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Club Sadowsky!!!

So speaking of this Will Lee metro thats en route to me, I'm actually trying to get close to a 70s J bass sound with this axe for some Marcus like slap tones.. (I can't find much that got 70s spacing that not full sized body, which was more important to me.)

I ordered a set of the aguilar 70s wound pickups to throw in it. I haven't owned a bass with Sadowsky singles (always had hum canceling). If I'm correct, the Sadowskys are a bit more grindy in the in mids compared with a 70s pickup. Does that seem accurate? Anyone else tried the Aguilars in a Sadowsky before?

I think you get a bit more upper mid content with the Sadowsky single coils. I wouldn't dream of replacing the stock pickups in my WL5 as the bass sounds perfect as is. If I remember correctly the Aguilar 70's are a bit underwound to give you slightly less mid range. I'm sure they sound great. I'm not sure how much of an improvement or change they will make on the Will Lee.
 
Thanks , I thought that sounded like BS .

I think you will find most of the people who makes these comments have either never played one ever, or never played one in a band(or studio) context.

Played 2 gigs this weekend with the WL5. There is nothing I would change about these basses. They just "work". Sits in the mix perfectly with a fat growly and clean tone.
 
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amjbass:
FWIW I've always been a fan of white guards with black/maple. But my first bass was black/white/maple so I may be slightly biased:
2494191384_edfbed2582_z.jpg


Still looks right to me. Parchment would be nice too.
Apologies for the non-Sadowsky content. For demonstration purposes only ;)
 
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Well, since a lot of folks are posting gig pics lately, I'll throw one in from this summer.

My '09 Metro MV5PJ that I bought at the beginning of the year from TBer fudgegf. For a long time, I was a rosewood/morado fan. But this maple-boarded beauty has shown me the light! So many tonal options with this instrument!

(please excuse the crappy left-hand position here... no idea what I was doing at that moment!) :eek:

Palooza2015-MV5PJ.jpg
 
(please excuse the crappy left-hand position here... no idea what I was doing at that moment!) :eek:

Great pic!

Off-topic followup on technique: no need to apologize for your left hand. In a Bass Player interview many years ago, Darryl Jones called that the "monkey grip". In short, Darryl said that for tricky runs his thumb is always behind the neck, but when grooving down low on simple riffs (such as most Rolling Stones songs), he flops his thumb over the side of the neck because it just feels good. I couldn't agree more! Of course there are advantages to thumb-behind-the-neck; doesn't mean YOU MUST ALWAYS KEEP IT THERE.

Also in BP, Glenn Letsch said the same thing about one-finger-per-fret: it's an excellent technique, but for pentatonic stuff (box shuffles, etc) it can be comfy to use four fingers over three frets. He called that "the cup" because your four left hand fingers are adjacent, and you're basically using index and pinky. I agree with him, too.

Nothing wrong with variance/versatility. For simple stuff I use "cup" plus "monkey grip", for tricky stuff I use finger-per-fret plus thumb-behind-neck. :)

/off-topic
 
I was checking out pictures on Dan Lakin's FB page and found this shot of Roger with Carl Pedigo (a fantastic luthier who splits his time between Lakland and his own business, Chicago Bass Doctor). Portrait of the Artists As Younger Men:


When my Sadowsky developed a "mystery buzz" and I contacted Roger about shipping it back to his shop to give it a look, Roger recommended that I reach out to Carl since I was living in Chicago at the time and Roger said that Carl is an incredible tech that he had his upmost faith in. Carl was incredibly nice and skilled, and while he pulled my bass apart looking for the cause we had a great conversation about music and swapped gig stories. Although we couldn't fix the "mystery buzz" as we couldn't locate the source (doesn't come through amplified, only acoustically) he set up my bass to my exact preferences for a very fair price. Loved working with Carl!