Cool!We have the Payson Fanned Flats in 5 and 6 string sets.
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Do you make any distinction between Long Scale (AB, Z3, D-Bird, Combustion, NG2/NG3, Prima) and Medium Scale (Super P/J)?
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Cool!We have the Payson Fanned Flats in 5 and 6 string sets.
[Invalid or Expired Link Removed]
Cool!
Do you make any distinction between Long Scale (AB, Z3, D-Bird, Combustion, NG2, NG3, Prima) and Medium Scale (Super P, Super J)?
I have never thought much about frets on any instrument, except to the extent that they are getting in my way and preventing me from expressing what I want to express.Has anyone re-fretted their Dingwall? I had to switch from the stock "banjo frets' to "normal sized" frets when I retrofitted my NG2 with FretTrax and I really liked the results. Especially for slap bass. Thinking about doing it again with my new NG3.
But isn't it the case that if you play the big frets enough, they gradually become small frets?I love the small banjo frets so much that I no longer play my others because they have them big weird parallel frets.
It's a subtle but noticeable difference when I slap- since the sound is produced when my thumb slams the string against the fret (traditional aggressive slap style). It's louder and more "substantial" than with the banjo frets.I have never thought much about frets on any instrument, except to the extent that they are getting in my way and preventing me from expressing what I want to express.
If you close your eyes and didn't know what had changed on the instrument, how would you explain the difference you are noticing?
That was exactly the feeling before Dingwall, now I am all about the banjo frets baby.But isn't it the case that if you play the big frets enough, they gradually become small frets?
At least that is what happened on my 1978 Guild guitar that I played non-stop for about 12 years. It is practically fretless at this point.
Has anyone re-fretted their Dingwall? I had to switch from the stock "banjo frets' to "normal sized" frets when I retrofitted my NG2 with FretTrax and I really liked the results. Especially for slap bass. Thinking about doing it again with my new NG3.
I’ve always had a set of TI flats for any Dingwall that came my way.
I’m in a round wound phase with a DR Pure Blue VW set on the super P 4, but I feel a flat phase coming on. The DRs get soaked for reuse. The TI’s are just broke in, ready to play. There’s not much fiddling with set up between the two sets. The DR strings are super light and soft. About the same dimensions and tensions.
Normally I’d be up for a GTG in the Gorge or Portland, but I’m slammed with work, six days a week. We’ve had some nice times at the Bingen theatre.
When I slap it is usually to get the guitar player to turn down his volume. It is a noticeable difference as well. Oh wait, you were speaking of a bass playing style... never mind.It's a subtle but noticeable difference when I slap....
What did you put on your strings between the stringtree and the tuner posts?Maiden voyage of the purple people eater today in Upland, CA
Veterans Day celebration
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