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This is a good point. We had it on the old website. I’ll figure out a place to add it back.Understood. But for the uninitiated who see Sadowsky on the headstock of an instrument and Google “Sadowsky bass” I can see where it would be helpful and useful to have links on the official Sadowsky website that point people in the right direction. We here on Talkbass in this specific Sadowsky fan thread (maybe) understand the different lines but many (maybe most) out there don’t.
Called Sadowsky in NY about Warwick Metroline and was told they know nothing about them maybe Roger might when he gets back in town
Your wording is a bit confusing, but if you're asking if Roger has anything to do with production QC of the Warwick built instruments, the answer is no.NYC, other Sadowsky models owner here…
If I may ask, is the NYC stuff the line that’s 100% in-house and overseen by Roger and crew while the rest of the product line is essentially licensed to the Warwick manufacturing folks using his very specific schematics/tolerances, etc. with the QC of being inspected by RS/NYC before shipping to customer?
I have to agree with Nenor. While $4K may not be much for some, it was a major purchase for me. I can't afford a handmade one! I bought mine because I it said "Sadowsky". I could have bought a Warwick. Companies have manufacturing done in other countries all the time, But there is no disconnect. With all due respect, and as a new Metro owner. My first impression was that Saowsky wants nothing to do with these instruments. I'm not trying to be a complainer or harsh. Just a perspective.
Roger is very involved with the Warwick Sadowsky models and cares a lot about that line. To be able to offer Sadowsky basses to more people and at a more affordable price—which is a big goal of the shop—he can’t do it all himself. When someone at the shop says that they don’t know anything about the Warwick made basses it’s not because they don’t care. The NYC shop just isn’t set up to answer questions or fix those models. You’ll get a faster response from Warwick USA because they are set up to do customer service in that area.
And that is why consumers need this intel when they visit Sadowsky.com, the brand on the headstock of their bass.
You can just use a soft cloth over the yolk of the stand.Roger if you out there, bring these guys back somehow.
There is absolutely no issue with the Warwick rod. The spokewheel does not move in or out.Thanks guys. The more I look, I see a clearance on other basses. I emailed Roger and he didn't answer my question. Forwarded it...That bothers me. If the guy that designs the bass can't tell you. There's might be a problem.View attachment 5189574
I cut the string two tuners beyond the one it is going in.No exact measurement, but I typically go the distance of about three of the tuning pegs past the string I’m cutting, slightly less for the thicker E and B strings. For the D, I just snip the end without any wraps off.
Edit: this is using Elixir long scales.
Not since 2013.Are Sadowsky strings still made by LaBella?
Correct, we designed to pickguard to fit the model. We did not move the pickup.It not quite that simple. If you put a P on a jazz bass where it is located on a precision, it doesn’t work nicely with the pickguard. Some manufacturers solve this issue by moving the P pickup forward, which does change the tone. I believe Roger may be one of the few who modifies the pickguard slightly to allow the P pickup to be located in the “correct” position.
It is a non issue. The German truss rod spoke wheel does not move in or out.
I think that's what Roger wants, but his firm dedication to premium customer service for anything with his name on it keeps him involved... even when he should maybe just defer.
It's really somebody else's product at this point, and to be fair to Roger, should probably be treated that way. Otherwise, sometimes I feel putting him in the middle is just exploiting his extremely good nature in pretty much always going above and beyond when it comes to customers.
I think going directly to Warwick/Sadowsky for their products is the best way for them to see all the questions, feedback, concerns, etc., that they should be reacting to. Putting Roger or the NYC shop in the middle only makes the chain of communication more complicated and potentially less beneficial to Warwick/Sadowsky, and that's not a good thing.
I personally would only contact Roger or the NYC shop about NYC instruments at this point, and possibly legacy Japanese MetroExpress or MetroLines. Nothing else.
All that said, make no mistake, I'm not speaking for Roger. This is only my opinion and perspective. FWIW.
Portabags are NOT for sale! Due to supply chain issues and import tariffs, I need to reserve them for my instruments. I recommend the Access Stage 5 gig bag, which is similar to mine. ACCESS Stage Five Electric Bass Bag - the Ultimate Hybrid Bag for your BassGood, because there's still no link to buying the portabag.
Read my reply below.I have to agree with Nenor. While $4K may not be much for some, it was a major purchase for me. I can't afford a handmade one! I bought mine because I it said "Sadowsky". I could have bought a Warwick. Companies have manufacturing done in other countries all the time, But there is no disconnect. With all due respect, and as a new Metro owner. My first impression was that Saowsky wants nothing to do with these instruments. I'm not trying to be a complainer or harsh. Just a perspective.