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Dingwall Owners Club

Wow, is my face red. Remember when I reported a bum string on my new ABZ?

I originally decided to check the intonation because I had messed with the action height right out of the box. In the end, I left it just a hair higher than OEM.

Anyway, it turns out that there was actually nothing wrong with the A string in the first place.

The real problem (other than me being a little dense) was that my Peterson tuner app had gone berzeek. I used my Turbo Tuner ST-200 to reset the intonation, and the ABZ is sounding phenomenal, including the A string.

My apologies to Sheldon and the rest of the crew for the red herring.
 
I found this on the Glockenklang web site this morning. It makes sense to me that this is the preamp used on my ABZ.

- Volume with pushpull for Active/Passive selection (*std on all above)

- Blend

- Treble: +/- 18 dB@18 KHz
(tone roll-off in passive mode on 3 band 5 knob and 2 band 4 knob versions)

-Mid: +/- 9 dB@550 Hz (3 band version only)

- Bass: +/- 14 dB@40 Hz
 
I found this on the Glockenklang web site this morning. It makes sense to me that this is the preamp used on my ABZ.

- Volume with pushpull for Active/Passive selection (*std on all above)

- Blend

- Treble: +/- 18 dB@18 KHz
(tone roll-off in passive mode on 3 band 5 knob and 2 band 4 knob versions)

-Mid: +/- 9 dB@550 Hz (3 band version only)

- Bass: +/- 14 dB@40 Hz

That's the one Waldo. Sorry our documentation isn't up on our website.

18 dB sounds like a lot for the treble but it's at such a high frequency that it doesn't sound like 18 dB.
 
Wow, is my face red. Remember when I reported a bum string on my new ABZ?

I originally decided to check the intonation because I had messed with the action height right out of the box. In the end, I left it just a hair higher than OEM.

Anyway, it turns out that there was actually nothing wrong with the A string in the first place.

The real problem (other than me being a little dense) was that my Peterson tuner app had gone berzeek. I used my Turbo Tuner ST-200 to reset the intonation, and the ABZ is sounding phenomenal, including the A string.

My apologies to Sheldon and the rest of the crew for the red herring.

Thanks for updating this Steve. It's good to know that app tuners can get messed up. It would suck to find this out at an important gig.
 
Hey, Sheldon:

On an unrelated note, when did you add the recessed rear strap lock as a standard feature?

You are one smart cookie- I really like the way it feels using the rear lock, with the bass balancing nicely at about a 45-degree angle. I get a nice open posture out of the deal, and the reach to the nut feels shorter than my conventional 35" bass hanging horizontally.
 
Thanks Steve, glad to hear you like it. It was developed for one our foreign distributors. We had it as an option for a year or so but no one bit on it outside of that one market. I had one on a NAMM bass this year and the response was way more positive once people had a chance to try it. I decided it would be a lot easier to make it a standard feature on the long scale basses rather than have to deal with installation afterwards.
 
Thanks Steve, glad to hear you like it. It was developed for one our foreign distributors. We had it as an option for a year or so but no one bit on it outside of that one market. I had one on a NAMM bass this year and the response was way more positive once people had a chance to try it. I decided it would be a lot easier to make it a standard feature on the long scale basses rather than have to deal with installation afterwards.

Sheldon, is there any chance you'd consider selling a kit with the 3rd insert and/or a simple placement template for earlier models? I'd love to have one of those added on my Z3 but I'm worried about finding the right spot to drill (and proper hardware) without messing my bass up. Can you offer any tips on how to add one or source the parts I'd need?
 
Good morning everyone ! I have a great Dingwall story that should elicit a chuckle.

Played a local blue collar bar this weekend, Friday and Saturday night. Seasoned crowd (as in my age). Bikers, regulars, pool hustlers, etc.

In spite of playing here prior, Friday was just weird. Crowd was very subdued. One of the waitresses explained that the bar had been dead for the last 4 weeks and they had no idea why. It was one of those gigs that you knew you just had to dig deep and play like you were playing for a couple of thousand folks. Bottom line was that those that were there had a great time.

Walked in Saturday night hoping that things would be normal for lack of a better term. I was a little self-conscious as I thought my attire was a tad ridiculous for a 50 year old. I had about sweated to death the night prior and decided to ditch the long sleeve collared shirt in favor of T shirt. My wife told me I looked fine and NOT like I was trying way too hard, attempting to recapture my youth.

Way more people in the bar which was great. I ganked it up a hair during the first set on some minor stuff, but finally buckled down. (sorry for the diatribe but it supports the story.)

We fire up the second set. Bar is really starting to hop. Band is playing well. Dance floor is packed. We are clearly doing our job.

While on the Ding, some monster of a guy walks right up to the front of the stage in front of me with this very serious look on his face. I didn't think anything of it initially. But he stood there through 3 or 4 songs, burning holes through me. It was so disconcerting that I was certain that my zipper was down and that I was trolling.

Now understand that we are a classic rock/southern rock/modern country band. We don't play a single song in which the bass work would possibly wow anyone. Especially my chops. Anything we play can be picked up just listening to the tune, or via YouTube in about 5 minutes. I just stayed focused and in the pocket, and tried not to pee the bed.

After the set was over, this monster of a guy walks around the side of the stage where I set my basses and says, " Holy Sh!t ! That is a Dingwall Super J5. You're playing a Dingwall in HERE ?"

Turned about to be a great guy. We talked a number of times between sets about basses and gear.

So here is the punch line. 3rd set, dance floor is humpin' and bumpin' thanks to a huge bachelorette party. We're playing a Headhunter's song that has some blistering pick work in it, at least for my skills. It's just one of those times that exemplifies why we do what we do.

