Just keep in mind, Kermit made someone a lot of money, and everyone knows who he is. 
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Just keep in mind, Kermit made someone a lot of money, and everyone knows who he is.![]()

I totally get wanting to change that bass. I've always thought the standard VW basses without the pickguards looked a little too plain. I think just adding a pickguard will be enough of a change and just keep the chrome hardware. Somebody in this group has a very similar bass as yours, maybe even the same color, and they had Sadowsky add a pickguard. It totally changed the look of the bass for the better, IMO.
I dig the lack of pick guard on mine
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2 questions,
Don’t they make the VW anymore in NYC?
Does anyone has a picture of a VW modded with a pickguard?
Nice, that combined with black hardwareHe has offered a pickguard without a control plate. You don't see many of them though...
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Anyone care to share some thoughts on the singlecut? I’m about to pull the trigger in a singlecut JJ version.
As you know, I’ve owned WAYYYYYY too many Sadowskys, but haven’t got a singlecut yet
That left one, I like that a lot! That’s the pickguard I would like. Thanks!Here's another with the notch cut in the pickguard to accommodate the control plate. This belongs to @gustobassman
(bass on the right is a Squier)
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Finally got a Metro Japan Will Lee, my first Sadowsky. I haven't played an honest-to-the-gods FSO for a long time. Man oh man. Everybody is right. The action goes so low without buzzing, the mids boost sounds like a big fat series setting, and the slightly downsized neck width is music to my left hand. Even if I get carried away and start banging with my right, it never clips or clanks. I'm tempted to call these the best highs I've gotten out of any preamp. Late to the party but big fan.
I’ve got two SC 5’s… I’ve been very happy with the comfort/playability. Looks-wise, I think the body shape tends to be polarizing—players will either strongly like or dislike. To me, the body feels/plays similar to the Modern 5-24 body, which I’ve owned two in the past. I don’t regret buying the SC model, though wish I’d spec’d J/J’s on the fretted versionAnyone care to share some thoughts on the singlecut? I’m about to pull the trigger in a singlecut JJ version.
As you know, I’ve owned WAYYYYYY too many Sadowskys, but haven’t got a singlecut yet
I too have a metro WL Japan. The only problem with it is that it is so good that I have no urge at all to own another Sadowsky. I just cannot believe that there is a better Sad available.Finally got a Metro Japan Will Lee, my first Sadowsky. I haven't played an honest-to-the-gods FSO for a long time. Man oh man. Everybody is right. The action goes so low without buzzing, the mids boost sounds like a big fat series setting, and the slightly downsized neck width is music to my left hand. Even if I get carried away and start banging with my right, it never clips or clanks. I'm tempted to call these the best highs I've gotten out of any preamp. Late to the party but big fan.

I never liked PJ configurations until this bass.
Love how it blends in a mix.
And Green might be an acquired taste.