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Dingwall Owners Club

I like the SJ better with the pointy head, for some reason the vintage style headstock doesn't do it for me... The ones with contrasting inlays are dope though.

I did a double take on that pick guard, I thought it was one piece. I'm always a fan of 1 piece pick guards on a jazz!
 
I like the SJ better with the pointy head, for some reason the vintage style headstock doesn't do it for me... The ones with contrasting inlays are dope though.

I did a double take on that pick guard, I thought it was one piece. I'm always a fan of 1 piece pick guards on a jazz!
 
Here's a Super J prototype:

View attachment 4082766

That's one of them. I think FRB is in possession. The notable thing on that one is that it's traditional 34-37" scale.

The other formative one is the one Frank had made:

12341251_10206811702869624_848262754938113299_n.jpg
 
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That's one of them. I think FRB is in possession. The notable thing on that one is that it's traditional 34-37" scale.

The other formative one is the one Frank had made:

View attachment 4082973
Reverse headstock huh???? I like the end result better then the steps along the way. I think the current head stocks are beauty. Especially with some big clovers sticking off.
 
Reverse headstock huh???? I like the end result better then the steps along the way. I think the current head stocks are beauty. Especially with some big clovers sticking off.

The FCM Super-J was a custom hand built one for Frank. They'd definitely been working towards something but he was the first to really step up and put the request and $ behind it IIRC. I think the long scale one eventually ended up with a green control plate and I do remember discussing the bass with FRB/Ed and am pretty sure it's in his collection. He much favors the Canadian built long scales.
 
Yea, NAMM ‘95

...also super stripy, looking at the end of the headstock shows the grain direction alternating between the pieces...guessing it’s a stability thing.

Yep. IIRC there were a few things...first off for stability, the wood is cut and the stringers reversed...that way the wood when it moves (given it's really the same pieces) pull evenly against each other for greater stability.

I also believe that Sheldon at one point had a hard time getting good quality larger maple blanks for necks so they resorted to more laminates.
 
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