A monster stack! Berg cabs are still the best!
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A monster stack! Berg cabs are still the best!
What kind of eq flavor does the lil fella have? Mid forward, mid scooped? Seems like it has plenty of lows.
It’s based off his demon which is a take on an OCD from what I understand. Lows are def covered. You can lose some of course depending where you set things. But to me it’s pretty unique. To me. It’s tone. It’s like an OCD sorta but it’s got a mid presence too. It’s not scooped. But I don’t think it’s bumped much either. Gain structures/stages in it is great too. Not sure how to word that.
LF & MBD are a great combo.I really like the high mid presence of the LF. It doesn't sound all that great by itself IME, but it cuts through a mix beautifully, and adds some delicious flavor when stacked with something else (like the MBD2!).
I really like the high mid presence of the LF. It doesn't sound all that great by itself IME, but it cuts through a mix beautifully, and adds some delicious flavor when stacked with something else (like the MBD2!).
LF & MBD are a great combo.
They really complement eachother.
2. Selectable Low Pass (high cut) on the Clean channel. This would basically switch between the current cut-off frequencies and a full range clean. Could also perhaps switch between a higher roll off instead (2k, 5k, etc.)
two way switchWe talkin' three way switch? Off, 1k, 2k? This'd be my vote.
Not trying to be difficult but the circuit is a customized filter and can't accommodate a three way switch and the additional circuitry needed for a second voicing. Sort of just an on/off scenario.two way switch
This gets my vote. I place my Cali76 TX-L in a Bloop so I can run a clean (non-compressed) signal with just the lowest frequencies in parallel with the compressed signal. The idea is it mimics the HPF side chain on the Cali76 CB, only rather than leaving the lowest frequencies uncompressed here I compress all frequencies and then mix in some uncompressed lows. A selectable HPF would let me dial in my fundamental tone and dynamics even more because I could leave the lowest frequencies completely uncompressed. Given all this, I suggest a frequency of 40 or 45 Hz.1. Selectable High Pass (low cut) on the Loop Send. This would be at a fixed value. If you select this one please suggest a frequency (examples, 100, 250, 400, 700, etc).
Sounds exciting, Jeff! Any chance you could share what these revisions are? That could impact how folks vote.I took every one's suggestions for Bloop mods and combined it with my own plans. I have made some revisions to the Bloop that I think are peachy keen but I have room for one more mod on a switch.
Not trying to be difficult but the circuit is a customized filter and can't accommodate a three way switch and the additional circuitry needed for a second voicing. Sort of just an on/off scenario.
This gets my vote. I place my Cali76 TX-L in a Bloop so I can run a clean (non-compressed) signal with just the lowest frequencies in parallel with the compressed signal. The idea is it mimics the HPF side chain on the Cali76 CB, only rather than leaving the lowest frequencies uncompressed here I compress all frequencies and then mix in some uncompressed lows. A selectable HPF would let me dial in my fundamental tone and dynamics even more because I could leave the lowest frequencies completely uncompressed. Given all this, I suggest a frequency of 40 or 45 Hz.
Sounds exciting, Jeff! Any chance you could share what these revisions are? That could impact how folks vote.
Ah screw it. I developed a new filter for the "clean" channel. It's meaty and punches really hard. I'm super excited about it. It's not "better" than the stock Bloop its just the next evolution of the original idea. I also changed the controls to be more flexible.
Well that's basically the most apparent changes. The other ones were on the circuit and construction side.