I'm not sure if you're serious about 12 string bass...
It would take a lot of thought to get the same overall tension from bass plus two treble strings per course as the original 12 guitar strings, so not entirely serious.
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I'm not sure if you're serious about 12 string bass...
I have a 12 string that needs repair. Maybe I can turn it into a 12 string super short scale bass...

You could move the bridge 5" farther away (adding a bridge plate underneath. But the intonation would be off all over the neck since the frets were located for a 25" scale. There are calculators out there to figure out the fret positions. It would be interesting to see how far off the notes would be. I'm guessing it would probably be ugly.I've gotten the idea of taking a cheap (read: crappy acoustic guitar shaped object) and trying to make a 30" scale bass with it, for the heck of it. Some are probably right to cite concerns about tension, but I'm not certain that at 25" or 25.5" you're ACTUALLY going to see a real increase in total tension. But don't get me wrong - I haven't done any math either.
You could move the bridge 5" farther away (adding a bridge plate underneath. But the intonation would be off all over the neck since the frets were located for a 25" scale. There are calculators out there to figure out the fret positions. It would be interesting to see how far off the notes would be. I'm guessing it would probably be ugly.

No worries. There's plenty of crazy goings on here. Those are more in my skill set then pretty stuff anyway.![]()
My suggestion is to either buy a Taylor baby bass or base your build on that specific bass. Because it’s a guitar scale bass guitar.Have a seat, this is long.
I’m not a bass player, I’m barely an acoustic guitar player (mostly fingerpicking and light strumming). I mostly collect and fix acoustic guitars for fun. Mostly vintage Yamaha FG’s, but I like Seagull’s also. I just finished mating a wide Seagull neck with a vintage Yamaha FG body and replacing the bridge with a wider string spacing. Making a guitar that is the best of both worlds, open and resonant, with a wide neck and string spacing. A vintage Yamaha that is much easier to fingerpick. I call it the YamaGull. YAMAGULL v1.0 | Yamaha Vintage FG Acoustic Guitars
I do have a bass though, even though I’ve never really used it much. A couple of years ago I found a guy on CraigsList selling a Hofner “Beatle” bass for $129. He had no idea if it was vintage/modern/copy. So I drove over an hour to check it out. It looked old so I bought it. The neck angle was horrible. It had come off in the case 15 years ago and he had someone reglue it and never played it again. When I got it home I took out the controls to check the pot dates and research the various characteristics. It’s an early 1967 Hofner 500/1!!! Vintage!! An authentic “Beatle” bass, although I think by that time McCartney was playing the Rickenbacker. I took the neck off, made a fixture, and reset the neck. It’s mentioned at the end of the page and continues on the next page. Also not acoustic, but... | AcousticGuitarCabin
BUT!!! Let me get to the point. I had a thought to convert a vintage Yamaha FG acoustic guitar to a 25” scale micro bass. The YamaBass! Why??? Why not??!! YamaBass!!! | Yamaha Vintage FG Acoustic Guitars
So I started researching micro basses and found the Gold Tone Mbass-25. And I found a lot of negative comments about the stretchy sticky Thunderguts. I’m not going to put rubber bands on my YamaBass!! Then I found the LaBella Silverback strings. It seemed like the way to go. I found the strings first mentioned on page 45 but the talk of them quickly died out. Gold Tone MicroBass Talk I’m guessing they’re too metallic??
Not being a bass player, I have no idea what sound I’m looking for. I have liked Geddy Lee and Rush for many decades, but I certainly have no hopes of being 1% of the bass player he is!! He’s had many basses and sounds over the 40+ years. I’m assuming I’d want a sound somewhere between the thuddy Thunderguts and the metallic Silverbacks. I’m not planning on amplifying, but that would be easy enough to add in the future.
I’m not finding any other options that don’t involve weeks of stretching strings and constant retuning. I assume I’m going to have to go with the Silverbacks, even though they will require some stretching time due to the nylon cores.
Any better string suggestions??
I haven’t seen anyone mention trying the GS Mini 23.5” scale strings on a Gold Tone Mbass-25. The construction is similar to the LaBells’s, but PB as the wrap. I’d guess they’d be slightly too short. Is this possible?? The GS Mini strings are .090”, .062”, .050” & .037” vs. .115”, .090”, .065” & .049” for the LaBella’s. That’s a huge difference in size!!
There will be some challenges in building the YamaBass, the biggest being finding the proper location for the fixed bridge & saddle to get proper intonation. This would be affected by the string choice, although as long as I make sure the scale length is a little longer vs. shorter it shouldn’t be very noticeable. I’ll be taking the neck off, doing a neck reset (based on an assumed saddle height and action) and refretting it with jumbo’s before getting too far into this.