We flat tore the song up. Crowd is cheering. And through all of this I hear this huge booming voice yell..........

"SHELDON F%^K&*() DINGWALL !"

I cracked up laughing! Even the rest of the band busted out laughing.

It surely wasn't about me. But that Super J tone clearly spoke to someone ~!

I will post up a pic of my ridiculous attire when I receive the pics on Tuesday. You'll understand my discomfort.
 
Good morning everyone ! I have a great Dingwall story that should elicit a chuckle.

Played a local blue collar bar this weekend, Friday and Saturday night. Seasoned crowd (as in my age). Bikers, regulars, pool hustlers, etc.

In spite of playing here prior, Friday was just weird. Crowd was very subdued. One of the waitresses explained that the bar had been dead for the last 4 weeks and they had no idea why. It was one of those gigs that you knew you just had to dig deep and play like you were playing for a couple of thousand folks. Bottom line was that those that were there had a great time.

Walked in Saturday night hoping that things would be normal for lack of a better term. I was a little self-conscious as I thought my attire was a tad ridiculous for a 50 year old. I had about sweated to death the night prior and decided to ditch the long sleeve collared shirt in favor of T shirt. My wife told me I looked fine and NOT like I was trying way too hard, attempting to recapture my youth.

Way more people in the bar which was great. I ganked it up a hair during the first set on some minor stuff, but finally buckled down. (sorry for the diatribe but it supports the story.)

We fire up the second set. Bar is really starting to hop. Band is playing well. Dance floor is packed. We are clearly doing our job.

While on the Ding, some monster of a guy walks right up to the front of the stage in front of me with this very serious look on his face. I didn't think anything of it initially. But he stood there through 3 or 4 songs, burning holes through me. It was so disconcerting that I was certain that my zipper was down and that I was trolling.

Now understand that we are a classic rock/southern rock/modern country band. We don't play a single song in which the bass work would possibly wow anyone. Especially my chops. Anything we play can be picked up just listening to the tune, or via YouTube in about 5 minutes. I just stayed focused and in the pocket, and tried not to pee the bed.

After the set was over, this monster of a guy walks around the side of the stage where I set my basses and says, " Holy Sh!t ! That is a Dingwall Super J5. You're playing a Dingwall in HERE ?"

Turned about to be a great guy. We talked a number of times between sets about basses and gear.

So here is the punch line. 3rd set, dance floor is humpin' and bumpin' thanks to a huge bachelorette party. We're playing a Headhunter's song that has some blistering pick work in it, at least for my skills. It's just one of those times that exemplifies why we do what we do.

We flat tore the song up. Crowd is cheering. And through all of this I hear this huge booming voice yell..........

"SHELDON F%^K&*() DINGWALL !"

I cracked up laughing! Even the rest of the band busted out laughing.

It surely wasn't about me. But that Super J tone clearly spoke to someone ~!

I will post up a pic of my ridiculous attire when I receive the pics on Tuesday. You'll understand my discomfort.

Great F@@@ING DINGWALL story!! I bet Sheldon will laugh his head off, sh*t you've made my day lol
 
I've said it before and I will probably say it again after this time - Dingwall basses are superior by design.

Thanks for sharing, Zoomie!

I agree but I reserve the right to confirm this when my Super P arrives. ;)

This event overshadowed that I was informed by the band that I caught some air at some point during a set. I'm a bobble head guy when I play bass, not a leave my feet guy. I could break a hip! Rofl. I do not recall this, and before anyone asks, I never drink when I play, nor ever mess with any other form of recreational condiments. Maybe I had one too many cups of coffee?
 
Sheldon, is there any chance you'd consider selling a kit with the 3rd insert and/or a simple placement template for earlier models? I'd love to have one of those added on my Z3 but I'm worried about finding the right spot to drill (and proper hardware) without messing my bass up. Can you offer any tips on how to add one or source the parts I'd need?

Sure. Do you have someone qualified who can install it?
 
That's funny Zoomie. You weren't playing "White Lies" we're you?

Hahahahaha !

No. And it was so bizarre to witness as a Dingwall fan that I would even be willing to attribute it to mass hysteria as the remainder of the band heard the guy too. The problem here is that the band could care less about what I'm playing and only recognize the Dingwall brand because I don't ever shut up about it.

The guy even knew about the fire, which I have only seen mentioned once on these threads, let alone anywhere else.

You create a cult-like following and people will do things like this from time to time. Get used to it, sir !
 
Sure. Do you have someone qualified who can install it?

I'm in calgary so I'd likely take it to Jim Mozell or even bring it back to your factory/get a tour while someone in your shop could do it.

Either way, I'm happy this could be an addition you would be willing to help with. I'm back taking lessons from hank insell and he's certainly causing me some hand cramps with some of his exercises at both ends of the fretboard. ;)

Want me to PM you for some details of how we can work this out?
 
Hey Sheldon,

I walked off stage on Sunday (outdoor festival gig) and both the monitor tech and the FOH told me I had the nicest bass sound they'd heard. Thank you. :)

Ditto here. Played sets on Sunday afternoon and last night with the new ABZ.

Both sound people commented, not just on how good it sounded overall, but about how easy it was to mix. That's often been a deal-breaker for me in the past. Pleasing me with an exotic instrument is easy- it has to work for the client and the FOH as well.

Meanwhile, my back was happy, and so were my fingers. No clams due to the scale change, and by half-way through the first set, it was already feeling more confidence-inspiring than my conventional basses.

After just shy of twenty years playing a somewhat unusual custom bass almost exclusively, I did not expect the transition to be this easy.

Thank you, Sheldon!