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Dingwall Owners Club

Question for everyone.

I was reading a few interviews of well known bass builders and they all stated that solid B strings depend more on quality of build material more than scale length. That's why they only build 34 inch scale length basses.

I was wondering if any of you have ever played a 34 inch bass with a great B string? A tight responsive B string is one of the many reasons why I gravitated toward Dingwall. Just curious as to what all of your thoughts and experiences have been?
The only non-Dingwall fretted bass I currently own is a 34" Le Fay Singer. Handmade in Germany in small numbers and with great care. The B string sounds fantastic. But it doesn't have the thunder of a 37" Dingwall B. Crappy 34 scale basses have crappy B strings. Handmade boutique 34 scale basses do not. But at some point quality of construction and materials give way to physics, i.e., a longer scale length.
 
Question for everyone.

I was reading a few interviews of well known bass builders and they all stated that solid B strings depend more on quality of build material more than scale length. That's why they only build 34 inch scale length basses.

I was wondering if any of you have ever played a 34 inch bass with a great B string? A tight responsive B string is one of the many reasons why I gravitated toward Dingwall. Just curious as to what all of your thoughts and experiences have been?

No B I've played over the years, on any bass, has come close to the B on a 37" Dingwall in terms of tightness and evenness of tone. I've had 34's and 35's as well (Warwicks, Spectors, Fenders etc.)
 
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I have some really fine and well respected 5 strings, Ken Smith BSR (34"), Sadowsky MV5-PJ (34"), Lakland DJ-5 (35"), Tom Clement Fretless 6 (35") all have good B strings. But the B strings don't sound the same as the other strings. On my NG-3 the B string sounds like the other strings. It still has clarity fretted above the 7th fret.
 
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Yup. I mean the B on my J is amazballs.

The B on the Warwick thumb I had was also fantastic. Same as some really good others.

I committed to Dingwalls because the necks. I just love how they feel and play. Tone is tone IMO. With technology these days amazing tone can be had with lesser expensive instruments IMO
I agree. I have played 34 and 35 Bs that sounded pretty good, but you don’t get the balance in string tension that you get from a Dingwall and the tone sounds great over the full string. I love that every string has pretty much the exact same tension. Makes a Dingwall such a joy. And I agree, the necks are awesome
 
Best 34" neck I've had was on a NY Sadowsky and US Fender P5. The best were 35" (Lakland, Modulus, Zon, Elrick, Noordstrand, Fbass (34.5), Sukop and MTD. The very best have been my Lull T5, 3 Supers and the ABI5.

Agreed. I'm not gonna kid anyone, my last two F Bass BN5s(34.5")had incredible B-strings. The last MTD 535-24 I had was, without a doubt, the BEST playing bass I've ever owned. It had the lowest action, without any buzzing, that I've been able to get on any bass that wasn't fretless. The B-string was terrific, BUT, the clarity from string to string just wasn't quite what I can get with my Dingwalls. And, like others have said, the E-string on my NG and, especially, my D-Bird, is just insane.

Having that kind of timbre on an E-string is part of the reason why I love playing Drop-D stuff on a 4-string Dingwall tuned to Drop-D! I was informed that my ABZ 4/3 is gonna show up a little later than my other basses, but I still can't wait to see how much better it might feel over my D-Bird Standard...
 
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If this were a 5, I'd be grabbing for my wallet. Mid-00's BluEQube equipped AB-1 in amberburst.
4-string Dingwalls are totally under-appreciated...and I get that the fan really wakes up the B string in a way that few other design factors do, but the benefits show up BIG on a 4-string too
 
4-string Dingwalls are totally under-appreciated...and I get that the fan really wakes up the B string in a way that few other design factors do, but the benefits show up BIG on a 4-string too

I just don't play 4's anymore. All our music is written on a 5 and I don't really have a purpose for a 4 or the will to massage all my playing onto four strings. ;) When I was out on medical leave in December I even lent my NG3 to the fill in bass player to use rather than him having to try to translate the material. Also there's a handful of songs that are literally 3 notes...but down in the B-C-D range that wouldn't really be the same when played up an octave.
 

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