I run the Glocks flat on my three active basses. I love the 'more of everything' they bring and being able to lower volume drastically without losing that tone...

TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Passive is the way to go imo. I’ve got a ABZ 4 with parallel/serial switches per pickup, super P 5 with bridge pickup with a parallel/serial pull knob for bridge pickup, and d-roc 4, all passive. I much prefer using the pickup selection/toggles to control the tone as it’s repeatable every time without having to try to find the exact same spot on active knobs. Unless I’m buying a used dingwall that is otherwise perfect but has a preamp, I don’t intend to get active electronics for any future dingwalls I get, and I also don’t intend to have preamps adds to any of my current ones.
Your ABZ is the trans black one I sold you if I'm not mistaken?? I wish I'd never sold it, but glad it went to a good home obviously!!!! That bass, a Super P5 and a D-Roc is a helluva trio!!!
I'd really like to try the Neve preamp. Passive would be next or maybe a tie between Neve and passive.
Fender is a classic for manyOh boy. NBD incoming, and it’s my freaking white whale.
Speaking of exceptional instruments and the color white: I‘ve decided to keep my beautiful Super PJ4. I would have been sad to see it go, anyway, but what absolutely baffels me is the sale I made instead: A run-of-the-mill Fender. Done, cash in hand, in less than 24 hours. What gives?
I’m glad this club appreciates the finer things in bass.
Fender is a classic for many![]()
I think more people are seeking out Fenders than Dingwalls. Larger market.
What does this mean? ^^^If you want the Darkglass sound go for the real Monty.
I also have a Super J with the Glock preamp, though admittedly paired with FDVs. I can't speak to your preference for frequency sweep centerpoints, but I can say that mine has absolutely zero hiss whatsoever. It might be worth checking the bass over for a faulty component, wiring, etc. If the preamp is functioning correctly, at least in my experience, it is noise-free. Either do that or just always run it in passive modeI have a 2014 Super J XXX5 with FD3s and a glock preamp. I loathe that preamp, Hissy and tone swept in all the wrong places.
I’ll take it off your hands and spare you your troubles.I have a 2014 Super J XXX5 with FD3s and a glock preamp.

Slightly off-track question, related to finishes on Dingwalls (though applicable to other basses too).
If I meet a well-known bass player and start fanpersoning and want them to autograph my Dingwall, what do I use for that? Will just a regular black Sharpie be permanent, or will it just rub right off of the poly finish and then I'll be sad? Anything better? Is it different if they do it on matte finish (NG3) versus shiny finish (Super P)? Is it the same for other brands of basses, or is Dingwall ahead of the game on coatings too? Sorry if these are dumb questions... I've never done this to an instrument before, this chance is coming soon, and I'm reluctant to test!
I have a 2014 Super J XXX5 with FD3s and a glock preamp. I loathe that preamp, Hissy and tone swept in all the wrong places. IMHO it's the most out of place component on that bass. To me active preamps always seem to take some goodness away and leave some crap behind. If you want the Darkglass sound go for the real Monty. I've come to prefer the punch and purity of passive tone circuits. If I need more grind or coloring, I'll use an outboard preamp.