmallow. so, we ended up going his usual route of just sadowsky into u5 DI into one of the neve channels, and also mic'ing up my sa200/sa410 setup, and DANG NABBIT that sounded huge. nice texture from the mic, w/ the sadowsky being massaged by the neve is something i recommend to anybody!