I seriously took my Dingwall experience to another level yesterday when I received of one of Mike Arnopol's latest iterations of the MWV (BigE) technology. I thought I had a pretty good idea of what my B string sounded like. The sweet, phat clarity is there from low levels to punishing and I got to hear my B string like never before. Tonal revelations ensued as I ventured further up the fretboard. I've been using cabinets with dedicated mid-drivers for years and thought I knew what good mid-range sounded like. Once again, I got re-educated on just how sweet, detailed, and musical the mid-range can really be. I'm not endorsed by, or entangled with MAS Sound Works in any way, I'm just astounded and coming close to having too much fun getting my 'inner Dingwall' out.If you get a chance to plug one of yours into one of these, you'll hear what I mean.
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Interesting. I'll have to take your word for it, as I refuse to even look at another cab serious. (token gratuitous roadhouse pic from sound check Wednesday)
Don't know how much you know about Mike. He is a world class upright guy. Played for a number of years with Patricia Barber.
Check out the groove he lays down on this. Starts at 2:50, or just sit and shake your head through the intro.
I wish I had upright chops like his.
If you get a chance to plug one of yours into one of these, you'll hear what I mean.