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Damnation Audio Fan/Appreciation Thread

Ah screw it. I developed a new filter for the "clean" channel. It's meaty and punches really hard. I'm super excited about it. It's not "better" than the stock Bloop its just the next evolution of the original idea. I also changed the controls to be more flexible.

Well that's basically the most apparent changes. The other ones were on the circuit and construction side.
Haha I don't think any of us mind you spilling the beans :)
If you don't mind sharing, I'd love to hear more about the ideas and process behind this new filter's development.
 
Haha I don't think any of us mind you spilling the beans :)
If you don't mind sharing, I'd love to hear more about the ideas and process behind this new filter's development.

I'd be happy too but I've derailed us enough at the moment. If possible, I'd like a full day of voting before we go completely off the rails.
 
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#3 is my first choice. #1 is my second choice.

The LPF on the loop return makes the most sense. You can actually use the switch in both positions.
The HPF on the loop send would be nice but picking a fixed freq is very difficult as each pedal will react differently.
The LPF on the clean channel: Useful when on, pointless when off, IMO.
#4 and #5 are very intriguing. I'm having a hard time hearing the sounds in my head but I'm all for them if either works.
 
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4. Selectable Diode Clippers on the Clean. This would function more as a "comp" control clamping the clean signals max volume. Could add some grit if you drive it hard enough. This would be for folks that wish the Clean channel were more compressed feeling.
Instead of clipping diodes, I'd say an input gain trimpot.

I have an early '17 MBD-1 and an MBD2.
At first, they both sounded the same to me, until I got my L-2000 basses.
Then, the hot signal of the Tookay was clipping the clean side of the 1, giving it a different tonality, that I wasn't getting with the 2.

Not sure why, but the 2 just handles a hotter signal than my 1.
 
I gave it the weekend and the vote seems to go towards:

"3. Selectable Low Pass (high cut) on the Loop Return. This was the "Fizz Killer" idea and would basically be like a high frequency roll off like at the end of a Rat or DOD 250. It would be a fixed value (I like 7kHZ)."

So I'll to my best to include something usable here with the space I have available in the circuit.

Thanks everyone for your comments. I'm always taking notes for future revisions.
 
I took every one's suggestions for Bloop mods and combined it with my own plans. I have made some revisions to the Bloop that I think are peachy keen but I have room for one more mod on a switch. Please vote for one of these ideas below! Whether you would buy one or not, I wonder what bassists think would think more useful. All of these ideas would be on a switch and would be something you turned on or off.*

1. Selectable High Pass (low cut) on the Loop Send. This would be at a fixed value. If you select this one please suggest a frequency (examples, 100, 250, 400, 700, etc).

2. Selectable Low Pass (high cut) on the Clean channel. This would basically switch between the current cut-off frequencies and a full range clean. Could also perhaps switch between a higher roll off instead (2k, 5k, etc.)

3. Selectable Low Pass (high cut) on the Loop Return. This was the "Fizz Killer" idea and would basically be like a high frequency roll off like at the end of a Rat or DOD 250. It would be a fixed value (I like 7kHZ).

4. Selectable Diode Clippers on the Clean. This would function more as a "comp" control clamping the clean signals max volume. Could add some grit if you drive it hard enough. This would be for folks that wish the Clean channel were more compressed feeling.

5. Selectable mid cut on the Clean channel. This would be a fixed mid scoop like the contour controls on your amps. This would remove the clean channels mids so the loop channel's mids can pop even more.

Please vote in the comments if you would like to. Thanks!

*Disclaimer - Final decision to which mods are used will be based on a series of testing in the coming weeks.

2 or 3 for me. Probably 3 though more
 
2 or 3 for me too. I like the existing Bloop but I certainly wouldn't turn down an always on, smaller one with internal trim pot blend and dip switch phase control to stick under a pedalboard. That might take some surface mount wizardry that wouldn't wish on anyone though.
 
I took every one's suggestions for Bloop mods and combined it with my own plans. I have made some revisions to the Bloop that I think are peachy keen but I have room for one more mod on a switch. Please vote for one of these ideas below! Whether you would buy one or not, I wonder what bassists think would think more useful. All of these ideas would be on a switch and would be something you turned on or off.*

1. Selectable High Pass (low cut) on the Loop Send. This would be at a fixed value. If you select this one please suggest a frequency (examples, 100, 250, 400, 700, etc).

2. Selectable Low Pass (high cut) on the Clean channel. This would basically switch between the current cut-off frequencies and a full range clean. Could also perhaps switch between a higher roll off instead (2k, 5k, etc.)

3. Selectable Low Pass (high cut) on the Loop Return. This was the "Fizz Killer" idea and would basically be like a high frequency roll off like at the end of a Rat or DOD 250. It would be a fixed value (I like 7kHZ).

4. Selectable Diode Clippers on the Clean. This would function more as a "comp" control clamping the clean signals max volume. Could add some grit if you drive it hard enough. This would be for folks that wish the Clean channel were more compressed feeling.

5. Selectable mid cut on the Clean channel. This would be a fixed mid scoop like the contour controls on your amps. This would remove the clean channels mids so the loop channel's mids can pop even more.

Please vote in the comments if you would like to. Thanks!

*Disclaimer - Final decision to which mods are used will be based on a series of testing in the coming weeks.
I vote for 1, and the Freq at 12dB/oct 100hZ
 
I've been watching threads and discussions about the MBD-2 for a long time. I decided to take a chance and buy one to see if it lived up to the hype. This is basically what it did to all my other dirt pedals...all of them.
6A3024FA-E6EA-43F0-B7BA-6246AF087AD5.gif
 
I've been watching threads and discussions about the MBD-2 for a long time. I decided to take a chance and buy one to see if it lived up to the hype. This is basically what it did to all my other dirt pedals...all of them.
View attachment 4686472

It's a tale as old as time...

watching the thread, thinking how can all these people all dig this dirt pedal...people who seem to know what they are talking about...or at the very least have tried everything under the sun. sure, there are a few people who don't click with it - heck, some people don't like pizza?@!?@!?@ - but yeah...picking up an MBD 1 or 2 is a solid move. You'll only be disappointed if you are expecting chorus when you click it on.
 
I've been watching threads and discussions about the MBD-2 for a long time. I decided to take a chance and buy one to see if it lived up to the hype. This is basically what it did to all my other dirt pedals...all of them.
View attachment 4686472
I haven't messed with the MBD-2 although I probably should pick one up but the MBD-1 is my go to pedal. It's always on and never fails.
 
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