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Club Sadowsky!!!

So are booster shots allowed? OK, good.

SadowskyBodyPB800.jpg


SadPairWeb.jpg
 
Would you believe I have no live or studio recordings of this bass (and i got it in 2004, how lame is that?). Supposed to go in the studio this Jan/Feb so yeah i'd love to exchange sound clips - will need help learning how to get 'em to you. This bass is extremely warm sounding and the notes play evenly all the way up the neck. Also, makes chords sound very full. Even the old blues guys i back up like the tone of this bass. I relly like how it complements a good, tight kick drum.

tr

use a inexpensive mp3 or similar handheld recorder - that should be enough.
 
Well I can now proudly join you guys...Gimme a number!

This weekend I picked up a MV5 from another TB'er (LSU921). I now see what the Sadowsky feel is all about.

I've never been interested in the jazz basses and I cant really say why. But more and more I have come to wonder why almost everybody and their mother has one.

After playing it with the group last nite...I see how it just fits in the mix but still cuts through.

I am waiting for a pack of Blue SS to come in and try em out.
 
Well I can now proudly join you guys...Gimme a number!

This weekend I picked up a MV5 from another TB'er (LSU921). I now see what the Sadowsky feel is all about.

I've never been interested in the jazz basses and I cant really say why. But more and more I have come to wonder why almost everybody and their mother has one.

After playing it with the group last nite...I see how it just fits in the mix but still cuts through.

I am waiting for a pack of Blue SS to come in and try em out.

Congratulations! I almost bought that one myself! Welcome to the club!

Peace,

T
 
Well I can now proudly join you guys...Gimme a number!

This weekend I picked up a MV5 from another TB'er (LSU921). I now see what the Sadowsky feel is all about.

I've never been interested in the jazz basses and I cant really say why. But more and more I have come to wonder why almost everybody and their mother has one.

After playing it with the group last nite...I see how it just fits in the mix but still cuts through.

I am waiting for a pack of Blue SS to come in and try em out.


#161 groov'ster. welcome and post some photos of your S. :)
 
Well I can now proudly join you guys...Gimme a number!

This weekend I picked up a MV5 from another TB'er (LSU921). I now see what the Sadowsky feel is all about.

I've never been interested in the jazz basses and I cant really say why. But more and more I have come to wonder why almost everybody and their mother has one.

After playing it with the group last nite...I see how it just fits in the mix but still cuts through.

I am waiting for a pack of Blue SS to come in and try em out.


Nice! I love that model, and really dig the MV with the Sadowksy single coils (even more than the very nice HC's.. they add more mid punch and 'grind' with that model). I also swapped the HC's with singles in my RV, but the jury is still out on that switch. Something about the stock HC's and the more mellow vibe of the RV model really works well. I may put the HC's back in that bass... not sure!

I use Hi Beams on my RV5. They really work well (for me anyway) in giving me a bright, present articulate tone, but also vibing nicely with the more mellow and soft attack of the RV model... that combination gives you that sort of 'creamy bright' tone.

On my MV, I use the Sadowsky Blue Label steels that you are getting ready to try out. Nice tight tension, and a bunch going on in the upper mids which REALLY brings out the aggressive grind that ash/maple J's (and especially the more modern and aggressive sounding Sadowsky execution) are known for. I really like them a lot on the MV.

Let us know how it goes when you get them!
 
Well I can now proudly join you guys...Gimme a number!

This weekend I picked up a MV5 from another TB'er (LSU921). I now see what the Sadowsky feel is all about.

I've never been interested in the jazz basses and I cant really say why. But more and more I have come to wonder why almost everybody and their mother has one.

After playing it with the group last nite...I see how it just fits in the mix but still cuts through.

I am waiting for a pack of Blue SS to come in and try em out.

Tim,

Here's a photo assist.. :)

DSCN2475.jpg


DSCN2476.jpg


DSCN2479.jpg


DSCN2478.jpg


Jason
 
If you could switch a few things on a bass like this would you:

1. Switch the Soapbars to Big Singles ?

2. If so would you prefer the standard Jazz location?

3. Change the black hardware to chrome ?

Thank you and Happy New Year!

The 1st 2 change the tone so I think that is player preference. If I wanted that "classic" Sad Mod tone I wouldn't change them. Big singles in a jazz position is a very different animal IMO.

Personally I don't like the black hardware but I'd play any color bass with any color hardware if it sounded great!
 
Just curious why the Logo's say Sadowsky Guitars.

Shouldn't say Sadowsky or Sadowsky Bass Guitars or am I being particular? Maybe just sensitive - as I still think Bass Players are still marginalized to some degree.
Because he makes solid body electric guitars, archtop guitars, and also bass guitars. Seems like simplifying to just "guitars" makes sense to me. :)
 
Cirp
That is a pretty bass. Glad you like it.
I love single coils and never tried soapbars in the band mix. I've also read and pm'd some friends about the pickups. Seems the soapbars and the 24F in general is a more specific sound/tone.

I play mostly finger style in a six pc. band with horns, mostly bluesy rock, motown, bar music. I use a Mesa M6 and Berg AE410 mostly these days. My NYC Vintage Jazz 4 sounds great in that mix.