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Club Sadowsky!!!

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The singlecut on the bench in the video is hot. What wood? Got any better pictures?

I don't know the specs offhand. I can get them tomorrow. Roasted neck, though.
 
So, yes, the bridge pickup is available on other models... also, here's a little more on this pickup and the Vintage Style Single Cut directly from Roger:



Also, FYI, if you have any questions for Roger on our basses or just about basses in general, we have a question thread going on facebook. Add your questions there (or here) and we'll make a video in the upcoming weeks where he answers some of those questions...

Very cool bass! Wonder if this will ever be made as a Metro?
 
A question for the guys that own 5-strings with P or P/J pick ups: A little background info: I have two vintage style single coil Sadowskys; a 4 and a 5 string. I find myself so comfortable on the 5 that I'm thinking of selling the 4 and in time getting another 5'er. What I gravitate towards playing these days is either my Fender P 4-string or the Sadowsky 5. Those are really the only basses I'm interested in playing. But when asking myself if I were to get another Sadowsky 5-string the question is which one? And also generally; I lean a little harder towards the P tone than the J tone, if I were to pick only one tone as the ultimate bass tone. But the question is how the P works with the B-string; and it's also important to have enough power in the tone of the B-string to be able to play heavy music. So a found this clip on youtube by "Keng Bassist" (is he a tb member?); and he plays the intro to "The Glass Prison" by Dream Theater which is a good choice because it features the tone of the bass in different registers; I like the tone throughout here; smooth and fat up top, commanding and fills the track nicely when playing the same an octave lower, and nice bark and everything, and the tone is tight enough when slammin' the low B. Question is: can you hear in what position the pan pot is on this? (I've never played a PJ Sadowsky myself) I hear the nice P bark; but is it all the way? (I don't think so if I were to guess) What I'm really asking perhaps is do I need (for clarity, definition etc) the J pick up for playing stuff like this? Or could I get that by only the P pick up, and working the pre amp a certain way?

 
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I have a 5 with a P and a big split in 70s location. If you are going to add a bridge pickup I would strongly recommend that setup. I get great tones on all strings in all blend positions. Dead center is a tad scooped but its cool for what it is, pan either way and you get lots of great mid flavors. Solo P B string sounds great with the right strings (dunlop super bright nickel). With a PJ with the J in 60s location I never like the blended tone of the half of the P closer to the J.

My bass is a Fender not a Sadowsky but I have had an NYC PJ5 and have 2 Sadowsky JJ5s.
 
I have a locally made Pj 5 and generally play either p pick up on its own or back pick up with about 70% front. The sadowsky metro pj's I played were awesome I missed one at the local dealer by a few days which led me to the Reimer pro5. A Sadowsky pj5 is the only bass now that gives me any sort of gas.