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Club Sadowsky!!!

Sage green Metro Express...

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Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable. :)

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Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable. :)

View attachment 3387739

Oh my! My bank account flinched...
 
Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable. :)

View attachment 3387739
I love my Sage green and I'm sitting here drooling over this blue ME! I think I have a problem...
 
Could you pls compare the neck profile of Express 5 vs Metro 5 vs NYC 5?
I had Metro 5 and felt the neck is lil bit too thick for me. Now I have NYC 5 and love the neck profile. The Express line should have the same profile as the NYC - can you confirm that?
I don't own a Metro. Only a couple NYC's and now this Metro Express. I don't really have a good way to measure these things, but it feels pretty comparable to my older 21fret. My newer NYC feels a little more slender, but it's also a 24 fret with the narrower nut.
 
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Could you pls compare the neck profile of Express 5 vs Metro 5 vs NYC 5?
I had Metro 5 and felt the neck is lil bit too thick for me. Now I have NYC 5 and love the neck profile. The Express line should have the same profile as the NYC - can you confirm that?

I have a NYC4 and compared that to a couple of Metro Express 4's that came into my shop. By feel only, I thought one of the expresses was just a smidge thicker but very close. Mr Sadowsky gave me a thorough tongue lashing for that. But hey it was based on feel and my hand is pretty sensitive. He stated quite emphatically that they CNC machined on the same plans as the NYC's. So, there you go.
 
I don't own a Metro. Only a couple NYC's and now this Metro Express. I don't really have a good way to measure these things, but it feels pretty comparable to my older 21fret. My newer NYC feels a little more slender, but it's also a 24 fret with the narrower nut.
Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable. :)

View attachment 3387739
You have a NYC ash/maple?
 
Very wise. That's often my fave sound too, slightly to the neck with trble up about 1/3 and bass up just a touch. For older-school maybe treble up much higher with 50% or so passive roll-off. Depends on the band/grenre though, and age of the strings.

Sorry to say I've heard guys get totally lost in the mix with too much use of the 2-band boost-only EQ. Bedroom or small gig/rig settings often don't work well in a bigger room through a big PA. On any gear or instrument.

It's important to get the rest of the band onboard with that fact too. EQ for the band's sound, the singer's voice, and the room.

My experience is a bit different...I have never heard any of my players getting lost in the mix with the two band. They get lost in the mix with a three band and too much mid boost. I have received overwhelming complements from engineers, front of house soundmen and players that their basses cut through perfectly no matter where they set the treble and bass controls.

Roger
 
Here ya go as requested. Already put the Dunlop locks on and took the cling off. Played it at rock band rehearsal late last week and church Saturday/Sunday. Fires on all 8 cylinders, and one of the lightest basses I've ever owned. Great add to my stable. :)

View attachment 3387739
Hey Vic....you are a boss! I can think of no higher complement than getting your seal of approval!
Roger
 
My experience is a bit different...I have never heard any of my players getting lost in the mix with the two band. They get lost in the mix with a three band and too much mid boost. I have received overwhelming complements from engineers, front of house soundmen and players that their basses cut through perfectly no matter where they set the treble and bass controls.

Roger


On my PJ5, my pickup blend is my mid-boost, and my VTC is my 'Motown to Marcus' knob. Thanks to you sir, now all I have to worry about is 'how many more measures before that squirrelly b-section'.
 
+1 to both Roger @Sadowsky and @ElMon ’s posts. The magic of the 2 band w/VTC preamp is that essentially ALL of the classic cover tones are right there. Sound guys have universally raved. Best bass package I’ve found for cover gigs. Period


Complete sideline:

I've always wondered if the 'these can get buried in the mix' guys are using darker-sounding tube-rigs. Part of what I love about Roger's pre is how the MOSFET (if I'm wrong about the terminology, be gentle) design imparts a tube-like warmth to clean-sounding SS rigs.

I've said it before, but I'll say it again:

Roger's basses are the 'sound in the head' of 99.9% of all non-bassists. Guitar players/keyboardists/soundguys/audience members. IME at least. Even when I screw up the chord changes, I sound good doing it.
 
Any of you with both 1-3/4” and 1-7/8” nut 5’s in your stable? Any playing adjustment concerns switching back and forth quickly, or no big deal? I currently have all 1-7/8” 5’s, but was thinking to order a 1-3/4” JJ.

My newest 4-21 (1-1/2”) JJ has me contemplating this, as switching 5’s to my 4 has been no problem (but the necks are obviously quite different size/feel...) Both my 1-7/8” P5 PJ/5-24 FL aren’t going anywhere, so...thoughts?
 

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