There’s also the question of body size. I was originally going to use a smaller 000 size, but I’m also considering using a dreadnaught size to get some extra depth and volume. But it would be cool if the YamaGull and the YamaBass are both the same body size. Would the body size really make much difference with this short scale length??
Any suggestions to feed my madness is welcome.
For a one off use I have used round files from the hobby store that taper down to a point. I use calipers to find the spot on the file that corresponds to the chosen string gauge and wrap masking tape there. I file the slot going up to the taped section and use an old roundwound string to lap in the slot with a tiny bit of abrasive cream.Thanks! I was afraid I might get flamed in the Luthiers section for doing something like this. I've got nothing to lose, except a little money. The most expensive part of this project is I need the large nut files, I only have them for the smaller 6 string slots.
I enjoy oddball projects. If you look at any of the links I posted, and my YamahaVintageFG forum, you'll see a bunch of crazy repairs. And I like to share it in case someone else is looking to do the same or something similar.
I've gotten the idea of taking a cheap (read: crappy acoustic guitar shaped object) and trying to make a 30" scale bass with it, for the heck of it. Some are probably right to cite concerns about tension, but I'm not certain that at 25" or 25.5" you're ACTUALLY going to see a real increase in total tension. But don't get me wrong - I haven't done any math either.
That's a good point. I have many of those files. Depending on the string gage I can rock some of my existing nut files to open the slot slightly. The only one I can't cover is the E, at .090" or .095" (for the LaBella CB40's or CB60's). All the small round needle files I have are .120" dia. and taper very quickly. That would work great for the LaBella Silverbacks or flat wounds. I would have to get .095" nut file @ $17.77. Not bad. That drops the estimated cost to build the bass at about $100. Not bad.For a one off use I have used round files from the hobby store that taper down to a point. I use calipers to find the spot on the file that corresponds to the chosen string gauge and wrap masking tape there. I file the slot going up to the taped section and use an old roundwound string to lap in the slot with a tiny bit of abrasive cream.
If you use the String Tension Pro website you can check the tensions at the shorter scales. But that only works for steel strings. They don't know the tensions of the LaBella nylon core strings. I'd think if you know the diameter of the nylon core you should be able to calculate the tensions pretty close. Unfortunately, the String Tension Pro isn't working for me. I select the scale & tuning, but at the screen for the End Type/Construction/Material after selecting Bass Ball End it doesn't give me any options for Construction. I can't go any further. Tried Chome, IE & Edge.If you use thin enough bass strings then tension isn't an issue. For an eight string as proposed above the issue is getting the right feel across pairs of strings, which might be trickier.
You obviously aren't the curious type who likes to fix & build stuff. Those who try and fail have learned more than those who never tried at all.Didn’t read the whole post, but,
Don’t do it
If you use the String Tension Pro website you can check the tensions at the shorter scales. But that only works for steel strings. They don't know the tensions of the LaBella nylon core strings. I'd think if you know the diameter of the nylon core you should be able to calculate the tensions pretty close. Unfortunately, the String Tension Pro isn't working for me. I select the scale & tuning, but at the screen for the End Type/Construction/Material after selecting Bass Ball End it doesn't give me any options for Construction. I can't go any further. Tried Chome, IE & Edge.
That's a good point. I have many of those files. Depending on the string gage I can rock some of my existing nut files to open the slot slightly. The only one I can't cover is the E, at .090" or .095" (for the LaBella CB40's or CB60's). All the small round needle files I have are .120" dia. and taper very quickly. That would work great for the LaBella Silverbacks or flat wounds. I would have to get .095" nut file @ $17.77. Not bad. That drops the estimated cost to build the bass at about $100. Not bad.
The hard part is deciding on what vintage Yamaha to use. I wanted to use a smaller 000 size, to match the YamaGull. But a larger dreadnaught would certainly give more low end and output. That's more important. They're all spruce plywood tops. I'll be sure to select one with mahogany plywood back & sides.
I was thinking just to check the balance of various string sets. I checked one set yesterday and I think the tensions varies from 12 lbs to 18 lbs!!Indeed, but it would be a pain to source a set of individual strings to make it work.
Unlike the 6 string guitar. A slightly loose nut slot can cause the string to buzz. Especially if it's not sitting right at the front edge of the nut. Been there, done that. More than once...I was going to mention that also. Before I got actual nut files I made due fairly well with needle files and a set of welding torch tip cleaners. As long as the slots angle down towards the headstock and the strings have plenty of wraps so they put a decent downward pressure on the nut bass strings seem to do ok if the slots are a little loose. Not flopping around in the nut but you can get by with less then perfect in a pinch.
Unlike the 6 string guitar. A slightly loose nut slot can cause the string to buzz. Especially if it's not sitting right at the front edge of the nut. Been there, done that. More than once...