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Club Sadowsky!!!

I love that my Fender and Sadowsky basses are different, they each do what they do. My Fender Japan passive 5 is great, and so is my Sadowsky UV70. I’m spoiled for choice!
 

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I still find myself cycling between two custom shop Fenders and my Will Lee. The mid boost switch on the WL definitely gives it the edge in terms of versatility though.
Since I received my German Will Lee I’ve considered selling my CS ‘64 Jazz Bass. Racing improves the breed and Roger improved the standard bearer.

I’m gobsmacked by this bass.
 
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Since I received my German Will Lee I’ve considered selling my CS ‘64 Jazz Bass. Racing improves the breed and Roger improved the standard bearer.

I’m gobsmacked by this bass.

There seems to be a lot to like with the Warwick builds, but as a fan of the WL, are the German WLs equipped with single-coil or hum-cancelling JJ pickups?
 
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Since I received my German Will Lee I’ve considered selling my CS ‘64 Jazz Bass. Racing improves the breed and Roger improved the standard bearer.

I’m gobsmacked by this bass.
I recently bought a Japan Metro Will Lee (single coils) and it indeed replaced my CS Jazz. Terrific instrument. Build quality is every bit as good as my NYC.

Japan Metro Will Lee.jpg
 
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very nice! I’m considering getting a 24-5 vintage, is there any downside compared to the 21-5 vintage?

They feel different due to the additional frets but I prefer the feel of the 24-5. You might not though. Some people don't like slapping on the 24 fret version as much because there is less space between the end of the fret board and neck pickup.
 
I recently bought a Japan Metro Will Lee (single coils) and it indeed replaced my CS Jazz. Terrific instrument. Build quality is every bit as good as my NYC.

View attachment 4845287
To my knowledge Kikuchi-san worked in the first LIC shop for a year and in fact did make NYC Sadowsky basses. So yours is what was being turned out then. Congrats on acquiring a great bass.
 
Fender is just going to do what Fender does.. you either like them or you don’t..I have both Fender Ultra 5 and Sadowsky Metroline express out of Germany.. both of them sound incredible, but I’m basically using my Sadowsky for all of my gigs .. It’s lighter and very easy to play . The Fender is heavy and the Neck is a little wider than I prefer .. nonetheless I’m blessed and thankful to have both of them.
 
This thread has been way to civil for way too long.

It doesn't matter who does the rough work. If the man puts his hands on it, it's a friggan Sadowsky.

The questions is, is a metro a legitamate Sadowsky or just a high end OLP? I mean, it's got his electronics package but otherwise, different woods, different neck, different hands...

:bag:

Merry CHRISTMAS.
Agreed
 
I am a touring bassist (25 years) and I have owned 4 MIJ metros and one NYC chambered, bought from Tuly.
I only own two MIJ Metros now, all the rest have been sold, including the NYC, which had beautiful Brazilian rosewood fingerboard. Giving the traveling restrictions on certain woods, and being a traveling muso, I could not travel comfortably with this NYC.
PLUS, IMHO did not enjoy the chambered tone...more of a bloom than the boom of a solid piece of wood. It just sounds different IMHO. Let the hate begin!
BTW The MIJ's have been Solid as a Rock!
 
I am a touring bassist (25 years) and I have owned 4 MIJ metros and one NYC chambered, bought from Tuly.
I only own two MIJ Metros now, all the rest have been sold, including the NYC, which had beautiful Brazilian rosewood fingerboard. Giving the traveling restrictions on certain woods, and being a traveling muso, I could not travel comfortably with this NYC.
PLUS, IMHO did not enjoy the chambered tone...more of a bloom than the boom of a solid piece of wood. It just sounds different IMHO. Let the hate begin!
BTW The MIJ's have been Solid as a Rock!
I have the same opinion, so you’re not alone.
 
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