I love that my Fender and Sadowsky basses are different, they each do what they do. My Fender Japan passive 5 is great, and so is my Sadowsky UV70. I’m spoiled for choice!
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So, I no longer have any NYC’s.
Instead, these four German Sadowsky’s ought to cover the bases.![]()

Since I received my German Will Lee I’ve considered selling my CS ‘64 Jazz Bass. Racing improves the breed and Roger improved the standard bearer.I still find myself cycling between two custom shop Fenders and my Will Lee. The mid boost switch on the WL definitely gives it the edge in terms of versatility though.
Since I received my German Will Lee I’ve considered selling my CS ‘64 Jazz Bass. Racing improves the breed and Roger improved the standard bearer.
I’m gobsmacked by this bass.
Single coils.There seems to be a lot to like with the Warwick builds, but as a fan of the WL, are the German WLs equipped with single-coil or hum-cancelling JJ pickups?
That’s a beautiful set, each one with its own voice.So, I no longer have any NYC’s.
Instead, these four German Sadowsky’s ought to cover the bases.
View attachment 4843855
So, I no longer have any NYC’s.
Instead, these four German Sadowsky’s ought to cover the bases.
View attachment 4843855
So, I no longer have any NYC’s.
Instead, these four German Sadowsky’s ought to cover the bases.
View attachment 4843855

So, I no longer have any NYC’s.
Instead, these four German Sadowsky’s ought to cover the bases.
View attachment 4843855
I recently bought a Japan Metro Will Lee (single coils) and it indeed replaced my CS Jazz. Terrific instrument. Build quality is every bit as good as my NYC.Since I received my German Will Lee I’ve considered selling my CS ‘64 Jazz Bass. Racing improves the breed and Roger improved the standard bearer.
I’m gobsmacked by this bass.
very nice! I’m considering getting a 24-5 vintage, is there any downside compared to the 21-5 vintage?
To my knowledge Kikuchi-san worked in the first LIC shop for a year and in fact did make NYC Sadowsky basses. So yours is what was being turned out then. Congrats on acquiring a great bass.I recently bought a Japan Metro Will Lee (single coils) and it indeed replaced my CS Jazz. Terrific instrument. Build quality is every bit as good as my NYC.
View attachment 4845287
AgreedThis thread has been way to civil for way too long.
It doesn't matter who does the rough work. If the man puts his hands on it, it's a friggan Sadowsky.
The questions is, is a metro a legitamate Sadowsky or just a high end OLP? I mean, it's got his electronics package but otherwise, different woods, different neck, different hands...
Merry CHRISTMAS.
I recently bought a Japan Metro Will Lee (single coils) and it indeed replaced my CS Jazz. Terrific instrument. Build quality is every bit as good as my NYC.
View attachment 4845287
The small but detectable "dead spot" is in a different place on the 24 fret basses. C# on G string as per Fender on the 21 freters and Bb on the D string on the 24 fret basses.very nice! I’m considering getting a 24-5 vintage, is there any downside compared to the 21-5 vintage?
I have the same opinion, so you’re not alone.I am a touring bassist (25 years) and I have owned 4 MIJ metros and one NYC chambered, bought from Tuly.
I only own two MIJ Metros now, all the rest have been sold, including the NYC, which had beautiful Brazilian rosewood fingerboard. Giving the traveling restrictions on certain woods, and being a traveling muso, I could not travel comfortably with this NYC.
PLUS, IMHO did not enjoy the chambered tone...more of a bloom than the boom of a solid piece of wood. It just sounds different IMHO. Let the hate begin!
BTW The MIJ's have been Solid as a Rock!