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Dingwall Owners Club

I dont wanna complain but I think its a bit odd that Dingwall doesnt make 5-string set with .135 gauge low B string, that would be ideal for drop A tuning. I know that .130 can do it too...but just barely.

That's not a complain...that's a constructive criticism. ;)

...maybe sets of 'drop tuning' strings? I think that the shop does refer to Kalium for such things.
 
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I dont wanna complain but I think its a bit odd that Dingwall doesnt make 5-string set with .135 gauge low B string, that would be ideal for drop A tuning. I know that .130 can do it too...but just barely.
I use the standard Dingwall stainless set on my ABHS, and there's absolutely no issues dropping the B to A. Lower than that, then yes - I definitely think you need to use heavier gauges. :)
 
Having the case double as a stage stand is a big selling point to me.

Off the bat, I'd say both my D-Bird and NG-2 go in and out well enough. The foam in the bottom is new and stiff, so I expect it to loosen up over time.

You get way more space on stage than I do often. I sometimes have to fight for room for a single Hercules stand.

Also, Payson has a .145 and .170 for that drop timing.
Payson Fanned Bass Strings

I occasionally drop my timing on stage...which is never a good thing but I don't think these will help the situation. :(
 
You get way more space on stage than I do often. I sometimes have to fight for room for a single Hercules stand.



I occasionally drop my timing on stage...which is never a good thing but I don't think these will help the situation. :(

I don’t think the foot print would be much different then a Hercules stand. It would just look more imposing.

Autocorrect is often more of an auto pissoff then a help. Tuning......
 
On her way back home from Mo's shop......with fresh pickguards, Luminlay markers.......oh, and a new “P” attitude......
New Super P:J54.jpg
 
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I just got my SP5 back from my local shop for Luminlay installation as well. At first, I was a little disappointed that they lost their bright charge-up glow after 30 seconds or so, but I was also looking at them in a room of full light. When I took it into pitch black a little while later and could still see the markers, their value was more apparent.
 
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I just got my SP5 back from my local shop for Luminlay installation as well. At first, I was a little disappointed that they lost their bright charge-up glow after 30 seconds or so, but I was also looking at them in a room of full light. When I took it into pitch black a little while later and could still see the markers, their value was more apparent.

The power I got (and put in acrylic base) indeed glowed brighter and had amazing persistence...but I've found that the Luminlay blue markers I have on the NG3 do an excellent job on dim stage or during momentary light-outs on stage. They provide just enough glow to be visible and they do recharge when the lights come on for the next moment of need. I also can say that I really like the black surround ones. They provide an excellent amount of contrast in these situations.

When doing inlays I chose the blue because they supposedly have better persistence though are not nearly as bright to start with as the green is.