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Club Sadowsky!!!

The Metro Modern did great at band practice! They told me to bring that one from now on. :) It’s solid, meaty presence and clear low end didn’t go unnoticed.
Just what I was thinking would happen. Your MetroExpress sounds good. The MetroLine is just taking it to another level!!! It just seemed to have more of everything the MetroExpress has.
Looking forward to more videos.
😊
 
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Just what I was thinking would happen. Your MetroExpress sounds good. The MetroLine is just taking it to another level!!! It just seemed to have more of everything the MetroExpress has.
Looking forward to more videos.
😊
The Metroline is definitely next level. And at that price it better be! I was watching some videos of my Japanese Metro. My German one is more aggressive sounding. Maybe it’s that Warwick influence creeping in? ;)

There will definitely be more videos. You asked about a comparison video. I just might do that with all 3 basses.
 
IMLE, the German ML’s have not only an attractive aggressive character; but, they also exhibit a noticeable acoustic resonant character, which is clearly heard in the voicing. An outstanding combination! I have an outstanding WL4 ML, which has similar character.

I only wish that there were greater availability of certain models. The M/J instruments, in particular, have really limited availability. I have a keen interest in those, largely due to neck calibration differences from those @Bass Viking described for his Modern. Would love to try one; but, the very few available are not my jam.

In contrast, the ME instruments are abundant, and far more affordable. Some certainly sound pretty great. But, noticeably less character than the ML’s. Here’s hoping we see more ML’s available at some point.
 
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Posts seem to be implying that the chambered bodies produce a different tone than the solid ME's. I wouldn't know, never played an ML. Too rich for my blood.
IMHO I have owned several solid body MIJ Metros, all outstanding tonally and play ability.
I've owned one chambered NYC with a beautiful Brazilian rosewood fingerboard.

But I did not bond with the chambered body, sure it was light weight and comfortable, but IMHO it lacked the tone of my MIJ solid bodies.
Sure the MIJ's were heavier...2004 MIJ @ 9.58 pounds...2009 MIJ @ 8.14 pounds.

IMHO the 2004 sounds thicker. It also had a thicker neck profile and I believe no graphite in the neck
The 2009 had a thinner neck and was lighter...i also believe that it had graphite in the neck as well as a thicker headstock.

Both are great basses.

YMMV
 
From what Roger has said he believes Chambered bodies not only produce lighter weight but better Acoustic resonance and better tone when amplified

But obviously as with all bass gear the players personal taste, perception and bias comes into play on their judgement
Yes, as one would expect. The better tone is subjective though. Better than what? Better than a heavy bass? If better tone were the consistent and obvious result, chambered solid bodies would be much more prevalent even in days past, even when there was a plentiful supply of lightweight alder and ash? It just seems to me that chambering a solid body is just a way to use cheaper and commonly available wood, and not a way to provide better tone.
 
Yes, as one would expect. The better tone is subjective though. Better than what? Better than a heavy bass? If better tone were the consistent and obvious result, chambered solid bodies would be much more prevalent even in days past, even when there was a plentiful supply of lightweight alder and ash? It just seems to me that chambering a solid body is just a way to use cheaper and commonly available wood, and not a way to provide better tone.
"Better than what" you asked
Better than that same Bass if wasn’t Chambered

I will leave that last paragraph alone
But trust in Roger to be sincere about his reasons
 
I agree with this assessment, at least my Sadowskys bear it out.
Bang for the buck. Given my meager talent, and bedroom tone, ME fits the bill.

At almost 72 now, I doubt I will ever get to the point where I will be able to fully appreciate the difference that extra five grand for an ML would make. If I do surprise myself and get there, and still have money and not out pushing a cart in the street, I'll be the first to hop on board an ML.
 
Bang for the buck. Given my meager talent, and bedroom tone, ME fits the bill.

At almost 72 now, I doubt I will ever get to the point where I will be able to fully appreciate the difference that extra five grand for an ML would make. If I do surprise myself and get there, and still have money and not out pushing a cart in the street, I'll be the first to hop on board an ML.
Not sure where you are but here in the USA, a ML is only about $2k more than a ME. ($3500 vs about $1300).
 
Yes, "better" is very subjective. No disrespect to Roger, he's a great friend and amazingly talented at what he does... but... I pretty significantly prefer the sound of a solid body. I always specify that when doing a custom. I do have weight targets, however, so that's the challenge these days. Thankfully, the three NYCs I have now, two custom, one standard, are all perfect for me on both fronts... tone, weight. Bad news for Roger tho... I'm so insanely happy with what I currently own, that I won't be ordering another one any time soon... LOL!
 
Bang for the buck. Given my meager talent, and bedroom tone, ME fits the bill.

At almost 72 now, I doubt I will ever get to the point where I will be able to fully appreciate the difference that extra five grand for an ML would make. If I do surprise myself and get there, and still have money and not out pushing a cart in the street, I'll be the first to hop on board an ML.
The Metro Expresses hold their own. My Metroline sounds fuller with more detail in the sound. But my ME plays great and is only 8 lbs. It has gotten unsolicited compliments. It definitely delivers bang for the buck.