I agree.The warmer tint is really nice on the express basses. I like it a lot.
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I agree.The warmer tint is really nice on the express basses. I like it a lot.
That Sage Green is a handsome color. One of their best.
Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable.
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Could you pls compare the neck profile of Express 5 vs Metro 5 vs NYC 5?Here ya go as requested.
I love my Sage green and I'm sitting here drooling over this blue ME! I think I have a problem...Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable.
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I don't own a Metro. Only a couple NYC's and now this Metro Express. I don't really have a good way to measure these things, but it feels pretty comparable to my older 21fret. My newer NYC feels a little more slender, but it's also a 24 fret with the narrower nut.Could you pls compare the neck profile of Express 5 vs Metro 5 vs NYC 5?
I had Metro 5 and felt the neck is lil bit too thick for me. Now I have NYC 5 and love the neck profile. The Express line should have the same profile as the NYC - can you confirm that?
Could you pls compare the neck profile of Express 5 vs Metro 5 vs NYC 5?
I had Metro 5 and felt the neck is lil bit too thick for me. Now I have NYC 5 and love the neck profile. The Express line should have the same profile as the NYC - can you confirm that?
Thank you! I am specifically interested in five string. I have my MV5 OW Express ordered at Thomann since last July.. I can't wait.I have a NYC4 and compared that to a couple of Metro Express 4's that came into my shop.
lol, i KNOW i have a problem.I love my Sage green and I'm sitting here drooling over this blue ME! I think I have a problem...
I don't own a Metro. Only a couple NYC's and now this Metro Express. I don't really have a good way to measure these things, but it feels pretty comparable to my older 21fret. My newer NYC feels a little more slender, but it's also a 24 fret with the narrower nut.
You have a NYC ash/maple?Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable.
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Very wise. That's often my fave sound too, slightly to the neck with trble up about 1/3 and bass up just a touch. For older-school maybe treble up much higher with 50% or so passive roll-off. Depends on the band/grenre though, and age of the strings.
Sorry to say I've heard guys get totally lost in the mix with too much use of the 2-band boost-only EQ. Bedroom or small gig/rig settings often don't work well in a bigger room through a big PA. On any gear or instrument.
It's important to get the rest of the band onboard with that fact too. EQ for the band's sound, the singer's voice, and the room.
Hey Vic....you are a boss! I can think of no higher complement than getting your seal of approval!Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable.
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My experience is a bit different...I have never heard any of my players getting lost in the mix with the two band. They get lost in the mix with a three band and too much mid boost. I have received overwhelming complements from engineers, front of house soundmen and players that their basses cut through perfectly no matter where they set the treble and bass controls.
Roger
There were two of them! Also, we have express pickguards in stock now.
+1 to both Roger @Sadowsky and @ElMon ’s posts. The magic of the 2 band w/VTC preamp is that essentially ALL of the classic cover tones are right there. Sound guys have universally raved. Best bass package I’ve found for cover gigs. Period